Сонора Тейлор0.0 Is it a knock on the door, or a gust of wind? A trick of the light, or someone who’ll see what you’ve done?
Little Paranoias features twenty tales of the little things that drive our deepest fears. It tells the stories of terror and sorrow, lust at the end of the world and death as an unwanted second chance. It dives into the darkest corners of the minds of men, women, and children. It wanders into the forest and touches every corner of the capital. Everyone has something to fear — but after all, it’s those little paranoias that drive our day-to-day.
Дж. С. Брекелаар0.0 A collection of twelve of J.S. Breukelaar's darkest, finest stories with four new works, including the uncanny new novella "Ripples on a Blank Shore." Introduction by award-winning author, Angela Slatter. Relish the gothic strangeness of "Union Falls," the alien horror of "Rogues Bay 3013," the heartbreaking dystopia of "Glow," the weird mythos of "Ava Rune," and others. This collection from the author of American Monster and the internationally acclaimed and Aurealis Award finalist, Aletheia, announces a new and powerful voice in fantastical fiction.
Cathy Ulrich0.0 Cathy Ulrich’s Ghosts of You is a collection of stories from her Murdered Ladies series about seeking the lost and finding the person behind the sensationalism. It examines and subverts the tropes of mystery and crime storytelling in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. They have been taken, but their stories still remain. This is how they set the plot in motion.
These are the stories of things out of water—of sea bed deserts choked with ghosts; of the lonely, roving children of the fen. Here your garden grows belowground. You will be born into a cradle of your own bones, shadows will burst from your eyes, and your mouth will fill with thorns. Storms will twist inside you, and the ghosts of your past will follow you and chart your future.
Here, things are out of place—ectopic and unviable—and you will mourn the unborn, those underwater things out of water.
Caitlin Starling3.2 A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she’d be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck—enough to get her off-planet and on the trail of her mother—meant she’d get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane.
Instead, she got Em.
Em sees nothing wrong with controlling Gyre’s body with drugs or withholding critical information to “ensure the smooth operation” of her expedition. Em knows all about Gyre’s falsified credentials, and has no qualms using them as a leash—and a lash. And Em has secrets, too . . .
As Gyre descends, little inconsistencies—missing supplies, unexpected changes in the route, and, worst of all, shifts in Em’s motivations—drive her out of her depths. Lost and disoriented, her control giving way to paranoia and anger, Gyre severs her connection with Em and the outside world. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive—she must confront the ghosts in her own head.
But how come she can’t shake the feeling she’s being followed?
Сара Рид0.0 He’s run away from home. That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.
It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.
When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.
With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.
Мелани Голдинг3.7 Лорен опасается за своих новорожденных близнецов: незнакомая женщина ночью пыталась украсть малышей из палаты родильного отделения, но Лорен удалось запереться с ними в ванной и вызвать полицию. Правда, приехавшие полицейские не обнаружили никаких следов посторонних и система видеонаблюдения не зафиксировала ничего подозрительного. Было решено, что все это привиделось Лорен во сне.
Когда через некоторое время она заявляет, что видела ту же женщину недалеко от своего дома, ей снова никто не верит. Никто, кроме детектива Джоанны Харпер, которая доверяется своей интуиции и начинает расследование.
T. Marie Vandelly0.0 An utterly propulsive and unpredictable psychological thriller from stunning new talent T. Marie Vandelly
For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter.
Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making.
In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul
Донна Линч5.0 Choking Back the Devil by Donna Lynch is an invocation, an ancient invitation that summons the darkness within and channels those lonely spirits looking for a host. It's a collection that lives in the realm of ghosts and family curses, witchcraft and urban legends, and if you're brave enough to peek behind the veil, the hauntings that permeate these pages will break seals and open doorways, cut throats and shatter mirrors.
You see, these poems are small drownings, all those subtle suffocations that live in that place between our ribs that swells with panic, incubates fear. Lynch shows her readers that sometimes our shadow selves--our secrets--are our sharpest weapons, the knives that rip through flesh, suture pacts with demons, cut deals with entities looking for more than a homecoming, something better, more intimate than family.
It's about the masks we wear and the reflections we choose not to look at, and what's most terrifying about the spells is these incantations show that we are the possessed, that we are our greatest monster, and if we look out of the corner of our eyes, sometimes--if we've damned ourselves enough--we can catch a glimpse of our own burnings, what monstrosities and mockeries we're to become.
So cross yourselves and say your prayers. Because in this world, you are the witch and the hunter, the girl and the wolf.
Octavia Cade0.0 All our monsters are mirrors. And when Mary Shelley’s monster—built from her life rather than her pen, born out of biography instead of blood—outlives its mother, that monster goes looking for a substitute. But all the monster really knows of women is that women write, and so the search for a replacement takes it first to Katherine Mansfield, and then to other women who know what mutilated things can be made from ink and mirrors….
