Вручение 2009 г.

Jury Members:
Timothy Aitken, Roger Chartier, Denise Chong, Serge Joyal, Angela Schottenhammer and Ken Whyte.

Страна: Канада Дата проведения: 2009 г.

Историческая премия Питера Кандилла

Лауреат
Lisa Jardine 0.0
An exploration of the relationship of competition and assimilation between England and the Netherlands during the 17th century, revealing how Dutch tolerance, resilience and commercial acumen effectively conquered England by permanently reshaping the intellectual landscape long before Dutch monarchs sat on the English throne.
Винсент Браун 0.0
Basing his study in Jamaica, Vincent Brown investigates what people thought about death in the world of Atlantic slavery. In his story of a world in flux he shows that death was as generative as it was destructive, and that the Grim Reaper became entwined in the social fabric of the island at the centre of the slave trade.
J.W. Burrow 0.0
This unprecedented book by one of Britain’s most admired historians describes the intellectual impact that the study and consideration of history has had in the Western world over the past 2,500 years.

Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of Europe and America, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present, including Livy, Tacitus, Bede, Froissart, Clarendon, Gibbon, Macaulay, Michelet, Prescott and Parkman. The author sets out not to give us the history of academic discipline but a history of choices: the choice of pasts, and the ways they have been demarcated, investigated, presented and even sometimes learned from as they have changed according to political, religious, cultural, and (often most important) partisan and patriotic circumstances. Burrow aims, as well, to change our perceptions of the crucial turning points in the history of history, allowing the ideas that historians have had about both their own times and their founding civilizations to emerge with unexpected freshness.

Burrow argues that looking at the history of history is one of the most interesting ways we have to understand the past. Certainly, this volume stands alone in its ambition, scale and fascination.
Вуди Холтон 0.0
Average Americans Were the True Framers of the Constitution
Woody Holton upends what we think we know of the Constitution’s origins by telling the history of the average Americans who challenged the framers of the Constitution and forced on them the revisions that produced the document we now venerate. The framers who gathered in Philadelphia in 1787 were determined to reverse America’s post–Revolutionary War slide into democracy. They believed too many middling Americans exercised too much influence over state and national policies. That the framers were only partially successful in curtailing citizen rights is due to the reaction, sometimes violent, of unruly average Americans.

If not to protect civil liberties and the freedom of the people, what motivated the framers? In Unruly Americans and the Origins of the Constitution, Holton provides the startling discovery that the primary purpose of the Constitution was, simply put, to make America more attractive to investment. And the linchpin to that endeavor was taking power away from the states and ultimately away from the people. In an eye-opening interpretation of the Constitution, Holton captures how the same class of Americans that produced Shays’s Rebellion in Massachusetts (and rebellions in damn near every other state) produced the Constitution we now revere.


Unruly Americans and the Origins of the Constitution is a 2007 National Book Award Finalist for Nonfiction.
Karl Jacoby 0.0
Shadows at Dawn is the fascinating story-actually four stories, a southwestern Rashomon-of the massacre of Apaches near Tueson on April 30, 1871, by Anglos, Mexicans, and other Indians. Extending over four hundred years, centering on that awful event, this book is impressively researched and a major contribution to the history of clashing cultures and memories of the desert frontier.
Дэвид Леверинг Льюис 0.0
"A furiously complex age; a powerful narrative."--New York Times Book Review, Editor's Choice

At the beginning of the eighth century, the Arabs brought a momentous revolution in power, religion, and culture to Dark Ages Europe. David Levering Lewis's masterful history begins with the fall of the Persian and Roman empires, followed by the rise of the prophet Muhammad and the creation of Muslim Spain. Five centuries of engagement between the Muslim imperium and an emerging Europe followed, from the Muslim conquest of Visigoth Hispania in 711 to Latin Christendom's declaration of unconditional warfare on the Caliphate in 1215. Lewis's narrative, filled with accounts of some of the greatest battles in world history, reveals how cosmopolitan, Muslim al-Andalus flourished--a beacon of cooperation and tolerance between Islam, Judaism, and Christianity--while proto-Europe, defining itself in opposition to Islam, made virtues out of hereditary aristocracy, religious intolerance, perpetual war, and slavery. A cautionary tale, God's Crucible provides a new interpretation of world-altering events whose influence remains as current as today's headlines.
Алекс Росс 4.3
The Rest Is Noise: Listening to the Twentieth Century is a voyage into the labyrinth of modern music, which remains an obscure world for most people. While paintings of Picasso and Jackson Pollock sell for a hundred million dollars or more, and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, twentieth-century classical music still sends ripples of unease through audiences. At the same time, its influence can be felt everywhere. Atonal chords crop up in jazz. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalism has had a huge effect on rock, pop, and dance music from the Velvet Underground onward.

The Rest Is Noise shows why twentieth-century composers felt compelled to create a famously bewildering variety of sounds, from the purest beauty to the purest noise. It tells of a remarkable array of maverick personalities who resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with sweet sounds or battered them with dissonance, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. The narrative goes from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.
Moshik Temkin 0.0
What began as the obscure local case of two Italian immigrant anarchists accused of robbery and murder flared into an unprecedented political and legal scandal as the perception grew that their conviction was a judicial travesty and their execution a political murder. This book is the first to reveal the full national and international scope of the Sacco-Vanzetti affair, uncovering how and why the two men became the center of a global cause célèbre that shook public opinion and transformed America’s relationship with the world.

Drawing on extensive research on two continents, and written with verve, this book connects the Sacco-Vanzetti affair to the most polarizing political and social concerns of its era. Moshik Temkin contends that the worldwide attention to the case was generated not only by the conviction that innocent men had been condemned for their radical politics and ethnic origins but also as part of a reaction to U.S. global supremacy and isolationism after World War I. The author further argues that the international protest, which helped make Sacco and Vanzetti famous men, ultimately provoked their executions. The book concludes by investigating the affair’s enduring repercussions and what they reveal about global political action, terrorism, jingoism, xenophobia, and the politics of our own time.

За выдающиеся достижения

Лауреат
Дэвид Хэкетт Фишер 0.0
In this sweeping, enthralling biography, acclaimed historian David Hackett Fischer brings to life the remarkable Samuel de Champlain -- soldier, spy, master mariner, explorer, cartographer, artist, and Father of New France.

Born on France's Atlantic coast, Champlain grew to manhood in a country riven by religious warfare. The historical record is unclear on whether Champlain was baptized Protestant or Catholic, but he fought in France's religious wars for the man who would become Henri IV, one of France's greatest kings, and like Henri, he was religiously tolerant in an age of murderous sectarianism. Champlain was also a brilliant navigator. He went to sea as a boy and over time acquired the skills that allowed him to make twenty-seven Atlantic crossings without losing a ship.

But we remember Champlain mainly as a great explorer. On foot and by ship and canoe, he traveled through what are now six Canadian provinces and five American states. Over more than thirty years he founded, colonized, and administered French settlements in North America. Sailing frequently between France and Canada, he maneuvered through court intrigue in Paris and negotiated among more than a dozen Indian nations in North America to establish New France. Champlain had early support from Henri IV and later Louis XIII, but the Queen Regent Marie de Medici and Cardinal Richelieu opposed his efforts. Despite much resistance and many defeats, Champlain, by his astonishing dedication and stamina, finally established France's New World colony. He tried constantly to maintain peace among Indian nations that were sometimes at war with one another, but when he had to, he took up arms and forcefully imposed a new balance of power, proving himself a formidable strategist and warrior.

Throughout his three decades in North America, Champlain remained committed to a remarkable vision, a Grand Design for France's colony. He encouraged intermarriage among the French colonists and the natives, and he insisted on tolerance for Protestants. He was a visionary leader, especially when compared to his English and Spanish contemporaries -- a man who dreamed of humanity and peace in a world of cruelty and violence.

This superb biography, the first in decades, is as dramatic and exciting as the life it portrays. Deeply researched, it is illustrated throughout with many contemporary images and maps, including several drawn by Champlain himself.
Лауреат
Пекка Хямяляйнен 0.0
In the eighteenth and early nineteenth centuries, a Native American empire rose to dominate the fiercely contested lands of the American Southwest, the southern Great Plains, and northern Mexico. This powerful empire, built by the Comanche Indians, eclipsed its various European rivals in military prowess, political prestige, economic power, commercial reach, and cultural influence. Yet, until now, the Comanche empire has gone unrecognized in American history.

This compelling and original book uncovers the lost story of the Comanches. It is a story that challenges the idea of indigenous peoples as victims of European expansion and offers a new model for the history of colonial expansion, colonial frontiers, and Native-European relations in North America and elsewhere. Pekka Hämäläinen shows in vivid detail how the Comanches built their unique empire and resisted European colonization, and why they fell to defeat in 1875. With extensive knowledge and deep insight, the author brings into clear relief the Comanches’ remarkable impact on the trajectory of history.