Вручение февраль 2013 г.

Страна: США Место проведения: город Нью-Йорк Дата проведения: февраль 2013 г.

Премия ПЕН / Жаклин Боград Вельд за биографию

Лауреат
Том Риис 4.0
Том-Александр Дюма, будучи сыном чернокожей рабыни и французского аристократа, сделал головокружительную карьеру в армии, дослужившись до звания генерала. О том, как генерал Дюма лично отбил шесть знамён у численно превосходящего противника, а под Мантуей остановил целую армию, в своих письмах писал сам Наполеон. Впрочем, близкая дружба с Бонапартом сыграла с Дюма злую шутку – император не смог смирится с популярностью генерала. Алекс Дюма был заточён в крепость, откуда чудом спасся. Позже многие из приключений отца вдохновили Александра Дюма на написание «Графа Монте-Кристо».
Джон Маттесон 0.0
A brilliant writer and a fiery social critic, Margaret Fuller (1810–1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley’s newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller’s longing to become ever better, reflected by the changing lives she led.
Элис Кесслер-Харрис 0.0
Lillian Hellman was a giant of twentieth-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice
Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time.

Kessler-Harris renders Hellman's feisty wit and personality in all of its contradictions: as a non-Jewish Jew, a displaced Southerner, a passionate political voice without a party, an artist immersed in commerce, a sexually free woman who scorned much of the women's movement, a loyal friend whose trust was often betrayed, and a writer of memoirs who repeatedly questioned the possibility of achieving truth and doubted her memory.

Hellman was a writer whose plays spoke the language of morality yet whose achievements foundered on accusations of mendacity. Above all else, she was a woman who made her way in a man's world. Kessler-Harris has crafted a nuanced life of Hellman, empathetic yet unsparing, that situates her in the varied contexts in which she moved, from New Orleans to Broadway to the hearing room of HUAC. A Difficut Woman is a major work of literary and intellectual history. This will be one of the most reviewed, and most acclaimed, books of 2012.
Лиза Коэн 0.0
A revelatory biography of three glamorous, complex, modern women

Esther Murphy was a brilliant New York intellectual who dazzled friends and strangers with an unstoppable flow of conversation. But she never finished the books she was contracted to write—a painful failure and yet a kind of achievement.

The quintessential fan, Mercedes de Acosta had intimate friendships with the legendary actresses and dancers of the twentieth century. Her ephemeral legacy is the thousands of objects she collected to preserve the memory of those performers and to document her own feelings.

An icon of haute couture and a fashion editor of British Vogue, Madge Garland held influential views on dress that drew on her feminism, her ideas about modernity, and her love of women. Existing both vividly and invisibly at the center of culture, she—like Murphy and de Acosta—is now almost completely forgotten.

In All We Know, Lisa Cohen describes these women’s glamorous choices, complicated failures, and controversial personal lives with lyricism and empathy. At once a series of intimate portraits and a startling investigation into style, celebrity, sexuality, and the genre of biography itself, All We Know explores a hidden history of modernism and pays tribute to three compelling lives.
Gordon Bowker 0.0
Gordon Bowker's biography incorporates recently unearthed material, of interest to the hardcore Joycean. It includes the palaver surrounding Joyce's 1931 marriage ceremony to Nora Barnacle and his rejection of an Irish passport underscoring his ambivalence towards his homeland. Bowker is concerned with Joyce's life, capturing the sorrowful aspects of his circumstances - the religious apostasy that would bring his mother such heartache and the increasingly precarious health of Joyce's beloved daughter, Lucia.