Вручение 2016 г.

Страна: Великобритания Место проведения: Кембриджшир, имение Уимпол, фестиваль истории Дата проведения: 2016 г.

Премия Хеселль-Тилтман

Лауреат
Николас Старгардт 4.5
As early as 1941, Allied victory in World War II seemed all but assured. How and why, then, did the Germans prolong the barbaric conflict for three and a half more years?

In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of primary source materials—personal diaries, court records, and military correspondence—to answer this question. He offers an unprecedented portrait of wartime Germany, bringing the hopes and expectations of the German people—from infantrymen and tank commanders on the Eastern front to civilians on the home front—to vivid life. While most historians identify the German defeat at Stalingrad as the moment when the average German citizen turned against the war effort, Stargardt demonstrates that the Wehrmacht in fact retained the staunch support of the patriotic German populace until the bitter end.

Astonishing in its breadth and humanity, The German War is a groundbreaking new interpretation of what drove the Germans to fight—and keep fighting—for a lost cause.
Мэри Бирд 4.2
Мы встречаемся с образами и историей Древнего Рима в науке, литературе, искусстве. Но насколько близки к реальности наши представления об эпохе, на которую опирается вся западная цивилизация? Ведущий мировой специалист по древней истории Мэри Бирд в своей книге «SPQR: История Древнего Рима» объясняет, почему нам так важна римская история, каким образом маленький, ничем не примечательный городок Центральной Италии превратился в империю трех континентов.

Название «SPQR» — аббревиатура латинского выражения senatus populus que romanus, означающего «сенат и народ Рима». Сенат дал название современным законодательным собраниям по всему миру.

SPQR — книга о Риме и о том, как он сохранял свое господство несколько веков подряд, о его жителях, императорах и заговорщиках. Описывая взаимоотношения власти и человека, политическое устройство и конфликты, становление государственности и империи, знаменитых и никому не известных римлян, автор посредством научных данных разрушает мифы.

Изложение истории Древнего Рима начинается с середины I в. до н. э., когда Рим уже был обширной метрополией с населением больше миллиона жителей, с предвестия переворота и описания звездного часа Цицерона. А заканчивается кульминационным моментом, когда в 212 г. император Каракалла дал всем свободным жителям Римской империи право полного римского гражданства, уничтожив различия между победителями и побежденными.
Питер Франкопан 3.8
"Шелковый путь" - больше чем книга, это настоящее исследование британского историка и преподавателя Оксфордского университета Питера Франкопана. В книге рассматривается вся история человечества за последние 2000 лет. Вы узнаете, как возник шелковый путь из Азии в Европу, какие войны велись за контроль над ним, а также поймете его истинное значение для всего мира.
Вы увидите, что история развивалась совсем не так, как мы привыкли изучать в школе. Так, столетия назад интеллектуальные центры мира, "Оксфорды" и "Кембриджи", "Гарварды" и "Йели" находились не в Европе, а в городах Средней Азии, куда и съезжалась вся просвещенная молодежь в поисках успеха.
Сара Хелм 0.0
A groundbreaking, masterful, and absorbing account of the last hidden atrocity of World War II—Ravensbrück—the largest female-only concentration camp, where more than 100,000 women consisting of more than twenty nationalities were imprisoned.

Shortly before the outbreak of World War II, Heinrich Himmler, the head of the SS and the architect of the Holocaust, oversaw the construction of a special concentration camp just fifty miles north of Berlin. He called it Ravensbrück, and during the years that followed thousands of people died there after enduring brutal forms of torture. All were women. There are a handful of studies and memoirs that reference Ravensbrück, but until now no one has written a full account of this atrocity, perhaps due to the mostly masculine narrative of war, or perhaps because it lacks the Jewish context of most mainstream Holocaust history. Ninety percent of Ravensbrück's prisoners were not Jewish. Rather, they were political prisoners, Resistance fighters, lesbians, prostitutes, even the sister of New York's Mayor LaGuardia. In a perverse twist, most of the guards were women themselves. Sarah Helm's groundbreaking work sheds much-needed light on an aspect of World War II that has remained in the shadows for decades. Using research into German and newly opened Russian archives, as well as interviews with survivors, Helm has produced a landmark achievement that weaves together various accounts, allowing us to follow characters on both sides of the prisoner/guard divide. Chilling, compelling, and deeply unsettling, Ravensbrück is essential reading for anyone concerned with Nazi history.
Рагху Карнад 0.0
The photographs of three young men had stood in his grandmother’s house for as long as he could remember, beheld but never fully noticed. They had all fought in the Second World War, a fact that surprised him. Indians had never figured in his idea of the war, nor the war in his idea of India. One of them, Bobby, even looked a bit like him, but Raghu Karnad had not noticed until he was the same age as they were in their photo frames. Then he learned about the Parsi boy from the sleepy south Indian coast, so eager to follow his brothers-in-law into the colonial forces and onto the front line. Manek, dashing and confident, was a pilot with India’s fledgling air force; gentle Ganny became an army doctor in the arid North-West Frontier. Bobby’s pursuit would carry him as far as the deserts of Iraq and the green hell of the Burma battlefront.


The years 1939–45 might be the most revered, deplored, and replayed in modern history. Yet India’s extraordinary role has been concealed, from itself and from the world. In riveting prose, Karnad retrieves the story of a single family—a story of love, rebellion, loyalty, and uncertainty—and with it, the greater revelation that is India’s Second World War.


Farthest Field narrates the lost epic of India’s war, in which the largest volunteer army in history fought for the British Empire, even as its countrymen fought to be free of it. It carries us from Madras to Peshawar, Egypt to Burma—unfolding the saga of a young family amazed by their swiftly changing world and swept up in its violence.
Джеймс Шапиро 0.0
Preeminent Shakespeare scholar James Shapiro shows how the tumultuous events in England in 1606 affected Shakespeare and shaped the three great tragedies he wrote that year—King Lear, Macbeth, and Antony and Cleopatra.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare’s great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra.

It was a memorable year in England as well—and a grim one, in the aftermath of a terrorist plot conceived by a small group of Catholic gentry that had been uncovered at the last hour. The foiled Gunpowder Plot would have blown up the king and royal family along with the nation’s political and religious leadership. The aborted plot renewed anti-Catholic sentiment and laid bare divisions in the kingdom.

It was against this background that Shakespeare finished Lear, a play about a divided kingdom, then wrote a tragedy that turned on the murder of a Scottish king, Macbeth. He ended this astonishing year with a third masterpiece no less steeped in current events and concerns: Antony and Cleopatra.

The Year of Lear sheds light on these three great tragedies by placing them in the context of their times, while also allowing us greater insight into how Shakespeare was personally touched by such events as a terrible outbreak of plague and growing religious divisions. For anyone interested in Shakespeare, this is an indispensable book.