Вручение 1982 г.

Страна: США Место проведения: Лос-Анджелес, Los Angeles Times Festival of Books Дата проведения: 1982 г.

Художественная литература

Лауреат
Роберт Стоун 3.5
Данная история - это своеобразная загадка, поставленная читателю, и обычной логикой ее не разгадать, до самой последней страницы. Замечательно то, что параллельно с сюжетом встречаются ноты сатиры, которые сгущают изображение порой даже до нелепости, и доводят образ до крайности. Кажется невероятным, но совершенно отчетливо и в высшей степени успешно передано словами неуловимое, волшебное, редчайшее и крайне доброе настроение. При помощи ускользающих намеков, предположений, неоконченных фраз, чувствуется стремление подвести читателя к финалу, чтобы он был естественным, желанным. Обильное количество метафор, которые повсеместно использованы в тексте, сделали сюжет живым и сочным. Произведение, благодаря мастерскому перу автора, наполнено тонкими и живыми психологическими портретами. Написано настолько увлекательно и живо, что все картины и протагонисты запоминаются на долго и даже спустя довольно долгое время, моментально вспоминаются. Одну из важнейших ролей в описании окружающего мира играет цвет, он ощутимо изменяется во время смены сюжетов. Гармоничное взаимодополнение конфликтных эпизодов с внешней окружающей реальностью, лишний раз подтверждают талант и мастерство литературного гения. Просматривается актуальная во все времена идея превосходства добра над злом, света над тьмой с очевидной победой первого и поражением второго.
Isaac Bashevis Singer 4.5
Isaac Bashevis Singer's work explores humanity in all of its guises. This collection of forty-seven short stories, selected by Singer himself from across the whole of his career, brings together the best of his writing. From the supernatural "Taibele and Her Demon" to the poignant "The Unseen", and from gentle humour in "Gimpel the Fool" to tragedy with "Yentl the Yeshiva Boy", these tales explore good and evil, passion and restraint, religious fervour and personal failings, within the traditional shtetls of pre-war Eastern Europe and post-war America.
Saul Bellow 3.0
Dean Corde is a man of position and authority at a Chicago university. He accompanies his wife to Bucharest where her mother, a celebrated figure, lies dying in a state hospital. As he tries to help her grapple with an unfeeling bureaucracy, news filters through to him of problems left behind in Chicago. A student had been been murdered and Corde had directed that charges be pressed against two black youths, but controversy and pressure are mounting against the university administration. Further, a series of articles written by Corde has offended influential Chicagoans whom he had counted as friends. Corde is troubled: at home the centre is not holding firm, in Eastern Europe authority is cruel and dehumanising.
Энн Тайлер 4.2
В романе Энн Тайлер дана история американской семьи, утрачивающей под воздействием дегуманизирующих сил буржуазной цивилизации внутренние связи и в итоге распадающейся. В то же время писательница ищет положительные ценности, способные вернуть смысл человеческой жизни.
Donald Barthelme 0.0
With these audacious and murderous witty stories, Donald Barthelme threw the preoccupation of our time into the literary equivalent of a Cuisinart and served up a gorgeous salad of American culture, high and low. Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

История

Лауреат
Джонатан Д. Спенс 0.0
“A milestone in Western studies of China.” (John K. Fairbank)

In this masterful, highly original approach to modern Chinese history, Jonathan D. Spence shows us the Chinese revolution through the eyes of its most articulate participants—the writers, historians, philosophers, and insurrectionists who shaped and were shaped by the turbulent events of the twentieth century. By skillfully combining literary materials with more conventional sources of political and social history, Spence provides an unparalleled look at China and her people and offers valuable insight into the continuing conflict between the implacable power of the state and the strivings of China's artists, writers, and thinkers.

Нынешний интерес

Лауреат
Джонатан Шелл 0.0
When Jonathan Schell heard all that loose talk about attainment of objectives in a limited nuclear war, it was too much for him. He did what all of us would like to do: he wrote a book. It's very pessimistic. The mere presence of all those weapons is enough to ensure that sometime, somewhere, someone is going to set one off. Schell makes sure all of us know the horrendous possibilities of a nuclear exchange & all the reasons for bringing such possibilities to a halt. Everyone agrees. The question is, how do we get these monsters under control?
A republic of insects & grass
The second death
The choice
Index

Поэзия

Лауреат
Allen Ginsberg 0.0
Plutonian Ode: Title poem combines scientific info on 24,000-year cycle of the Great Year compared with equal half-life of Plutonium waste, accounting Homeric formula for appeasing underground millionaire Pluto Lord of Death, jack in the gnostic box of Aeons, and Adamantine Truth of ordinary mind inspiration, unhexing nuclear ministry of fear. Following poems chronologies Wyoming grass blues, a punk-rock sonnet, personal grave musing, Manhattan landscape hypertension, lovelorn heart thumps, mantric rhymes, Neruda’s tearful Lincoln ode retranslated to U.S. vernacular oratory, Nagasaki Bomb anniversary haikus, Zen Bluegrass raunch, free verse demystification of sacred fame, Reznikoffian filial epiphanies, hot pants Skeltonic doggerel, a Kerouackian New Year’s eve ditty, professional homework, New Jersey quatrains, scarecrow haiku, improvised dice roll for high school kids, English rock-and-roll sophistications, an old love glimpse, little German movies, old queen conclusions, a tender renaissance song, ode to hero-flop, Peace protest prophecies, Lower East Side snapshots, national flashed in the Buddhafields, Sapphic stanzas in quantitative idiom, look out at the bedroom window, feverish birdbrain verses from Eastern Europe for chanting with electric bands, Beethovinean ear strophes drowned in rain, a glance at Cloud Castle, poems 1977-1980 end with International new wave hit lyric Capitol Air

"“Plutonian Ode” has the best of intentions . . . [I]t is perhaps the most complete package of political action from poem to protest." —Marc Olmstead, Sensitive Skin Magazine

Famous Beat poet Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote "Kaddish" 1959, made tape to leave behind & fade in Orient awhile." His other famous poetry collections including The Fall of America, Howl, Mind Breaths, Plutonian Ode, and Reality Sandwiches are also published by City Lights Publishers.