Charles Rappleye0.0 In 1774, as the new world simmered with tensions that would lead to the violent birth of a new nation, two Rhode Island brothers were heading toward their own war over the issue that haunts America to this day: slavery. Set against a colonial backdrop teeming with radicals and reactionaries, visionaries, spies, and salty sea captains, Sons of Providence is the biography of John and Moses Brown, two classic American archetypes bound by blood yet divided by the specter of more than half a million Africans enslaved throughout the colonies. John is a profit-driven robber baron running slave galleys from his wharf on the Providence waterfront; his younger brother Moses is an idealist, a conscientious Quaker hungry for social reform who—with blood on his own hands—strikes out against the hypocrisy of slavery in a land of liberty.
Their story spans a century, from John's birth in 1736, through the Revolution, to Moses' death in 1836. The brothers were partners in business and politics and in founding the university that bears their name. They joined in the struggle against England, attending secret sessions of the Sons of Liberty and, in John's case, leading a midnight pirate raid against a British revenue cutter. But for the Browns as for the nation, the institution of slavery was the one question that admitted no middle ground. Moses became an early abolitionist while John defended the slave trade and broke the laws written to stop it. The brothers' dispute takes the reader from the sweltering decks of the slave ships to the taverns and town halls of the colonies and shows just how close America came to ending slavery eighty years before the conflagration of civil war.
This dual biography is drawn from voluminous family papers and other primary sources and is a dramatic story of an epic struggle for primacy between two very different brothers. It also provides a fresh and panoramic view of the founding era. Samuel Adams and Nathanael Greene take turns here, as do Stephen Hopkins, Rhode Island's great revolutionary leader and theorist, and his brother Esek, first commodore of the United States Navy. We meet the Philadelphia abolitionists Anthony Benezet and James Pemberton, and Providence printer John Carter, one of the pioneers of the American press. For all the chronicles of America's primary patriarch, none documents, as this book does, George Washington's sole public performance in opposition to the slave trade.
Charles Rappleye brings the skills of an investigative journalist to mine this time and place for vivid detail and introduce the reader to fascinating new characters from the members of our founding generation. Raised in a culture of freedom and self-expression, Moses and John devoted their lives to the pursuit of their own visions of individual liberty. In so doing, each emerges as an American archetype—Moses as the social reformer, driven by conscience and dedicated to an enlightened sense of justice; John as the unfettered capitalist, defiant of any effort to constrain his will. The story of their collaboration and their conflict has a startlingly contemporary feel. And like any good yarn, the story of the Browns tells us something about ourselves.
Catherine Allgor0.0 "Delightful and discerning . . . In this evocative study a remarkable woman, creator of the ‘first lady' role, comes vividly to life."—The New York Times
When the roar of the Revolution had finally died down, a new generation of politicians was summoned to the Potomac to assemble the nation's capital. Into that unsteady atmosphere—which would soon enough erupt into another conflict with Britain—Dolley Madison arrived, alongside her husband, James. Within a few years, she had mastered both the social and political intricacies of the city, and by her death in 1849 was the most celebrated person in Washington. And yet, to most Americans, she's best known for saving a portrait from the burning White House.
Why did her contemporaries so admire a lady so little known today? In A Perfect Union, acclaimed historian Catherine Allgor reveals how Dolley manipulated the contstraints of her gender to construct an American democratic ruling style and to achieve her husband's political goals. By emphasizing cooperation over coercion—building bridges instead of bunkers—she left us with not only an important story about our past but a model for a modern form of politics.
François Furstenberg0.0 How did people in our country-North and South, East and West-come to share a remarkably durable and consistent common vision of what it meant to be an American in the first fifty years after the Revolution? How did the nation respond to the problem of slavery in a republic? In the Name of the Father immerses us in the rich, riotous world of what François Furstenberg calls civic texts, the patriotic words and images circulating through every corner of the country in newspapers and almanacs, books and primers, paintings and even the most homely of domestic ornaments. We see how the leaders of the founding generation became "the founding fathers," how their words, especially George Washington's, became America's sacred scripture. And we see how the civic education they promoted is impossible to understand outside the context of America's increasing religiosity.
In the Name of the Father is filled with vivid stories of American print culture, including a wonderful consideration of the first great American hack biographer cum bookseller, Parson Weems, author of the first blockbuster Washington biography. But François Furstenberg's achievement is not limited to showing what all these civic texts were and how they infused Americans with a national spirit: how they created what Abraham Lincoln so famously called "the mystic chords of memory." He goes further to show how the process of defining the good citizen in America was complicated and compromised by the problem of slavery. Ultimately, we see how reconciling slavery and republican nationalism would have fateful consequences that haunt us still, in attitudes toward the socially powerless that persist in America to this day.
