Рени Эддо-Лодж4.2 'One of the most important books of 2017' Nikesh Shukla, editor of The Good Immigrant
A powerful and provocative argument on the role that race and racism play in modern Britain, by award-winning journalist Reni Eddo-Lodge
In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. She posted a piece on her blog, entitled: 'Why I'm No Longer Talking to White People About Race'.
Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised by this clear hunger for open discussion, she decided to dig into the source of these feelings.
Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge and counter racism. It is a searing, illuminating, absolutely necessary exploration of what it is to be a person of colour in Britain today.
Надим Аслам0.0 When shots ring out on the Grand Trunk Road, Nargis's life begins to crumble around her. Her husband, Massud--a fellow architect--is caught in the cross fire and dies before she can confess her greatest secret to him. Now under threat from a powerful military intelligence officer, who demands that she pardon her husband's American killer, Nargis fears that the truth about her past will soon be exposed. For weeks someone has been broadcasting people's secrets from the minaret of the local mosque, and, in a country where even the accusation of blasphemy is a currency to be bartered, the mysterious broadcasts have struck fear in Christians and Muslims alike. When the loudspeakers reveal a forbidden romance between a Muslim cleric's daughter and Nargis's Christian neighbor, Nargis finds herself trapped in the center of the chaos tearing their community apart.
Кайомбо Чингони0.0 *Shortlisted for the Costa Poetry Prize 2017*
*Selected as a 2017 Book of the Year in the Guardian and Daily Telegraph*
‘Urban and urbane, it’s a magnificent debut’ Daily Telegraph
‘A brilliant debut – a tender, nostalgic and at times darkly hilarious exploration of black boyhood, masculinity and grief – from one of my favourite writers’ – Warsan Shire
Translating as ‘initiation’, kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi’s remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived.
Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.
Xiaolu Guo0.0 ‘Ah, Xiaolu, you are so big now!’ Then I heard my grandmother speaking behind the woman, ‘This is your mother, call her mother!’ I stared at the woman, perplexed.
Xiaolu Guo meets her parents for the first time when she is six. They are strangers to her. When Xiaolu is born her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. It’s a strange beginning.
Like a Wild Swans for a new generation, Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity of modern China: censorship, underground art, Western boyfriends. In 2002 she leaves Beijing on a scholarship to study in a picturesque British village. Now, after a decade in Europe, her tale of East to West resonates with the insight that can only come from someone who is both an outsider and at home.
Xiaolu Guo’s extraordinary memoir is a handbook of life lessons. How to be an artist when censorship kills creativity and the only job you can get is writing bad telenovela scripts. How to be a woman when female babies are regularly drowned at birth and sexual abuse is commonplace. Most poignantly of all: how to love when you’ve never been shown how.
Мина Кандасами0.0 Seduced by politics and poetry, the unnamed narrator falls in love with a university professor and agrees to be his wife, but what for her is a contract of love is for him a contract of ownership. As he sets about reducing her to his idealised version of a kept woman, bullying her out of her life as an academic and writer in the process, she attempts to push back - a resistance he resolves to break with violence and rape.
Smart, fierce and courageous When I Hit You is a dissection of what love meant, means and will come to mean when trust is undermined by violence; a brilliant, throat-tightening feminist discourse on battered faces and bruised male egos; and a scathing portrait of traditional wedlock in modern India
Киран Миллвуд Харгрейв4.0 Ами живет на далеком острове, где обитают люди, не такие, как все. Когда на Кулион приезжает жестокий мистер Замора, жизнь девочки оказывается разрушена. Ее силой увозят, разлучив с семьей и друзьями. Теперь между ней и дорогими ее сердцу людьми лежит целое море. Но Ами не сдается. Ее ведет за собой хрупкая, точно бабочка, надежда и отчаянное желание изменить привычный мир, стерев из него раз и навсегда всю несправедливость. Успеет ли она вернуться домой и помочь своим близким, пока не стало слишком поздно?
Ирса Дейли-Уорд4.3 From the celebrated poet Yrsa Daley-Ward, a poignant collection of autobiographical poems about the heart, life, and the inner self.
Bone. Visceral. Close to. Stark.
The poems in Yrsa Daley-Ward's collection bone are exactly that: reflections on a particular life honed to their essence--so clear and pared-down, they become universal.
From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonate to the core of what it means to be human.
"You will come away bruised.
You will come away bruised
but this will give you poetry."
Леони Росс0.0 From headless schoolgirls, to talking food and threesomes, pretty much anything can happen in these witty, weird and wonderful short stories by Leone Ross.
Ranging from flash fiction to intense psychological drama, magical realism, horror and erotica, these strange, clever, frank and sometimes very funny stories have a serious side too. Carefully crafted over 15 years, they explore unbounded sexualities, a vision of the fluidity of the person, and politics – from the deaths of black people at the hands of the police, to the deep shifts that signal the subtle changes in the nature of capitalism and much more. These stories may sometimes tickle, sometimes shock; but will always engage both the intellect and the heart.
Прети Танеджа0.0 The story of a billionaire family dynasty, led by a gold-plated madman, stewed in corruption, mired in violence, riven by infighting, deception and lies… The resonances will be there for anyone who knows King Lear - not to mention anyone struggling to come to terms with the new world order - from the rise of the religious right wing in India to the Trump dynasty in the United States. This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come.
Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir.
Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.
