Юнис Андрада0.0 TAKE CARE explores what it means to survive within systems not designed for tenderness. Bound in personal testimony, the poems situate the act of rape within the machinery of imperialism, where human and non-human bodies, lands, and waters are violated to uphold colonial powers. Andrada explores the magnitude of rape culture in the everyday: from justice systems that dehumanise survivors, to exploitative care industries that deny Filipina workers their agency, to nationalist monuments that erase the sexual violence of war.
Unsparing in their interrogation of the gendered, racialised labour of care, the poems flow to a radical, liberatory syntax. Physical and online terrain meld into a surreal ecosystem of speakers, creatures, and excavated histories. Brimming with incantatory power, Andrada’s verses move between breathless candour and seething restraint as they navigate memory and possibility. Piercing the heart of our cultural crisis, these poems are salves, offerings, and warnings.
Анвен Кроуфорд0.0 A groundbreaking new work of non-fiction by one of Australia’s most respected essay writers.
No Document is an elegy for a friendship cut short prematurely by death. The memory of this friendship becomes a model for how we might relate to others in sympathy, solidarity and rebellion. At once intimate and expansive, Anwen Crawford’s book-length essay explores loss in many forms: disappeared artworks, effaced histories, abandoned futures. From the turmoil of grief and the solace of memory, her perspective embraces histories of protest and revolution, art-making and cinema, border policing, and especially our relationships with animals. No Document shows how love and resistance echo through time.
Anwen Crawford is best known for her writing as a critic, but here she draws on her background as a zine-maker and visual artist, and her training in poetry, to develop a new way of writing about the past, using a symphonic method of composition and collage. No Document is an urgent, groundbreaking work of non-fiction that reimagines the boundaries that divide us – as people, nations and species – and asks how we can create forms of solidarity that endure.
Дженнифер Даун0.0 So by the grace of a photograph that had inexplicably gone viral, Tony had found me. Or: he’d found Maggie.
I had no way of knowing whether he was nuts or not; whether he might go to the cops. Maybe that sounds paranoid, but I don’t think it’s so ridiculous. People have gone to prison for much lesser things than accusations of child-killing.
A quiet, small-town existence. An unexpected Facebook message, jolting her back to the past. A history she’s reluctant to revisit: dark memories and unspoken trauma, bruised thighs and warning knocks on bedroom walls, unfathomable loss.
She became a new person a long time ago. What happens when buried stories are dragged into the light?
This epic novel from the two-time Sydney Morning Herald Young Novelist of the Year is a masterwork of tragedy and heartbreak—the story of a life in full. Sublimely wrought in devastating detail, Bodies of Light confirms Jennifer Down as one of the writers defining her generation.
Ли Лай3.2 Bron and Ray are a queer couple who enjoy their role as the fun weirdo aunties to Ray’s niece, six-year-old Nessie. Their playdates are little oases of wildness, joy, and ease in all three of their lives, which ping-pong between familial tensions and deep-seated personal stumbling blocks. As their emotional intimacy erodes, Ray and Bron isolate from each other and attempt to repair their broken family ties — Ray with her overworked, resentful single-mother sister and Bron with her religious teenage sister who doesn’t fully grasp the complexities of gender identity. Taking a leap of faith, each opens up and learns they have more in common with their siblings than they ever knew.
At turns joyful and heartbreaking, Stone Fruit reveals through intimately naturalistic dialog and blue-hued watercolor how painful it can be to truly become vulnerable to your loved ones — and how fulfilling it is to be finally understood for who you are. Lee Lai is one of the most exciting new voices to break into the comics medium and she has created one of the truly sophisticated graphic novel debuts in recent memory.
Эльфи Шиосаки0.0 Homecoming pieces together fragments of stories about four generations of Noongar women and explores how they navigated the changing landscapes of colonisation, protectionism, and assimilation to hold their families together.
This seminal collection of poetry, prose and historical colonial archives, tells First Nations truths of unending love for children—those that were present, those taken, those hidden and those that ultimately stood in the light.
Homecoming speaks to the intergenerational dialogue about Country, kin and culture. This elegant and extraordinary form of restorative story work amplifies Aboriginal women’s voices, and enables four generations of women to speak for themselves. This sublime debut highlights the tenacity of family as well as First Nation’s agency to resist, survive and renew.
Elfie Shiosaki has restored humanity and power to her family in this beautifully articulated collection and has given voice to those silenced by our brutal past.
