Attila Bartis0.0 Tranquility is a living seismograph of the internal quakes and ruptures of a mother and son trapped within an Oedipal nightmare amidst the suffocating totalitarian embrace of Communist Hungary. Andor Weér, a thirty-six-year-old writer, lives in a cramped apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that "freedom is a condition unsuitable for humans," Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque notion that there’s nothing funnier than unhappiness.
Стефан Цвейг4.3 Роман Стефана Цвейга «Кристина Хофленер» (1929) первоначально назывался «Хмель преображения». Это история австрийской Золушки, скромной девушки с почты, которой выпало жить в нелегкие времена.
Роберто Боланьо4.1 Written with burning intesity in the last years of Roberto Bolano`s life, 2666 has been greeted across the world as the great writer`s masterpiece, surpassing everything in imagination, beauty and scope. It is a novel on an astonishing scale from a passionate visionary.
Roberto Bolano3.3 Nazi Literature in the Americas was the first of Roberto Bolano's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.
Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Pinera, as recounted in Guillermo Cabrera Infante's Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).
Celine Curiol0.0 A lonely young woman works as an announcer in Paris's gare du Nord train station. Obsessed with a man attached to another woman, she wanders through the world of dinner parties, shopping excursions, and chance sexual encounters with a sense of haunting expectation. As something begins to happen between her and the man she loves, she finds herself at a crossroads, pitting her desire against her sanity. This smashing debut novel sparkles with mordant humor and sexy charm.
Виллем Фредерик Херманс0.0 During the German occupation of Holland, tobacconist Henri Osewoudt is visited by Dorbeck. Dorbeck is Osewoudt's spitting image in reverse. Henri is blond and beardless, with a high voice; Dorbeck is dark-haired, and his voice deep. 'I had the feeling I was an extension of him, or even part of him. When I first set eyes on him I thought: this is the sort of man I should have been.'
Dorbeck gives Osewoudt a series of dangerous assignments: helping British agents and eliminating traitors. But the assassinations get out of hand, and when Osewoudt discovers that his wife denounced him to the Germans, he kills her too.
Having survived all the dangers, at the end of the war Osewoudt is himself taken for a traitor and captured. He cannot prove that he received his assignments from Dorbeck. Worse, he cannot prove that Dorbeck ever existed. When he develops a roll of film that should show a photograph of the two of them together, the picture is a dud. He flees from prison in panic and is dishonourably shot on the run.
The story of Osewoudt's fateful wanderings through a sadistic universe is thrilling. Is Osewoudt hero or villain? Or is he a psychopath, driven by delusions? It is the impossibility of ascertaining whether Osewoudt was on the 'right' side or the 'wrong' side - the moral issue of the Second World War in a nutshell - that makes Hermans' novel as breathtaking now as when it was written a decade after the war.
Elias Khoury0.0 Award-winning author Elias Khoury's latest novel is a searing look at truth and memory, love and trancendence, told through the contradictory confessions of a young Lebanese prisoner
During the Lebanese civil war in the 1980s, a young man is arrested and charged with rape. Repeatedly interrogated and tortured, Yalo is forced--like Scheherazade--to tell a different story each day to stay alive. As he battles to understand his past and the forces that have shaped him, he comes to discover his own voice and the true Yalo begins to emerge. This is a searing look at truth and memory, love and transcendence, from one of our most important Arab novelists.
Орасио Кастельянос Мойя4.0 A Rainmaker Translation Grant Winner from the Black Mountain Institute: Senselessness, acclaimed Salvadoran author Horacio Castallanos Moya's astounding debut in English, explores horror with hilarity and electrifying panache.
A boozing, sex-obsessed writer finds himself employed by the Catholic Church (an institution he loathes) to proofread a 1,100 page report on the army's massacre and torture of thousands of indigenous villagers a decade earlier, including the testimonies of the survivors. The writer's job is to tidy it up: he rants, "that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger." Mesmerized by the strange Vallejo-like poetry of the Indians' phrases ("the houses they were sad because no people were inside them"), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country.
Victor Serge0.0 Unforgiving Years is a thrilling and terrifying journey into the disastrous, blazing core of the twentieth century. Victor Serge's final novel, here translated into English for the first time, is at once the most ambitious, bleakest, and most lyrical of this neglected major writer's works. The book is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D's friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era. A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope, Unforgiving Years is a rediscovered masterpiece by the author of The Case of Comrade Tulayev.
Hailed as a great Latin American literary event, this stylistically innovative, elliptically told tale of a young man and his love who mysteriously disappears is, as the narrator tells us, “a simple story that becomes complicated.”
Through both the distance and closeness of these young lovers, Alejandro Zambra brilliantly explores the relationship between art, love, and life. Bonsai is accessible yet profound—as one critic in Chile’s Capital newspaper put it, “Brief as a sigh and forceful as a blow.”
Takashi Hiraide0.0 The radiant subway. The wall that clears up, endless. A thundering prayer of steel that fastens together the days, a brush of cloud hanging upon it, O beginning, it is there—your nest. Thus the keynotes of Hiraide’s utterly original book-length poem unfold—a mix of narrative, autobiography, minute scientific observations, poetics, rhetorical experiments, hyper-realistic images, and playful linguistic subversions—all scored with the precision of a mathematical-musical structure.