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Премия Десмонда Эллиота
Мэдди Мортимер 3.5
This lyrical debut novel is at once a passionate coming-of-age story, a meditation on illness and death, and a kaleidoscopic journey through one woman’s life—told in part by the malevolent voice of her disease.

Lia, her husband Harry, and their beloved daughter, Iris, are a precisely balanced family of three. With Iris struggling to navigate the social tightrope of early adolescence, their tender home is a much-needed refuge. But when a sudden diagnosis threatens to derail each of their lives, the secrets of Lia’s past come rushing into the present, and the world around them begins to transform.

Deftly guided through time, we discover the people who shaped Lia’s youth; from her deeply religious mother to her troubled first love. In turn, each will take their place in the shifting landscape of Lia’s body; at the center of which dances a gleeful narrator, learning her life from the inside, growing more emboldened by the day.

Pivoting between the domestic and the epic, the comic and the heart-breaking, this astonishing novel unearths the darkness and levity of one woman’s life to symphonic effect.
Премия Десмонда Эллиота
А. К. Блэйкмор 3.6
Англия, 1643 год. Вся страна охвачена пуританским пылом. В маленьком городе Мэннингтри после войны совсем не осталось мужчин, а в сердцах женщин, предоставленных самим себе, пылает ужас проклятия.

Ребекка Уэст, живущая с одной только матерью, страдает от тоскливой рутины, которую лишь изредка оживляет ее увлечение красивым молодым клерком Джоном Идсом. Но вот на шахматной доске Мэннингтри появляется новая фигура – не кто иной, как Мэтью Хопкинс.

Загадочный, набожный человек, одетый с ног до головы в черное, он становится владельцем постоялого двора «Торн» и начинает интересоваться, чем занимаются женщины на задворках этой убогой общины.

Опасные слухи о шабашах, сговорах и колдовстве теперь угрожают таким женщинам, как Ребекка… И будущее Мэннингтри, которое одинаково пугает и волнует, оказывается в руках одного человека.
Премия Десмонда Эллиота
Дерек Овусу 0.0
This is the story of K.

K is sent into care before a year marks his birth. He grows up in fields and woods, and he is happy, he thinks. When K is eleven, the city reclaims him. He returns to an unknown mother and a part-time father, trading the fields for flats and a community that is alien to him. Slowly, he finds friends. Eventually, he finds love. He learns how to navigate the city. But as he grows, he begins to realise that he needs more than the city can provide. He is a man made of pieces. Pieces that are slowly breaking apart.

That Reminds Me is the story of one young man, from birth to adulthood, told in fragments of memory. It explores questions of identity, belonging, addiction, sexuality, violence, family and religion. It is a deeply moving and completely original work of literature from one of the brightest British writers of today.
Премия Десмонда Эллиота
Клэр Адам 3.5
It’s dark now; the bats are out. Insects knock against the light on the patio and the dog sits at the gate. A boy has not returned home and a family anxiously awaits. A father steps out into the night to search for his son.

As the hours turn into days, this man will learn many things. He will learn about being a father to twin boys who are in no way alike. He will learn how dangerous hopes and dreams can be. He will learn truths about Trinidad, about his family, and himself. He will question received wisdom and question his judgement. He will learn about sacrifice and the nature of love – and he will be forced to act.

Claire Adam’s electrifying first novel reckons with the secrets of the human heart. It tells a story about wanting more for our children; it casts its spell with uncommon wisdom and grace.
Премия Десмонда Эллиота
Прети Танеджа 0.0
The story of a billionaire family dynasty, led by a gold-plated madman, stewed in corruption, mired in violence, riven by infighting, deception and lies… The resonances will be there for anyone who knows King Lear - not to mention anyone struggling to come to terms with the new world order - from the rise of the religious right wing in India to the Trump dynasty in the United States. This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come.

Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir.

Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.
Премия Десмонда Эллиота
Francis Spufford 0.0
New York, a small town on the tip of Manhattan Island, 1746.

One rainy evening in November, a handsome young stranger fresh off the boat pitches up at a counting-house door in Golden Hill Street: this is Mr. Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.

Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?

As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.

This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.

Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.

Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.
Премия Десмонда Эллиота
Лиза МакИнерни 0.0
One messy murder affects the lives of five misfits who exist on the fringes of Ireland's post-crash society. Ryan is a fifteen-year-old drug dealer desperate not to turn out like his alcoholic father Tony, whose obsession with his unhinged next-door neighbour threatens to ruin him and his family. Georgie is a prostitute whose willingness to feign a religious conversion has dangerous repercussions, while Maureen, the accidental murderer, has returned to Cork after forty years in exile to discover that Jimmy, the son she was forced to give up years before, has grown into the most fearsome gangster in the city. In seeking atonement for the murder and a multitude of other perceived sins, Maureen threatens to destroy everything her son has worked so hard for, while her actions risk bringing the intertwined lives of the Irish underworld into the spotlight . . .

Biting, moving and darkly funny, The Glorious Heresies explores salvation, shame and the legacy of Ireland's twentieth-century attitudes to sex and family.
Премия Десмонда Эллиота
Клэр Фуллер 4.0
Выживальщик Джеймс Хиллкоут готовится к концу света — строит убежище в подвале своего лондонского дома и делает запасы.

Однако со временем подвал начинает казаться ему ненадежным, и после размолвки с женой он без ее ведома увозит восьмилетнюю дочь Пегги в заброшенную хижину посреди глухого леса где-то в Германии. Так начинается история их выживания. История последних двух людей на земле, как думает Пегги, — ведь отец убедил ее, что во всем мире больше никого не осталось …

Девять лет спустя Пегги возвращается домой, к матери, но попытки выяснить, что произошло в лесу, приводят к новым загадкам.
Премия Десмонда Эллиота
Eimear McBride 0.0
Eimear McBride's debut tells, with astonishing insight and in brutal detail, the story of a young woman's relationship with her brother, and the long shadow cast by his childhood brain tumour. Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist, to read A Girl Is A Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation.

Touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity and mordant wit. A Girl is a Half-formed Thing is moving, funny - and alarming. It is a book you will never forget.
Премия Десмонда Эллиота
Рос Барбер 0.0
On May 30th, 1593, a celebrated young playwright was killed in a tavern brawl in London. That, at least, was the official version. Now let Christopher Marlowe tell you the truth: that his 'death' was an elaborate ruse to avoid his being hanged for heresy; that he was spirited across the channel to live on in lonely exile, longing for his true love and pining for the damp streets of London; that he continued to write plays and poetry, hiding behind the name of a colourless man from Stratford — one William Shakespeare.

With the grip of a thriller and the emotional force of a sonnet, this extraordinary novel in verse gives voice to a man who was brilliant, passionate, mercurial and not altogether trustworthy. The son of a cobbler who rose so far in Elizabethan society that he counted nobles among his friends and patrons, a spy in the Queen's service, a fickle lover and a declared religious sceptic, he was always courting trouble. When it caught up with him, he was lucky to have connections powerful enough to help him escape.

Memoir, love letter, settling of accounts and a cry for recognition as the creator of some of the most sublime works in the English language, this is Christopher Marlowe's testament — and a tour de force by an award-winning poet: provocative, persuasive and enthralling.
Премия Десмонда Эллиота
Грейс Макклин 3.8
Впервые на русском — самый ошеломляющий дебют в современной британской литературе, самая трогательная и бескомпромиссно оригинальная книга нового века! В этом романе находят отзвуки и недавнего бестселлера Эммы Донохью «Комната» из «букеровского» шорт-листа, и такой нестареющей классики, как «Убить пересмешника» Харпер Ли, и даже «Осиной Фабрики» Иэна Бэнкса. Но с кем бы Грейс Макклин ни сравнивали, ее ни с кем не спутаешь.

Итак, познакомьтесь с Джудит Макферсон. Ей десять лет. Она живет с отцом. Отец работает на заводе, а в свободное от работы время проповедует, с помощью Джудит, истинную веру: настали Последние Дни, скоро Армагеддон, и спасутся не все. В комнате у Джудит есть другой мир, сделанный из вещей, которые больше никому не нужны; с потолка на коротких веревочках свисают планеты и звезды, на веревочках подлиннее — Солнце и Луна, на самых длинных — облака и самолеты. Это самая прекрасная земля на свете, текущая молоком и медом, краса всех земель. Но в школе над Джудит издеваются, и однажды она устраивает в своей Красе Земель снегопад; а проснувшись утром, видит, что все вокруг и вправду замело и школа закрыта. Постепенно Джудит уверяется, что может творить чудеса; это подтверждает и звучащий в Красе Земель голос. Но каждое новое чудо не решает проблемы, а порождает новые…
Премия Десмонда Эллиота
Анджали Джозеф 5.0
Mohan, a middle-aged letter writer sits under a banyan tree in Fort, furnishing missives for village migrants, disenchanted lovers, and when pickings are slim, filling in money order forms. But Mohan's true passion is collecting second-hand books and he's particularly attached to novels with marginal annotations.
Премия Десмонда Эллиота
Али Шо 0.0
Strange things are happening on the remote and snowbound archipelago of St. Hauda’s Land. Magical winged creatures flit around the icy bogland, albino animals hide themselves in the snow-glazed woods, and Ida Maclaird is slowly turning into glass. Ida is an outsider in these parts who has only visited the islands once before. Yet during that one fateful visit the glass transformation began to take hold, and now she has returned in search of a cure.
Премия Десмонда Эллиота
Эдвард Хоган 0.0
Beth is an albino, half blind, and given to looking at the world out of the corner of her eye. Her neighbours in the Derbyshire town of Blackmoor have always thought she was 'touched', and when a series of bizarre happenings shake the very foundations of the village, they are confirmed in their opinion that Beth is an ill omen. The neighbours say that Beth eats dirt from the flowerbeds, and that smoke rises from her lawn. By the end of the year, she is dead.
A decade later her son, Vincent, treated like a bad omen by his father, George, is living in a pleasant suburb miles from Blackmoor. There, the bird-watching teenager stumbles towards the buried secrets of his mother's life and death in the abandoned village. It's the story of a community that fell apart, a young woman whose face didn't fit, and a past that refuses to go away.
Премия Десмонда Эллиота
Никита Лалвани 0.0
Rumi Vasi is 10 years, 2 months, 13 days, 2 hours, 42 minutes, and 6 seconds old. She’s figured that the likelihood of her walking home from school with the boy she likes, John Kemble, is 0.2142, a probability severely reduced by the lacy dress and thick woolen tights her father, and Indian émigré, forces her to wear. Rumi is a gifted child, and her father, Mahesh, believes that strict discipline is the key to nurturing her genius if the family has any hope of making its mark on its adoptive country.

Four years later, a teenage Rumi is at the center of an intense campaign by her parents to make her the youngest student ever to attend Oxford University, an effort that requires an unrelenting routine of study. Yet Rumi is growing up like any other normal teen: her mind often drifts to potent distractions . . . from music to love.

Rumi’s parents want nothing other than to give Rumi an exceptional life. As her father outlines ever more regimented study schedules, her mother longs for India and forcefully reminds Rumi of her roots. In the end, the intense expectations of a family with everything to prove will be a combustible ingredient as an intelligent but naive girl is thrust into the adult world before she has time to grow up.

In her stunningly eloquent debut novel, Nikita Lalwani pits a parent’s dream against a child’s. Deftly pondering the complexities and consequences that accompany the best intentions, Gifted explores just how far one person will push another, and how much can be endured, in the name of love.

Advance praise for Gifted
“A triumph . . . fluid, original, clever, glitteringly vivid, funny . . . All the conventional pieties and forms of Indian immigrant identity and trauma are so wittily preempted, and yet there’s a sure grasp, at the serious core of the novel, of the deep reverberations of politics and history. I couldn’t bear it when it ended.”
–Tessa Hadley, author of The Master Bedroom

“This is an outstanding piece of writing–rich, vivid, fluent, and well paced–with a wonderful cast of well-developed, engaging characters and a constantly surprising story line.”
–Gerard Woodward, author of A Curious Earth