Вручение 1987 г.

Страна: США Дата проведения: 1987 г.

Премия Лилиан Смит

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Ричард Сэмюэл Робертс 0.0
Richard Samuel Roberts, a black photographer, had operated a commercial studio in Columbia from 1920 until his death in 1936. When his studio was closed down shortly thereafter, his negatives were stored under the family home. Not until 1977 did a chance visit by a field archivist from the South Caroliniana Library at the University of South Carolina reveal the fact that Roberts's negatives still existed. Almost miraculously, most were still in good condition. In their scope and camera artistry they constitute an eloquent pictorial record, documenting the life and times of the black inhabitants of a southern city from just after the First World War until well into the Depression. Especially noteworthy is Roberts's depiction of the black middle-class community. Those unfamiliar with the South of the 1920s and 1930s are unaware that there was a flourishing black middle-class in the southern cities. Here, captured by Roberts's camera, is ample evidence of its existence. Some 200 of his best pictures have been chosen for publication in A True Likeness. They show men, women, and children in the studio and elsewhere, people at work and at play, their homes, automobiles, and other possessions. Roberts also traveled to other cities and into rural South Carolina, always with camera and film.
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Poet, memoirist, labor organizer, and Episcopal priest, Pauli Murray helped transform the law of the land.

Arrested in 1940 for sitting in the whites-only section of a Virginia bus, Murray propelled that life-defining event into a Howard law degree and a fight against “Jane Crow” sexism. Her legal brilliance was pivotal to the overturning of Plessy v. Ferguson, the success of Brown v. Board of Education, and the Supreme Court’s recognition that the equal protection clause applies to women; it also connected her with such progressive leaders as Eleanor Roosevelt, Thurgood Marshall, Betty Friedan, and Ruth Bader Ginsberg.

Now Murray is finally getting long-deserved recognition: the first African American woman to receive a doctorate of law at Yale, her name graces one of the university’s new colleges. Handsomely republished with a new introduction, Murray’s remarkable memoir takes its rightful place among the great civil rights autobiographies of the twentieth century.
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Мэри Гуд 0.0
Inspired with the essence of Mary Hood's native South and spiced with intrigue and the dark side of human nature, this collection of stories offers the drama, humor, and heartache of everyday life and unexpected tragedy--with more than a few twists. The stories cover the terrain of transition between old and new, history and the present, holding on and letting go. In "Finding the Chain," Cliffie struggles to overcome her ties to the past and forge a beginning with her newly formed family. "Moths" shows how one man's fortitude, friends, and love of nature help him see his life of poverty in a new light. In the title novella, Delia struggles to overcome her fears of separation and abandonment in the face of her father's suicide. With characters, situations, and settings that capture the turmoil of lives--and of a region--caught in transition between the past and present, the stories of And Venus Is Blue portray both the uncompromising harshness of life and the power of human tenacity.