Вручение 2002 г.

Страна: США Дата проведения: 2002 г.

Премия Роберта Бингэма за дебютный сборник рассказов

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Мэтью Клам 0.0
The New Yorker magazine named Matt Klam one of the twenty best young writers in America, and the seven stories that comprise Sam the Cat are all the proof we need.

Knowing, perceptive, and wickedly funny, Matt Klam loves his characters but spares them nothing: the swaggering womanizer Sam falls in love with a woman across a crowded room who, upon closer inspection, turns out to be not quite what he expected; a self-doubting young professional attends the posh wedding of his successful friend and delivers a disastrous toast; the chicken one man?s girlfriend is preparing for dinner comes to embody the darkly corrosive element in their relationship. These stories crackle with humor, intelligence and style and add up to an outrageously funny, unforgettable debut.
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Кэролин Кук 0.0
Carolyn Cooke's stories have been featured in several volumes of PRIZE STORIES: THE O. HENRY AWARDS and THE BEST AMERICAN SHORT STORIES. Her highly anticipated debut collection tells hilarious and often savage truths about people struggling within the confines of history, society, and class.
Mr. Sargent, the aging Brahmin aesthete of the title story, scribbles his epiphanies on cocktail napkins and covers them up with his drinks. A Maine innkeeper shoots his wife, who remains bitterly loyal to him until the death of their son. A whole family conspires to keep the birth of yet another dirt-poor relation a secret from his grandmother. On the icy cobblestone streets of Boston and the rockbound coast of Maine, these vividly realized characters try to reconcile habits of obedience and self-reliance with the urgent desire to capture the wild core of life. The result is an explosion of exquisitely tuned voices, as authentic as they are unforgettable.
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Манил Сури 5.0
Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.