Valeria Luiselli0.0 Valeria Luiselli's "Faces in the Crowd" won the 2014 Los Angeles Times Art Seidenbaum First Fiction Award and was a National Book Foundation's 5 Under 35 and Indies Next Pick.
Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, "Teeth" is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.
Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her work has been translated into many languages and has appeared in publications including the "New York Times", "Granta", and "McSweeney's".
Anne Enright3.4 A darkly glinting novel set on Ireland’s Atlantic coast, The Green Road is a story of fracture and family, selfishness and compassion – a book about the gaps in the human heart and how we learn to fill them. The children of Rosaleen Madigan leave the west of Ireland for lives they never could have imagined in Dublin, New York and various third-world towns. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold. Anne Enright is addicted to the truth of things. Sentence by sentence, there are few writers alive who can invest the language with such torque and gleam, such wit and longing – who can write dialogue that speaks itself aloud, who can show us the million splinters of her characters’ lives then pull them back up together again, into a perfect glass.
Джеймс Ханнахам0.0 Held captive by her employers--and by her own demons--on a mysterious farm, a widow struggles to reunite with her young son in this uniquely American story of freedom, perseverance, and survival.
Darlene, once an exemplary wife and a loving mother to her young son, Eddie, finds herself devastated by the unforeseen death of her husband. Unable to cope with her grief, she turns to drugs, and quickly forms an addiction. One day she disappears without a trace.
Unbeknownst to eleven-year-old Eddie, now left behind in a panic-stricken search for her, Darlene has been lured away with false promises of a good job and a rosy life. A shady company named "Delicious Foods" shuttles her to a remote farm, where she is held captive, performing hard labor in the fields to pay off the supposed debt for her food, lodging, and the constant stream of drugs the farm provides to her and the other unfortunates imprisoned there.
In "Delicious Foods", James Hannaham tells the gripping story of three unforgettable characters: a mother, her son, and the drug that threatens to destroy them. Through Darlene's haunted struggle to reunite with Eddie, through the efforts of both to triumph over those who would enslave them, and through the irreverent and mischievous voice of the drug that narrates Darlene's travails, Hannaham's daring and shape-shifting prose infuses this harrowing experience with grace and humor.
The desperate circumstances that test the unshakeable bond between this mother and son unfold into myth, and Hannaham's treatment of their ordeal spills over with compassion. Along the way we experience a tale at once contemporary and historical that wrestles with timeless questions of love and freedom, forgiveness and redemption, tenacity and the will to survive.
Adam Johnson5.0 NATIONAL BOOK AWARD WINNER | A NEW YORK TIMES NOTABLE BOOK | NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY USA TODAY AND ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Marie Claire • St. Louis Post-Dispatch • BuzzFeed • Los Angeles Magazine • The Independent • BookPage • Kirkus Reviews
Winner of the Pulitzer Prize for his acclaimed novel about North Korea, "The Orphan Master’s Son", Adam Johnson is one of America’s most provocative and powerful authors. Critics have compared him to Kurt Vonnegut, David Mitchell, and George Saunders, but Johnson’s new book will only further his reputation as one of our most original writers. Subtly surreal, darkly comic, both hilarious and heartbreaking, Fortune Smiles is a major collection of stories that gives voice to the perspectives we don’t often hear, while offering something rare in fiction: a new way of looking at the world.
In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. “Nirvana,” which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous”—first included in the Best American Short Stories anthology—a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind.
Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America’s greatest writers and an indispensable guide to our new century.
Helen Phillips5.0 A young wife's new job in an enigmatic organization pits her against the unfeeling machinations of the universe in this inventive and compulsively page-turning first novel
In a windowless building in a remote part of town, the newly employed Josephine inputs an endless string of numbers into something known only as The Database. After a long period of joblessness, she's not inclined to question her fortune, but as the days inch by and the files stack up, Josephine feels increasingly anxious in her surroundings - the office's scarred pinkish walls take on a living quality, the drone of keyboards echoes eerily down the long halls. When one evening her husband Joseph disappears and then returns, offering no explanation as to his whereabouts, her creeping unease shifts decidedly to dread.
As other strange events build to a crescendo, the haunting truth about Josephine's work begins to take shape in her mind, even as something powerful is gathering its own form within her. She realizes that in order to save those she holds most dear, she must penetrate an institution whose tentacles seem to extend to every corner of the city and beyond. Both chilling and poignant, The Beautiful Bureaucrat is a novel of rare restraint and imagination. With it, Helen Phillips enters the company of Murakami, Bender, and Atwood as she twists the world we know and shows it back to us full of meaning and wonder-luminous and new.
Don Winslow4.2 From the internationally best-selling author of the acclaimed novel The Power of the Dog comes The Cartel, a gripping, true-to-life, ripped-from-the-headlines epic story of power, corruption, revenge, and justice spanning the past decade of the Mexican-American drug wars.
It’s 2004. DEA agent Art Keller has been fighting the war on drugs for thirty years in a blood feud against Adán Barrera, the head of El Federación, the world’s most powerful cartel, and the man who brutally murdered Keller’s partner. Finally putting Barrera away cost Keller dearly—the woman he loves, the beliefs he cherishes, the life he wants to lead.
Then Barrera gets out, determined to rebuild the empire that Keller shattered. Unwilling to live in a world with Barrera in it, Keller goes on a ten-year odyssey to take him down. His obsession with justice—or is it revenge?—becomes a ruthless struggle that stretches from the cities, mountains, and deserts of Mexico to Washington’s corridors of power to the streets of Berlin and Barcelona.
Keller fights his personal battle against the devastated backdrop of Mexico’s drug war, a conflict of unprecedented scale and viciousness, as cartels vie for power and he comes to the final reckoning with Barrera—and himself—that he always knew must happen.
The Cartel is a story of revenge, honor, and sacrifice, as one man tries to face down the devil without losing his soul. It is the story of the war on drugs and the men—and women—who wage it.
Брайан Панович0.0 Clayton Burroughs comes from a long line of outlaws. For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.
Мэрилин Нельсон0.0 Poetry illustrated in the poet's own words - with brief prose descriptions of what she sees inside her work -- this exquisite collection takes readers back in time and deep into the mind's eye of Marilyn Nelson. A girl ponders being free-but-not-free. Orphaned brothers get gold fever. A conjurer sees past his time and into ours. The voices of a multi-ethnic, multi-racial 19th century Manhattan neighborhood are rising again One of America's most honored writers - a Newbery Honor medalist, Coretta Scott King Medalist and National Book Award nominee -draws upon history, and her astonishing imagination, to revive the long lost community of Seneca Village.
Дэн Эфрон0.0 One of the New York Times’s 100 Notable Books of the Year.
The assassination of Israeli Prime Minister Yitzhak Rabin remains the single most consequential event in Israel’s recent history, and one that fundamentally altered the trajectory for both Israel and the Palestinians. Killing a King relates the parallel stories of Rabin and his stalker, Yigal Amir, over the two years leading up to the assassination, as one of them planned political deals he hoped would lead to peace, and the other plotted murder.
Dan Ephron, who reported from the Middle East for much of the past two decades, covered both the rally where Rabin was killed and the subsequent murder trial. He describes how Rabin, a former general who led the army in the Six-Day War of 1967, embraced his nemesis, Palestine Liberation Organization leader Yasser Arafat, and set about trying to resolve the twentieth century’s most vexing conflict. He recounts in agonizing detail how extremists on both sides undermined the peace process with ghastly violence. And he reconstructs the relentless scheming of Amir, a twenty-five-year-old law student and Jewish extremist who believed that Rabin’s peace effort amounted to a betrayal of Israel and the Jewish people. As Amir stalked Rabin over many months, the agency charged with safeguarding the Israeli leader missed key clues, overlooked intelligence reports, and then failed to protect him at the critical moment, exactly twenty years ago. It was the biggest security blunder in the agency’s history.
Through the prism of the assassination, much about Israel today comes into focus, from the paralysis in peacemaking to the fraught relationship between current Prime Minister Benjamin Netanyahu and President Barack Obama. Based on Israeli police reports, interviews, confessions, and the cooperation of both Rabin’s and Amir’s families, Killing a King is a tightly coiled narrative that reaches an inevitable, shattering conclusion. One can’t help but wonder what Israel would look like today had Rabin lived.
Хейден Эррера0.0 Throughout the twentieth century, Isamu Noguchi was a vital figure in modern art. From interlocking wooden sculptures to massive steel monuments to the elegant Akari lamps, Noguchi became a master of what he called the "sculpturing of space." But his constant struggle-as both an artist and a man-was to embrace his conflicted identity as the son of a single American woman and a famous yet reclusive Japanese father. "It's only in art," he insisted, "that it was ever possible for me to find any identity at all."
In this remarkable biography of the elusive artist, Hayden Herrera observes this driving force of Noguchi's creativity as intimately tied to his deep appreciation of nature. As a boy in Japan, Noguchi would collect wild azaleas and blue mountain flowers for a little garden in front of his home. As Herrera writes, he also included a rock, "to give a feeling of weight and permanence." It was a sensual appreciation he never abandoned. When looking for stones in remote Japanese quarries for his zen-like Paris garden forty years later, he would spend hours actually listening to the stones, scrambling from one to another until he found one that "spoke to him." Constantly striving to "take the essence of nature and distill it," Noguchi moved from sculpture to furniture, and from playgrounds to sets for his friend the choreographer Martha Graham, and back again working in wood, iron, clay, steel, aluminum, and, of course, stone.
Noguchi traveled constantly, from New York to Paris to India to Japan, forever uprooting himself to reinvigorate what he called the "keen edge of originality." Wherever he went, his needy disposition and boyish charm drew women to him, yet he tended to push them away when things began to feel too settled. Only through his art-now seen as a powerful aesthetic link between the East and the West-did Noguchi ever seem to feel that he belonged.
Combining Noguchi's personal correspondence and interviews with those closest to him-from artists, patrons, assistants, and lovers-Herrera has created an authoritative biography of one of the twentieth century's most important sculptors. She locates Noguchi in his friendships with such artists as Buckminster Fuller and Arshile Gorky, and in his affairs with women including Frida Kahlo and Anna Matta Clark. With the attention to detail and scholarship that made her biography of Gorky a finalist for the Pulitzer Prize, Herrera has written a rich meditation on art in a globalized milieu. Listening to Stone is a moving portrait of an artist compulsively driven to reinvent himself as he searched for his own "essence of sculpture."
Терри Элфорд0.0 With a single shot from a pistol small enough to conceal in his hand, John Wilkes Booth catapulted into history on the night of April 14, 1865. The assassination of President Abraham Lincoln stunned a nation that was just emerging from the chaos and calamity of the Civil War, and the president's untimely death altered the trajectory of postwar history. But to those who knew Booth, the event was even more shocking-for no one could have imagined that this fantastically gifted actor and well-liked man could commit such an atrocity.
In Fortune's Fool, Terry Alford provides the first comprehensive look at the life of an enigmatic figure whose life has been overshadowed by his final, infamous act. Tracing Booth's story from his uncertain childhood in Maryland, characterized by a difficult relationship with his famous actor father, to his successful acting career on stages across the country, Alford offers a nuanced picture of Booth as a public figure, performer, and deeply troubled man. Despite the fame and success that attended Booth's career--he was billed at one point as "the youngest star in the world"--he found himself consumed by the Confederate cause and the desire to help the South win its independence. Alford reveals the tormented path that led Booth to conclude, as the Confederacy collapsed in April 1865, that the only way to revive the South and punish the North for the war would be to murder Lincoln--whatever the cost to himself or others. The textured and compelling narrative gives new depth to the familiar events at Ford's Theatre and the aftermath that followed, culminating in Booth's capture and death at the hands of Union soldiers 150 years ago.
Based on original research into government archives, historical libraries, and family records, Fortune's Fool offers the definitive portrait of John Wilkes Booth.
Шарлотта ДеКрус Джейкоб0.0 When a waiting world learned on April 12, 1955, that Jonas Salk had successfully created a vaccine to prevent poliomyelitis, he became a hero overnight. Born in a New York tenement, humble in manner, Salk had all the makings of a twentieth-century icon--a knight in a white coat. In the wake of his achievement, he received a staggering number of awards and honors; for years his name ranked with Gandhi and Churchill on lists of the most revered people. And yet the one group whose adulation he craved--the scientific community--remained ominously silent. "The worst tragedy that could have befallen me was my success," Salk later said. "I knew right away that I was through--cast out."
In the first complete biography of Jonas Salk, Charlotte DeCroes Jacobs unravels Salk's story to reveal an unconventional scientist and a misunderstood and vulnerable man. Despite his incredible success in developing the polio vaccine, Salk was ostracized by his fellow scientists, who accused him of failing to give proper credit to other researchers and scorned his taste for media attention. Even before success catapulted him into the limelight, Salk was an inscrutable man disliked by many of his peers. Driven by an intense desire to aid mankind, he was initially oblivious and eventually resigned to the personal cost--as well as the costs suffered by his family and friends. And yet Salk remained, in the eyes of the public, an adored hero.
Based on hundreds of personal interviews and unprecedented access to Salk's sealed archives, Jacobs' biography offers the most complete picture of this complicated figure. Salk's story has never been fully told; until now, his role in preventing polio has overshadowed his part in co-developing the first influenza vaccine, his effort to meld the sciences and humanities in the magnificent Salk Institute, and his pioneering work on AIDS. A vivid and intimate portrait, this will become the standard work on the remarkable life of Jonas Salk.
Патрик МакГиллиган0.0 On the centennial of his birth, the defining wunderkind of modern entertainment gets his due in a groundbreaking new biography of his early years--from his first forays in theater and radio to the inspiration and making of Citizen Kane.
In the history of American popular culture, there is no more dramatic story--no swifter or loftier ascent to the pinnacle of success and no more tragic downfall--than that of Orson Welles. In this magisterial biography, Patrick McGilligan brings young Orson into focus as never before. He chronicles Welles's early life growing up in Wisconsin and Illinois as the son of an alcoholic industrialist and a radical suffragist and classical musician, and the magical early years of his career, including his marriage and affairs, his influential friendships, and his artistic collaborations.
The tales of his youthful achievements were so colorful and improbable that Welles, with his air of mischief, was often thought to have made them up. Now after years of intensive research, McGilligan sorts out fact from fiction and reveals untold, fully documented anecdotes of Welles's first exploits and triumphs, from starring as a teenager on the Gate Theatre stage in Dublin and bullfighting in Sevilla, to his time in the New York theater and his fraught partnership with John Houseman in the Mercury Theatre, to his arrival in Hollywood and the making of Citizen Kane. Filled with intriguing new insights and startling revelations--including the surprising true origin and meaning of "Rosebud"--Young Orson is a fascinating look at the creative development and influences that shaped this legendary artistic genius.
Джон Норрис0.0 Before there was Maureen Dowd or Gail Collins or Molly Ivins, there was Mary McGrory. She was a trailblazing columnist who achieved national syndication and reported from the front lines of American politics for five decades. From her first assignment reporting on the Army–McCarthy hearings to her Pulitzer-winning coverage of Watergate and controversial observations of President Bush after September 11, McGrory humanized the players on the great national stage while establishing herself as a uniquely influential voice. Behind the scenes she flirted, drank, cajoled, and jousted with the most important figures in American life, breaking all the rules in the journalism textbook. Her writing was admired and feared by such notables as Lyndon Johnson (who also tried to seduce her) and her friend Bobby Kennedy who observed, “Mary is so gentle—until she gets behind a typewriter.” Her soirees, filled with Supreme Court justices, senators, interns, and copy boys alike, were legendary.
As the red-hot center of the Beltway in a time when the newsrooms were dominated by men, McGrory makes for a powerfully engrossing subject. Laced with juicy gossip and McGrory’s own acerbic wit, John Norris’s colorful biography reads like an insider’s view of latter-day American history—and one of its most enduring characters.
Риад Саттуф4.4 The Arab of the Future, the #1 French best-seller, tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of 3 dictators—Muammar Gaddafi, Hafez al-Assad, and his father
In striking, virtuoso graphic style that captures both the immediacy of childhood and the fervor of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria--but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation.
Riad, delicate and wide-eyed, follows in the trail of his mismatched parents; his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult… Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.
Brimming with life and dark humor, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.
Сара Чейес0.0 A former adviser to the Joint Chiefs of Staff explains how government’s oldest problem is its greatest destabilizing force.
The world is blowing up. Every day a new blaze seems to ignite: the bloody implosion of Iraq and Syria; the East-West standoff in Ukraine; abducted schoolgirls in northern Nigeria. Is there some thread tying these frightening international security crises together? In a riveting account that weaves history with fast-moving reportage and insider accounts from the Afghanistan war, Sarah Chayes identifies the unexpected link: corruption.
Since the late 1990s, corruption has reached such an extent that some governments resemble glorified criminal gangs, bent solely on their own enrichment. These kleptocrats drive indignant populations to extremes—ranging from revolution to militant puritanical religion. Chayes plunges readers into some of the most venal environments on earth and examines what emerges: Afghans returning to the Taliban, Egyptians overthrowing the Mubarak government (but also redesigning Al-Qaeda), and Nigerians embracing both radical evangelical Christianity and the Islamist terror group Boko Haram. In many such places, rigid moral codes are put forth as an antidote to the collapse of public integrity.
The pattern, moreover, pervades history. Through deep archival research, Chayes reveals that canonical political thinkers such as John Locke and Machiavelli, as well as the great medieval Islamic statesman Nizam al-Mulk, all named corruption as a threat to the realm. In a thrilling argument connecting the Protestant Reformation to the Arab Spring, Thieves of State presents a powerful new way to understand global extremism. And it makes a compelling case that we must confront corruption, for it is a cause—not a result—of global instability.
Джо Доманик0.0 An award-winning investigative reporter reveals the troubled history of the LAPD in a gripping story filled with hard-boiled, real-life characters that bring to life the ravages of the criminal justice system.
Vividly drawn and character-driven, Blue is simultaneously a drama of cops, crime and politics, and a primer on American police policy and reform. Using the LAPD as the book’s spine and through-line, Domanick illuminates urban policing at a crossroads during the tumultuous violence-plagued years of the early 1990s. Years when the beating of Rodney King and the LAPD’s brutality sparked the 1992 Los Angeles Riots, and police departments were caught between an often brutal, corrupt and racist past, and the demands of a rapidly changing urban population and environment.
From LA he then zooms to New York City, and details how the transformation of the NYPD that resulted in a dramatic decrease in crime—even while the LAPD remained in freefall for a decade more before it too begins its road to reformation. Blue ends in the summer of 2014 with crime at record lows, but events in LA, NYC and Ferguson, Mo., raising alarming warnings about aggressive racial profiling and the militarization of American policing.
Filled with political intrigue and cultural and racial conflict, Domanick’s fast-paced account distills this history through the vivid characters that shaped it, from America’s premiere police reformer, William J. Bratton; to Daryl Francis Gates, Chief of the LAPD during fourteen of the most tumultuous years in LA’s history; to Charlie Beck, a street-hardened LAPD cop who later becomes Bratton’s protégé; to Alfred Lomas and Andre Christian, former members of two of LA’s most fearsome gangs, who represent the other side of the LAPD’s war on crime.
Сэм Хинонес3.8 In fascinating detail, Sam Quinones chronicles how, over the past 15 years, enterprising sugar cane farmers in a small county on the west coast of Mexico created a unique distribution system that brought black tar heroin—the cheapest, most addictive form of the opiate, 2 to 3 times purer than its white powder cousin—to the veins of people across the United States. Communities where heroin had never been seen before—from Charlotte, NC and Huntington, WVA, to Salt Lake City and Portland, OR—were overrun with it. Local police and residents were stunned. How could heroin, long considered a drug found only in the dense, urban environments along the East Coast, and trafficked into the United States by enormous Colombian drug cartels, be so incredibly ubiquitous in the American heartland? Who was bringing it here, and perhaps more importantly, why were so many townspeople suddenly eager for the comparatively cheap high it offered?
With the same dramatic drive of El Narco and Methland, Sam Quinones weaves together two classic tales of American capitalism: The stories of young men in Mexico, independent of the drug cartels, in search of their own American Dream via the fast and enormous profits of trafficking cheap black-tar heroin to America’s rural and suburban addicts; and that of Purdue Pharma in Stamford, Connecticut, determined to corner the market on pain with its new and expensive miracle drug, Oxycontin; extremely addictive in its own right. Quinones illuminates just how these two stories fit together as cause and effect: hooked on costly Oxycontin, American addicts were lured to much cheaper black tar heroin and its powerful and dangerous long-lasting high. Embroiled alongside the suppliers and buyers are DEA agents, local, small-town sheriffs, and the US attorney from eastern Virginia whose case against Purdue Pharma and Oxycontin made him an enemy of the Bush-era Justice Department, ultimately stalling and destroying his career in public service.
Dreamland is a scathing and incendiary account of drug culture and addiction spreading to every part of the American landscape.
Sandy Tolan0.0 It is an unlikely story. Ramzi Hussein Aburedwan, a child from a Palestinian refugee camp, confronts an occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then, through his charisma and persistence, inspires scores of others to work with him to make that dream real. The dream: a school to transform the lives of thousands of children--as Ramzi's life was transformed--through music.
Musicians from all over the world came to help. A violist left the London Symphony Orchestra, in part to work with Ramzi at his new school, Al Kamandjati. An aspiring British opera singer moved to the West Bank to teach voice lessons. Daniel Barenboim, the eminent Israeli conductor, invited Ramzi to join his West Eastern Divan Orchestra, which he founded with the late Palestinian intellectual, Edward Said. Since then the two have played together frequently. "Ramzi has transformed not only his life, his destiny, but that of many other people," Barenboim said. "This is an extraordinary collection of children from all over Palestine that have all been inspired and opened to the beauty of life."
Children of the Stone chronicles Ramzi's journey--from stone thrower to music student to school founder--and shows how through his love of music he created something lasting and beautiful in a land torn by violence and war. This is a story about the power of music, first, but also about freedom and conflict, determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the prospects of musical collaboration across the Israeli–Palestinian divide, and the potential of music to help children everywhere see new possibilities for their lives.
Стивен Уитт4.5 "Как музыка стала свободной" представляет из себя захватывающую историю, в которой переплелись между собой одержимость, жадность, музыка, преступность и деньги. История эта рассказывается через визионеров и преступников, магнатов и подростков, создающих новую цифровую реальность. Это история о величайшем пирате в истории, самом влиятельном руководителе в музыкальном бизнесе, революционном изобретении и нелегальном сайте, который по своим размерам превосходил iTunes Music Store в четыре раза.
Журналист Стивен Уитт отслеживает тайную историю цифрового музыкального пиратства, начиная с изобретения немецкими аудио-инженерами формата mp3, ведет читателя через завод в Северной Каролине, где печатались компакт-диски и с которого один из работников слил в сеть за десятилетие примерно 2 000 альбомов, к высоткам на Манхэттене, откуда музыкальным бизнесом правил могущественный Даг Моррис, монополизировавший мировой рынок рэп-музыки, и оттуда в глубины интернета - даркнет.
Джори Грэм0.0 From pulitzer prize winner Jorie Graham, an indispensable volume of poems selected from almost four decades of work
Much awaited and long needed, From the New World—a sequence of poems from Jorie Graham’s prior eleven books—creates a startlingly fresh trajectory through books whose brilliance and far-reaching innovations have been a significant influence on the landscape of contemporary poetry, both in the United States and abroad. Part spiritual autobiography, part survival manual, From the New World tracks what it is to attempt wakefulness in this our unprecedented historical, social, and ecological crisis. Life as we have known it, both in our persons and on the globe, rises in all its terror and deep mystery from these pages. How are we to be responsible, the book asks; how attend to drastic disappearance and still love? We finally have, in one volume, the stunning story Graham has written to keep both art and the human spirit instantaneously yet enduringly alive.
“From the New World is an indispensable addition to any literary library, a tour de force selection of Jorie Graham’s critically important poems to date.”—New York Journal of Books
“Graham’s great body of work, summarized in From the New World, her new career-spanning selected poems...has so much in it, more of life and of the world than that of almost any other poet now writing....Graham is to post-1980 poetry what Bob Dylan is to post-1960 rock: She changed her art form, moved it forward, made it able to absorb and express more than it could before. It permanently bears her mark.”—New York Times
“Graham’s poems make use of all the old lyric technologies, as ancient as the breath and the beating of the heart—rhythm, the managed intervals of line and stanza, the play of language against silence, and the transformations enacted by metaphor—enlisting them to measure a world of spawning complexity and change. But because she finds herself gauged by the world she gauges, a poetry that would seem almost too fine-grained for politics has become, in the past twenty years or so, a sui-generis account of global ills like species extinction and climate change.”— The New Yorker
“Like the greatest filmmakers, Graham is miraculously gifted at tracing those inexplicable moments that carry a thing—a crow, the sun, a snowflake—from stillness to motion, from wholeness to disintegration and back again....I know of no living poet whose work so aligns with their reason for writing; I know of no living poet with a better reason for writing poetry. In Jorie Graham’s vision of a new world, poetry—thought in motion—is faster and more powerful than money, argument, or destruction. Take me there.”—Flavorwire
“Graham’s is the best poetry written in English in the last forty years. The achievement of her verse is not only to make something happen: Graham’s poetry is something happening....We will always need to read Jorie Graham, and to read her closely, if we want to understand the last forty years of poetry in America (as well as abroad, where her reputation is only growing)....From the New World is now the place to start.” —Los Angeles Review of Books
Андреа Вульф4.2 Имя этого человека звучит повсюду: от течения Гумбольдта у берегов Чили и Перу до десятков памятников, парков и горных хребтов в Южной Америке, включая Сьерра-Гумбольдт в Мексике и пик Гумбольдта в Венесуэле. В его честь назван город в Аргентине, река в Бразилии, гейзер в Эквадоре, залив в Колумбии. В Гренландии есть мыс и ледник Гумбольдта, горы Гумбольдта мы находим на картах Северного Китая, Южной Африки, Новой Зеландии, Антарктиды, реки и водопады Гумбольдт — в Тасмании и в Новой Зеландии, парки его имени есть в Германии, по Парижу пролегает улица Александра фон Гумбольдта. В одной Северной Америке именем Гумбольдта названы четыре округа, тринадцать городов, горы, заливы, озера и одна река, природный парк в Калифорнии, парки в Чикаго и в Буффало, а штат Невада в 1860-х годах едва не стал штатом Гумбольдт. Его имя носят около 300 растений и более 100 животных, в том числе калифорнийская лилия Гумбольдта, южноамериканский пингвин Гумбольдта и свирепый хищник — двухметровый кальмар Гумбольдта, встречающийся в водах течения Гумбольдта. Он увековечен в названиях шести минералов — от гумбольдтита до гумбольдтина, а одна из областей на Луне называется Mare Humboldtianum. В честь Гумбольдта названо больше мест, чем в честь кого-либо еще.
Отмеченная блистательным созвездием наград и престижных премий от самых уважаемых западных научных сообществ и СМИ, книга рассказывает о жизни и деятельности этой выдающейся личности — немецкого ученого-энциклопедиста Александра фон Гумбольдта (1769–1859), натуралиста, зоолога и ботаника, путешественника и географа, одного из основателей физической географии как самостоятельной науки, а также ландшафтоведения, экологической географии растений, геомагнетизма и климатологии. Его идеи имели огромное значение для развития науки, сферы защиты природы, понимания связи человека и природы, искусства и природы, поэзии и природы, политики и природы.
На основе множества документальных источников, дневников, обширной переписки, отчетов о поездках ученого, а также собственных путешествий и изысканий автора раскрыты не только главные вехи научной биографии, но и характер Гумбольдта, его эмоции, стремления и слабости. Захватывающая интеллектуальная биография, наиболее полный портрет одного из самых многогранных натуралистов в мире.
Чигози Обиома4.1 Четверо братьев из нигерийского города Акуре, оставшись без надзора отца — тот уехал работать на другой конец страны, ходят рыбачить на заброшенную реку, пользующуюся у местных жителей дурной славой. Однажды на пути домой братья встречают безумца Абулу, обладающего даром пророчества. Люди боятся и ненавидят Абулу, ведь уста его — источник несчастий, а язык его — жало скорпиона… Безумец предсказывает Икенне, старшему брату, смерть от руки рыбака: одного из младших братьев. Прорицание вселяет страх в сердце Икенны, заставляя его стремиться навстречу року, и грозит разрушением всей семье.
В дебютном романе Чигози Обиома показывает себя гениальным рассказчиком: его версия библейской легенды о Каине и Авеле разворачивается на просторах Нигерии 1990-х годов и передана она восхитительным языком, отсылающим нас к сказкам народов Африки.
