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Международная премия Дилана Томаса
Аринзе Ифеаканду 0.0
In nine exhilarating stories of queer love in contemporary Nigeria, God’s Children Are Little Broken Things announces the arrival of a daring new voice in fiction.

A man revisits the university campus where he lost his first love, aware now of what he couldn’t understand then. A young musician rises to fame at the price of pieces of himself, and the man who loves him. Arinze Ifeakandu explores with tenderness and grace the fundamental question of the heart: can deep love and hope be sustained in spite of the dominant expectations of society, and great adversity.
Международная премия Дилана Томаса
Патриция Локвуд 3.1
Есть ли жизнь после интернета?

Она — современная женщина. Она живет в Сети. Она рассуждает о политике, религии, толерантности, экологии и не переставая скроллит ленты соцсетей.

Но однажды реальность настигает ее, как пушечный залп. Два коротких сообщения от матери, и в одночасье все, что казалось важным, превращается в пыль перед лицом жизни.
Международная премия Дилана Томаса
Рэйвен Лейлани 3.1
Эди работает в издательстве. И это не то чтобы работа мечты. Ведь Эди мечтает стать художницей. Как Артемизия Джентилески, как Караваджо, как Ван Гог. Писать шедевры, залитые артериальной кровью. Эди молода, в меру цинична, в меру безжалостна. В меру несчастна.

По вечерам она пишет маслом, пытаясь переложить жизнь на холст. Но по утрам краски блекнут, и ей ничего не остается, кроме как обороняться от одолевающего ее разочарования.

Неожиданно для самой себя она с головой уходит в отношения с мужчиной старше себя — Эриком. Он женат, но это брак без обязательств. Его жена Ребекка абсолютно не против их романа.

И это должно напоминать любовный треугольник, но в мире больше нет места для простых геометрических фигур.

Теперь все гораздо сложнее. И кажется, что сегодня все барьеры взяты, предрассудки отброшены, табу сняты. Но свобода сковывает сердце так же, как и принуждение, и именно из этого ощущения и рождается едкая и провокационная «Жажда».
Международная премия Дилана Томаса
Lot
Брайан Вашингтон 0.0
Stories of a young man finding his place among family and community in Houston, from a powerful, emerging American voice.

In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence. And discovering he likes boys.

This boy and his family experience the tumult of living in the margins, the heartbreak of ghosts, and the braveries of the human heart. The stories of others living and thriving and dying across Houston's myriad neighborhoods are woven throughout to reveal a young woman's affair detonating across an apartment complex, a rag-tag baseball team, a group of young hustlers, the aftermath of Hurricane Harvey, a local drug dealer who takes a Guatemalan teen under his wing, and a reluctant chupacabra.

Bryan Washington's brilliant, viscerally drawn world leaps off the page with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot is about love in all its unsparing and unsteady forms.
Международная премия Дилана Томаса
Гай Гунаратне 0.0
For Selvon, Ardan and Yusuf, growing up under the towers of Stones Estate, summer means what it does anywhere: football, music, freedom. But now, after the killing of a British soldier, riots are spreading across the city, and nowhere is safe.

While the fury swirls around them, Selvon and Ardan remain focused on their own obsessions, girls and grime. Their friend Yusuf is caught up in a different tide, a wave of radicalism surging through his local mosque, threatening to carry his troubled brother, Irfan, with it.

Provocative, raw, poetic yet tender, IN OUR MAD AND FURIOUS CITY marks the arrival of a major new talent in fiction.
Международная премия Дилана Томаса
Кайомбо Чингони 0.0
*Shortlisted for the Costa Poetry Prize 2017*

*Selected as a 2017 Book of the Year in the Guardian and Daily Telegraph*

‘Urban and urbane, it’s a magnificent debut’ Daily Telegraph

‘A brilliant debut – a tender, nostalgic and at times darkly hilarious exploration of black boyhood, masculinity and grief – from one of my favourite writers’ – Warsan Shire

Translating as ‘initiation’, kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi’s remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived.

Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.
Международная премия Дилана Томаса
Фиона Макфарлейн 0.0
What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six.

So begins "Mycenae," a story in The High Places, Fiona McFarlane's first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In "Mycenae," she describes a middle-aged couple's disastrous vacation with old friends. In "Good News for Modern Man," a scientist lives on a small island with only a colossal squid and the ghost of Charles Darwin for company. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. Each story explores what Flannery O'Connor called "mystery and manners." The collection dissects the feelings--longing, contempt, love, fear--that animate our existence and hints at a reality beyond the smallness of our lives.

Salon's Laura Miller called McFarlane's The Night Guest "a novel of uncanny emotional penetration . . . How could anyone so young portray so persuasively what it feels like to look back on a lot more life than you can see in front of you?" The High Places is further evidence of McFarlane's preternatural talent, a debut collection that reads like the selected works of a literary great.
Международная премия Дилана Томаса
Max Porter 3.3
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.

In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him.

As weeks turn to months and the pain of loss gives way to memories, the little unit of three starts to heal.

In this extraordinary debut - part novella, part polyphonic fable, part essay on grief - Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief Is the Thing with Feathers marks the arrival of a thrilling new talent.
Международная премия Дилана Томаса
Joshua Ferris 3.3
Paul O'Rourke, 40 year-old slightly curmudgeonly dentist, runs a thriving practice in New York. Yet he is discovering he needs more in his life than a steady income and the perfect mochaccino. But what?

As Paul tries to work out the meaning of life, a Facebook page and Twitter account appear in his name. What's at first an outrageous violation of privacy soon becomes something more frightening: the possibility that the online "Paul" might be a better version of the man in the flesh. Who is doing this and will it cost Paul his sanity?
Международная премия Дилана Томаса
Клэр Вайе Уоткинс 5.0
The stories in Battleborn all unfold in Watkins's home state of Nevada, from down south in Nye County and Las Vegas, to Reno, Lake Tahoe, and the Blackrock Desert, the site of Burning Man. We are introduced to a very specific small town America, to those homes and lives off the highway - the ones travellers and writers usually drive past on their way to somewhere else. While the locations are ordinary, the characters and Watkins' telling of their lives are anything but. There is the man who finds a cache of letters, pills and a photograph abandoned by the side of the road and as he writes to the man he imagines left them behind, reveals moving truths about himself ('The Last Thing We Need'); the man in late middle age who finds a troubled, pregnant teen dying in the desert and, through her, begins to dream of regaining the family he lost ('Man-O-War'); the brothers caught in the early days of the gold rush ('The Diggings'); and the sisters unable to comfort each other following their mother's suicide ('Graceland'). And there is the first story ('Ghosts, Cowboys'), a semi-autobiographical account of a troubled - and famous - family history.
Международная премия Дилана Томаса
Мэгги Шипстед 0.0
Winn Van Meter is heading for his family’s retreat on the pristine New England island of Waskeke. Normally a haven of calm, for the next three days this sanctuary will be overrun by tipsy revelers as Winn prepares for the marriage of his daughter Daphne to the affable young scion Greyson Duff. Winn’s wife, Biddy, has planned the wedding with military precision, but arrangements are sideswept by a storm of salacious misbehavior and intractable lust: Daphne’s sister, Livia, who has recently had her heart broken by Teddy Fenn, the son of her father’s oldest rival, is an eager target for the seductive wiles of Greyson’s best man; Winn, instead of reveling in his patriarchal duties, is tormented by his long-standing crush on Daphne’s beguiling bridesmaid Agatha; and the bride and groom find themselves presiding over a spectacle of misplaced desire, marital infidelity, and monumental loss of faith in the rituals of American life.
Международная премия Дилана Томаса
Люси Колдуэлл 0.0
When Euan and Ruth set off with their young daughter to live in Bahrain, it is meant to be an experience and adventure they will cherish. But on the night they arrive, Ruth discovers the truth behind the missionary work Euan has planned and feels her world start to crumble. Far from home, and with events spiralling towards war in nearby Iraq, she starts to question her faith - in Euan, in their marriage and in all she has held dear.

With Euan so often away, she is confined to their guarded compound with her neighbours and, in particular, Noor, a troubled teenager recently returned to Bahrain to live with her father. Confronted by temptations and doubt, each must make choices that could change all of their lives for ever.
Международная премия Дилана Томаса
Элиз Фентон 0.0
Winner of the 2009 Cleveland State University Poetry Center First Book Prize.
Международная премия Дилана Томаса
Nam Le 0.0
The Boat takes us from a tourist in Tehran to a teenage hit man in Colombia; from an aging New York artist to a boy coming of age in a small Victorian fishing town; from the city of Hiroshima just before the bomb is dropped to the haunting waste of the South China Sea in the wake of another war. Each story uncovers a raw human truth. Each story is as absorbing and fully realised as a novel. Together, they make up a collection of astonishing diversity and achievement.

About the Author

Nam Le's first book, The Boat, received the Australian Prime Minister's Literary Award, the Melbourne Prize (Best Writing Award), the Dylan Thomas Prize, the Anisfield-Wolf Book Award and the PEN/Malamud Award, among other honours. It was selected as a New York Times Notable Book and Editor's Choice, the best debut of 2008 by the Australian Book Review and New York Magazine, and a book of the year by The Age, The Sydney Morning Herald, The Australian, The Herald Sun, The Monthly, and numerous sources around the world. The Boat has been translated into thirteen languages and its stories widely anthologised. Le is the fiction editor of the Harvard Review.
Международная премия Дилана Томаса
Рэйчел Трезиз 0.0
Winner of the Dylan Thomas Award, this collection of short stories contains wry and defiant statements on the power and the beautiful transience of youth.