Джон Бартон0.0 A uniquely ambitious study of the Bible's creation: how it came to be written, how its contents were selected - and how it really relates to the religions that endorse it
The Bible is the central book in Western culture, yet extraordinarily there is no proper history of it. This exceptional work, by one of the world's leading Biblical scholars, provides a full account of how the different parts of the Bible came to be
written; how some writings which were regarded as holy became canonical and were included in the Bible, and others were not; what the relationship is of the different parts of the Bible to each other; and how, once it became a stable text, the Bible has been disseminated and interpreted around the world. It gives full weight to discussion of the importance of the Tanakh (Old Testament) in Judaism as in Christianity. It also demonstrates the degree to which, contrary to widespread belief, both Judaism and Christianity are not faiths drawn from the Bible texts but from other sources and traditions. It shows that if we are to regard the Bible as 'authoritative' it cannot be as believers have so often done in the past.
Julian Barnes3.9 In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and free-thinker – a rational and scientific man with a famously complicated private life.
Pozzi's life played out against the backdrop of the Parisian Belle Epoque. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.
The Man in the Red Coat is at once a fresh and original portrait of the Belle Epoque – its heroes and villains, its writers, artists and thinkers – and a life of a man ahead of his time. Witty, surprising and deeply researched, the new book from Julian Barnes illuminates the fruitful and longstanding exchange of ideas between Britain and France, and makes a compelling case for keeping that exchange alive.
Лора Камминг0.0 Uncovering the mystery of her mother’s disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story.
In the autumn of 1929, a small child was kidnapped from a Lincolnshire beach. Five agonising days went by before she was found in a nearby village. The child remembered nothing of these events and nobody ever spoke of them at home. It was another fifty years before she even learned of the kidnap.
The girl became an artist and had a daughter, art writer Laura Cumming. Cumming grew up enthralled by her mother’s strange tales of life in a seaside hamlet of the 1930s, and of the secrets and lies perpetuated by a whole community. So many puzzles remained to be solved. Cumming began with a few criss-crossing lives in this fraction of English coast – the postman, the grocer, the elusive baker – but soon her search spread right out across the globe as she discovered just how many lives were affected by what happened that day on the beach – including her own.
On Chapel Sands is a book of mystery and memoir. Two narratives run through it: the mother’s childhood tale; and Cumming’s own pursuit of the truth. Humble objects light up the story: a pie dish, a carved box, an old Vick’s jar. Letters, tickets, recipe books, even the particular slant of a copperplate hand give vital clues. And pictures of all kinds, from paintings to photographs, open up like doors to the truth. Above all, Cumming discovers how to look more closely at the family album – with its curious gaps and missing persons – finding crucial answers, captured in plain sight at the click of a shutter.
Orlando Figes0.0 From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture.
The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres.
Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures.
As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.
Чарльз Мур0.0 How did Margaret Thatcher change and divide Britain? How did her model of combative female leadership help shape the way we live now? How did the woman who won the Cold War and three general elections in succession find herself pushed out by her own MPs? Charles Moore's full account, based on unique access to Margaret Thatcher herself, her papers and her closest associates, tells the story of her last period in office, her combative retirement and the controversy that surrounded her even in death. It includes the Fall of the Berlin Wall which she had fought for and the rise of the modern EU which she feared. It lays bare her growing quarrels with colleagues and reveals the truth about her political assassination. Moore's three-part biography of Britain's most important peacetime prime minister paints an intimate political and personal portrait of the victories and defeats, the iron will but surprising vulnerability of the woman who dominated in an age of male power. This is the full, enthralling story.
