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In the exhausted, repressive years that followed Napoleon's defeat in 1815, there was one cause that came to galvanise countless individuals across Europe and the United States: freedom for Greece.

Mark Mazower's wonderful new book recreates one of the most compelling, unlikely and significant events in the story of modern Europe. In the face of near impossible odds, the people of the villages, valleys and islands of Greece rose up against Sultan Mahmud II and took on the might of the imperial Ottoman armed forces, its Turkish cavalrymen, Albanian footsoldiers and the fearsome Egyptians. Despite the most terrible disasters, they held on until military intervention by Russia, France and Britain finally secured the Kingdom of Greece.

Mazower brilliantly brings together the different strands of the story. He takes us into the minds of revolutionary conspirators and the terrors of besieged towns, the stories of itinerant priests, sailors and slaves, ambiguous heroes and defenceless women and children struggling to stay alive amid a conflict of extraordinary brutality. Ranging across the Eastern Mediterranean and far beyond, he explores the central place of the struggle in the making of Romanticism and a new kind of politics that had volunteers flocking from across Europe to die in support of the Greeks. A story of how statesmen came to terms with an even more powerful force than themselves - the force of nationalism - this is above all a book about how people decided to see their world differently and, at an often terrible cost to themselves and their families, changed history.

In the exhausted, repressive years that followed Napoleon's defeat in 1815, there was one cause that came to galvanise countless individuals across Europe and the United States:…

The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. At 12.00 midnight, Maximilien Robespierre, the most prominent member of the Committee of Public Safety which had for more than a year directed the Reign of
Terror, was planning to destroy one of the most dangerous plots that the Revolution had faced.

By 12.00 midnight at the close of the day, following a day of uncertainty, surprises, upsets and reverses, his world had been turned upside down. He was an outlaw, on the run, and himself wanted for conspiracy against the Republic. He felt that his whole life and his Revolutionary career were
drawing to an end. As indeed they were. He shot himself shortly afterwards. Half-dead, the guillotine finished him off in grisly fashion the next day.

The Fall of Robespierre provides an hour-by-hour analysis of these 24 hours.

The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. At 12.00 midnight, Maximilien Robespierre, the…

'Thubron on top form. Richly detailed, immaculately written and full of insights and encounters that bring a complex corner of the world to life' Michael Palin

*As serialised on BBC Radio 4 Book of the Week*
**A FINANCIAL TIMES, SUNDAY TELEGRAPH AND SPECTATOR BOOK OF THE YEAR**
**ONE OF THE DAILY TELEGRAPH 'S BEST 75 BOOKS OF 2021**

A dramatic and ambitious new journey from our greatest travel writer.

The Amur River is almost unknown. Yet it is the tenth longest river in the world, rising in the Mongolian mountains and flowing through Siberia to the Pacific to form the tense, highly fortified border between Russia and China.

In his eightieth year, Colin Thubron takes a dramatic 3,000-mile long journey from the Amur's secret source to its giant mouth. Harassed by injury and by arrest from the local police, he makes his way along both the Russian and Chinese shores on horseback, on foot, by boat and via the Trans-Siberian Railway, talking to everyone he meets. By the time he reaches the river's desolate end, where Russia's nineteenth-century imperial dream petered out, a whole, pivotal world has come alive.

The Amur River is a shining masterpiece by the acknowledged laureate of travel writing, an urgent lesson in history and the culmination of an astonishing career.

'Magnificent... Colin Thubron's observations on the relationship between Russia and China are full of insight, from which the world can benefit as it faces the challenges of the twenty-first century' Jung Chang

'Thubron on top form. Richly detailed, immaculately written and full of insights and encounters that bring a complex corner of the world to life' Michael Palin

*As serialised…

An electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years



"Never trust the teller," wrote D. H. Lawrence, "trust the tale." Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also told stories about himself, again and again: a pioneer of autofiction, no writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, acclaimed biographer Frances Wilson tells a new story about the author, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was suppressed following an obscenity trial, and 1925, when he was diagnosed with tuberculosis.

Taking after Lawrence's own literary model, Dante, and adopting the structure of The Divine Comedy, Burning Man is a distinctly Lawrentian book, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of traditional biography, it offers a triptych of lesser-known episodes drawn from lesser-known sources, including tales of Lawrence as told by his friends in letters, memoirs, and diaries. Focusing on three turning points in Lawrence's pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries--his wife, Frieda; the writer Maurice Magnus; and his patron, Mabel Dodge Luhan--Wilson uncovers a lesser-known Lawrence, both as a writer and as a man.

Strikingly original, superbly researched, and always revelatory, Burning Man is a marvel of iconoclastic biography. With flair and focus, Wilson unleashes a distinct perspective on one of history's most beloved and infamous writers.

An electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years



"Never trust the teller," wrote D. H. Lawrence, "trust the tale."…

In 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous decision to move his capital to a small, easy defendable city in the Po estuary - Ravenna. From then until 751 AD, Ravenna was first the capital of the Western Roman Empire, then that of the immense kingdom of Theoderic the Goth and finally the centre of Byzantine power in Italy.

In this engrossing account Judith Herrin explains how scholars, lawyers, doctors, craftsmen, cosmologists and religious luminaries were drawn to Ravenna where they created a cultural and political capital that dominated northern Italy and the Adriatic. As she traces the lives of Ravenna's rulers, chroniclers and inhabitants, Herrin shows how the city became the meeting place of Greek, Latin, Christian and barbarian cultures and the pivot between East and West. The book offers a fresh account of the waning of Rome, the Gothic and Lombard invasions, the rise of Islam and the devastating divisions within Christianity. It argues that the fifth to eighth centuries should not be perceived as a time of decline from antiquity but rather, thanks to Byzantium, as one of great creativity - the period of 'Early Christendom'. These were the formative centuries of Europe.

While Ravenna's palaces have crumbled, its churches have survived. In them, Catholic Romans and Arian Goths competed to produce an unrivalled concentration of spectacular mosaics, many of which still astonish visitors today. Beautifully illustrated with specially commissioned photographs, and drawing on the latest archaeological and documentary discoveries, Ravenna: Capital of Empire, Crucible of Europe brings the early Middle Ages to life through the history of this dazzling city.

In 402 AD, after invading tribes broke through the Alpine frontiers of Italy and threatened the imperial government in Milan, the young Emperor Honorius made the momentous…

This is the first major history of the Himalaya: an epic story of peoples, cultures and adventures among the world’s highest mountains.

Spanning millennia, from its earliest inhabitants to the present conflicts over Tibet and Everest, Himalaya is a soaring account of resilience and conquest, discovery and plunder, oppression and enlightenment at the ‘roof of the world’.

From all around the globe, the unique and astonishing geography of the Himalaya has attracted those in search of spiritual and literal elevation: pilgrims, adventurers and mountaineers seeking to test themselves among the world’s most spectacular and challenging peaks. But far from being wild and barren, the Himalaya has throughout the ages been home to an astonishing diversity of indigenous and local cultures, as well as a crossroads for trade, and a meeting point and conflict zone for the world’s superpowers. Here Jesuit missionaries exchanged technologies with Tibetan Lamas, Mongol Khans employed Nepali craftsmen, Armenian merchants exchanged musk and gold with Mughals. Here too the East India Company grappled for dominance with China’s emperors, independent India has been locked in conflict with Mao’s Communists and their successors, and the ideological confrontation of the Cold War is now being buried beneath mass tourism and ecological transformation.
Featuring scholars and tyrants, bandits and CIA agents, go-betweens and revolutionaries, Himalaya is a panoramic, character-driven history on the grandest but also the most human scale, by far the most comprehensive yet written, encompassing geology and genetics, botany and art, and bursting with stories of courage and resourcefulness.

This is the first major history of the Himalaya: an epic story of peoples, cultures and adventures among the world’s highest mountains.

Spanning millennia, from its earliest…

With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven Spielberg, Hermione Lee builds a metiucously researched portrait of one of our greatest playwrights.

Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he's ever lived in, every piece of writing he's ever done, and every play and film he's ever worked on; but in the end this is the story of a complex, elusive and private man, which tells you an enormous amount about him but leaves you, also, with the fascinating mystery of his ultimate unknowability.

With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven…

Aunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew Ferdinand Mount. Half a century later, a series of startling revelations sets him off on a tortuous quest to find out who this extraordinary millionairess really was. What he discovers is shocking and irretrievably sad, involving multiple deceptions, false identities and abandonments. The story leads us from the back streets of Sheffield at the end of the Victorian age to the highest echelons of English society between the wars.

Kiss Myself Goodbye is both an enchanting personal memoir like the author's bestselling Cold Cream, and a voyage into a vanished moral world. An unconventional tale of British social history told backwards, its cryptic and unforgettable protagonist Munca joins the ranks of memorable aunts in literature, from Dickens' Betsy Trotwood to Graham Greene's Aunt Augusta.

Aunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew…

J. B. S. Haldane’s life was rich and strange, never short on genius or drama—from his boyhood apprenticeship to his scientist father, who first instilled in him a devotion to the scientific method; to his time in the trenches during the First World War, where he wrote his first scientific paper; to his numerous experiments on himself, including inhaling dangerous levels of carbon dioxide and drinking hydrochloric acid; to his clandestine research for the British Admiralty during the Second World War. He is best remembered as a geneticist who revolutionized our understanding of evolution, but his peers hailed him as a polymath. One student called him “the last man who might know all there was to be known.”


He foresaw in vitro fertilization, peak oil, and the hydrogen fuel cell, and his contributions ranged over physiology, genetics, evolutionary biology, mathematics, and biostatistics. He was also a staunch Communist, which led him to Spain during the Civil War and sparked suspicions that he was spying for the Soviets. He wrote copiously on science and politics in newspapers and magazines, and he gave speeches in town halls and on the radio—all of which made him, in his day, as famous in Britain as Einstein. It is the duty of scientists to think politically, Haldane believed, and he sought not simply to tell his readers what to think but to show them how to think.


Beautifully written and richly detailed, Samanth Subramanian’s A Dominant Character recounts Haldane’s boisterous life and examines the questions he raised about the intersections of genetics and politics—questions that resonate even more urgently today.

J. B. S. Haldane’s life was rich and strange, never short on genius or drama—from his boyhood apprenticeship to his scientist father, who first instilled in him a devotion to the…

A uniquely ambitious study of the Bible's creation: how it came to be written, how its contents were selected - and how it really relates to the religions that endorse it

The Bible is the central book in Western culture, yet extraordinarily there is no proper history of it. This exceptional work, by one of the world's leading Biblical scholars, provides a full account of how the different parts of the Bible came to be
written; how some writings which were regarded as holy became canonical and were included in the Bible, and others were not; what the relationship is of the different parts of the Bible to each other; and how, once it became a stable text, the Bible has been disseminated and interpreted around the world. It gives full weight to discussion of the importance of the Tanakh (Old Testament) in Judaism as in Christianity. It also demonstrates the degree to which, contrary to widespread belief, both Judaism and Christianity are not faiths drawn from the Bible texts but from other sources and traditions. It shows that if we are to regard the Bible as 'authoritative' it cannot be as believers have so often done in the past.

A uniquely ambitious study of the Bible's creation: how it came to be written, how its contents were selected - and how it really relates to the religions that endorse it

The…

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and free-thinker – a rational and scientific man with a famously complicated private life.

Pozzi's life played out against the backdrop of the Parisian Belle Epoque. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.

The Man in the Red Coat is at once a fresh and original portrait of the Belle Epoque – its heroes and villains, its writers, artists and thinkers – and a life of a man ahead of his time. Witty, surprising and deeply researched, the new book from Julian Barnes illuminates the fruitful and longstanding exchange of ideas between Britain and France, and makes a compelling case for keeping that exchange alive.

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four…

Uncovering the mystery of her mother’s disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story.

In the autumn of 1929, a small child was kidnapped from a Lincolnshire beach. Five agonising days went by before she was found in a nearby village. The child remembered nothing of these events and nobody ever spoke of them at home. It was another fifty years before she even learned of the kidnap.

The girl became an artist and had a daughter, art writer Laura Cumming. Cumming grew up enthralled by her mother’s strange tales of life in a seaside hamlet of the 1930s, and of the secrets and lies perpetuated by a whole community. So many puzzles remained to be solved. Cumming began with a few criss-crossing lives in this fraction of English coast – the postman, the grocer, the elusive baker – but soon her search spread right out across the globe as she discovered just how many lives were affected by what happened that day on the beach – including her own.

On Chapel Sands is a book of mystery and memoir. Two narratives run through it: the mother’s childhood tale; and Cumming’s own pursuit of the truth. Humble objects light up the story: a pie dish, a carved box, an old Vick’s jar. Letters, tickets, recipe books, even the particular slant of a copperplate hand give vital clues. And pictures of all kinds, from paintings to photographs, open up like doors to the truth. Above all, Cumming discovers how to look more closely at the family album – with its curious gaps and missing persons – finding crucial answers, captured in plain sight at the click of a shutter.

Uncovering the mystery of her mother’s disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story.

In the autumn of…

From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture.

The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres.

Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures.

As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.

From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture.…

How did Margaret Thatcher change and divide Britain? How did her model of combative female leadership help shape the way we live now? How did the woman who won the Cold War and three general elections in succession find herself pushed out by her own MPs? Charles Moore's full account, based on unique access to Margaret Thatcher herself, her papers and her closest associates, tells the story of her last period in office, her combative retirement and the controversy that surrounded her even in death. It includes the Fall of the Berlin Wall which she had fought for and the rise of the modern EU which she feared. It lays bare her growing quarrels with colleagues and reveals the truth about her political assassination. Moore's three-part biography of Britain's most important peacetime prime minister paints an intimate political and personal portrait of the victories and defeats, the iron will but surprising vulnerability of the woman who dominated in an age of male power. This is the full, enthralling story.

How did Margaret Thatcher change and divide Britain? How did her model of combative female leadership help shape the way we live now? How did the woman who won the Cold War and…

Charles de Gaulle, saviour of France's honour in 1940 and founder of the Fifth Republic in 1958, was a man of contradictions. A conservative who brought the communists into his government and an imperialist who completed France's decolonisation in Algeria.

Charles de Gaulle, saviour of France's honour in 1940 and founder of the Fifth Republic in 1958, was a man of contradictions. A conservative who brought the communists into his…

From the author of the Pulitzer Prize-winning Gulag and the National Book Award finalist Iron Curtain, a revelatory history of one of Stalin's greatest crimes

In 1929 Stalin launched his policy of agricultural collectivization—in effect a second Russian revolution—which forced millions of peasants off their land and onto collective farms. The result was a catastrophic famine, the most lethal in European history. At least 5 million people died between 1931 and 1933 in the USSR. But instead of sending relief the Soviet state made use of the catastrophe to rid itself of a political problem. In Red Famine, Anne Applebaum argues that more than 3 million of those dead were Ukrainians who perished not because they were accidental victims of a bad policy but because the state deliberately set out to kill them.

Applebaum proves what has long been suspected: after a series of rebellions unsettled the province, Stalin set out to destroy the Ukrainian peasantry. The state sealed the republic's borders and seized all available food. Starvation set in rapidly, and people ate anything: grass, tree bark, dogs, corpses. In some cases, they killed one another for food. Devastating and definitive, Red Famine captures the horror of ordinary people struggling to survive extraordinary evil.

From the author of the Pulitzer Prize-winning Gulag and the National Book Award finalist Iron Curtain, a revelatory history of one of Stalin's greatest crimes

In 1929 Stalin…

A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today

Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world.

Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals.

In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—"The Secret Agent", "Lord Jim", "Heart of Darkness", and "Nostromo". Genre-bending, intellectually thrilling, and deeply humane, "The Dawn Watch" embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.

A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today…

When Kapka Kassabova was a child, the borderzone between Bulgaria, Turkey and Greece was rumoured to be an easier crossing point into the West than the Berlin Wall so it swarmed with soldiers, spies and fugitives. On holidays close to the border on the Black Sea coast, she remembers playing on the beach, only miles from where an electrified fence bristled, its barbs pointing inwards toward the enemy: the holiday-makers, the potential escapees.

Today, this densely forested landscape is no longer heavily militarised, but it is scarred by its past. In Border, Kapka Kassabova sets out on a journey to meet the people of this triple border - Bulgarians, Turks, Greeks, and the latest wave of refugees fleeing conflict further afield. She discovers a region that has been shaped by the successive forces of history: by its own past migration crises, by communism, by two World wars, by the Ottoman Empire, and - older still - by the ancient legacy of myths and legends. As Kapka Kassabova explores this enigmatic region in the company of border guards and treasure hunters, entrepreneurs and botanists, psychic healers and ritual fire-walkers, refugees and smugglers, she traces the physical and psychological borders that criss-cross its villages and mountains, and goes in search of the stories that will unlock its secrets.

Border is a sharply observed portrait of a little-known corner of Europe, and a fascinating meditation on the borderlines that exist between countries, between cultures, between people, and within each of us.

When Kapka Kassabova was a child, the borderzone between Bulgaria, Turkey and Greece was rumoured to be an easier crossing point into the West than the Berlin Wall so it swarmed…

This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.

The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.

Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all…

An exploration of the world's most famous and challenging song cycle by one of the world's most renowned singers, a leading interpreter of the work, who teases out the themes - literary, historical, psychological--that weave through the twenty-four songs comprising this legendary masterpiece.

Written in 1828, in the last months of the young Schubert's life, 'Winterreise' ("Winter's Journey"), has come to be considered the single greatest piece of music ever written for the male solo voice. Deceptively brief - the twenty-four short poems are performed uninterrupted in 70 minutes - it nonetheless has an emotional depth and power that no music of its kind has ever equalled.

Originally intended to be sung to an intimate gathering, performances of 'Winterreise' now pack the greatest concert halls around the world. Drawing on his firsthand experience with this work (he has performed it more than one hundred times), on his musical knowledge, and on his training as a scholar, Ian Bostridge teases out the enigmas and subtle meanings of each song, exploring the world and the states of heart and mind in which Schubert created them, and the exquisite resonance and affinities that continue, even today, to move us so profoundly.

An exploration of the world's most famous and challenging song cycle by one of the world's most renowned singers, a leading interpreter of the work, who teases out the themes -…

Let me take you down the thin cobblestoned streets of the Belgian border town of Bouillon. Let me take you down the alleys that lead into its past. To a town peopled with eccentrics, full of charm, menace and wonder. To the days before television, to Marie Bodard’s sweetshop, to the Nazi occupation and unexpected collaborators. To a place where one neighbour murders another over the misfortune of pigs and potatoes. To the hotel where the French poet Verlaine his lover Rimbaud, holed up whilst on the run from family, creditors and the law.


This exquisite meditation on place, time and memory is an illicit peek into other people’s countries, into the spaces they have populated with their memories, and might just make you revisit your own in a new and surprising way.

Let me take you down the thin cobblestoned streets of the Belgian border town of Bouillon. Let me take you down the alleys that lead into its past. To a town peopled with…

WINNER OF THE 2013 SAMUEL JOHNSON PRIZE FOR NON-FICTION

Now also shortlisted for the Costa Biography award 2013, this is the story of Gabriele D’Annunzio, poet, daredevil – and Fascist.

In September 1919 Gabriele D’Annunzio, successful poet and occasional politician, declared himself Commandante of the city of Fiume in modern day Croatia. His intention – to establish a utopia based on his fascist and artistic ideals. It was the dramatic pinnacle to an outrageous career.

Lucy Hughes-Hallett charts the controversial life of D’Annunzio, the debauched artist who became a national hero. His evolution from idealist Romantic to radical right-wing revolutionary is a political parable. Through his ideological journey, culminating in the failure of the Fiume endeavour, we witness the political turbulence of early 20th century Europe and the emergence of fascism.

In ‘The Pike’, Hughes-Hallett addresses the cult of nationalism and the origins of political extremism – and at the centre of the book stands the charismatic D’Annunzio: a figure as deplorable as he is fascinating.

WINNER OF THE 2013 SAMUEL JOHNSON PRIZE FOR NON-FICTION

Now also shortlisted for the Costa Biography award 2013, this is the story of Gabriele D’Annunzio, poet, daredevil – and…

Penelope Fitzgerald (1916–2000) was a great English writer, who would never have described herself in such grand terms. Her novels were short, spare masterpieces, self-concealing, oblique and subtle. She won the Booker Prize for her novel Offshore in 1979, and her last work, The Blue Flower, was acclaimed as a work of genius. The early novels drew on her own experiences – a boat on the Thames in the 1960s; the BBC in war time; a failing bookshop in Suffolk; an eccentric stage-school. The later ones opened out to encompass historical worlds which, magically, she seemed to possess entirely: Russia before the Revolution; post-war Italy; Germany in the time of the Romantic writer Novalis. Fitzgerald’s life is as various and as cryptic as her fiction. It spans most of the twentieth century, and moves from a Bishop’s Palace to a sinking barge, from a demanding intellectual family to hardship and poverty, from a life of teaching and obscurity to a blaze of renown. She was first published at sixty and became famous at eighty. This is a story of lateness, patience and persistence: a private form of heroism. Loved and admired, and increasingly recognised as one of the outstanding novelists of her time, she remains, also, mysterious and intriguing. She liked to mislead people with a good imitation of an absent-minded old lady, but under that scatty front were a steel-sharp brain and an imagination of wonderful reach. This brilliant account – by a biographer whom Fitzgerald herself admired – pursues her life, her writing, and her secret self, with fascinated interest.

Penelope Fitzgerald (1916–2000) was a great English writer, who would never have described herself in such grand terms. Her novels were short, spare masterpieces, self-concealing,…

In 1839, nearly 20,000 British troops poured through the mountain passes into Afghanistan and installed the exiled Shah Shuja on the throne as their puppet. But after little more than two years, the Afghans exploded into rebellion. The British were forced to retreat—and were then ambushed in the mountains by simply-equipped Afghan tribesmen. Just one British man made it through. But Dalrymple takes us beyond the story of this colonial humiliation and illuminates the key connections between then and now. Shah Shuja and President Hamid Karzai share the same tribal heritage; the Shah’s principal opponents were the Ghilzai tribe, who today make up the bulk of the Taliban’s foot soldiers. Dalrymple explains the byzantine complexity of Afghanistan’s age-old tribal rivalries, their stranglehold on politics, and how they ensnared both the British of the nineteenth century and NATO forces today. Rich with newly discovered primary sources, this stunning narrative is the definitive account of the first battle for Afghanistan.

In 1839, nearly 20,000 British troops poured through the mountain passes into Afghanistan and installed the exiled Shah Shuja on the throne as their puppet. But after little more…

Novelist, satirist, poet, photographer, painter, alchemist and hellraiser – August Strindberg was all these, and yet he is principally known, in Arthur Miller's words, as "the mad inventor of modern theater" who led playwriting out of the polite drawing room into the snakepit of psychological warfare.

This biography, supported by extensive new research, describes the eventful and complicated life of one of the great literary figures in world literature. Sue Prideaux organizes Strindberg's story into a gripping and highly readable narrative that both illuminates his work and restores humour and humanity to a man often shrugged off as too difficult. Best known for his play Miss Julie, Strindberg wrote sixty other plays, three books of poetry, eighteen novels, and nine autobiographies. Even more than most, Strindberg is a writer whose life sheds invaluable light on his work.

Prideaux explores Strindberg's many art-life connections, revealing for the first time the originals who inspired the characters of Miss Julie and her servant Jean, the bizarre circumstances in which the play was written, and the real suicide that inspired the shattering ending of the play. Recounting the playwright's journey through the "real" world as well as the world of belief and ideas, Prideaux marks the centenary of Strindberg's death in 1912 with a biography worthy of the man who laid the foundation for Western drama through the twentieth century and even into the twenty-first.

Novelist, satirist, poet, photographer, painter, alchemist and hellraiser – August Strindberg was all these, and yet he is principally known, in Arthur Miller's words, as "the mad…