Вручение 2014 г.

Страна: Великобритания Место проведения: город Лондон Дата проведения: 2014 г.

Премия газеты «Гардиан» за дебют

Лауреат
Колин Барретт 3.5
This magnificent collection takes us to Glanbeigh, a small town in rural Ireland – a town in which the youth have the run of the place. Boy racers speed down the back lanes; couples haunt the midnight woods; young skins huddle in the cold once The Peacock has closed its doors. Here the young live hard and wear the scars. It matters whose sister you were seen with. If you are in the wrong place at the wrong time, it matters a very great deal.


Colin Barrett’s debut does not take us to Glanbeigh alone; there are other towns, and older characters. But each story is defined by a youth lived in a crucible of menace and desire – and each crackles with the uniform energy and force that distinguish this terrific collection.
Генри Марш 4.5
Совершая ошибки или сталкиваясь с чужими, мы успокаиваем себя фразой "Человеку свойственно ошибаться". Но утешает ли она того, кто стал жертвой чужой некомпетентности? И утешает ли она врача, который не смог помочь?

Нам хочется верить, что врач непогрешим на своем рабочем месте. В операционной всемогущ, никогда не устает и не чувствует себя плохо, не раздражается и не отвлекается на посторонние мысли. Но каково это на самом деле — быть нейрохирургом? Каково знать, что от твоих действий зависит не только жизнь пациента, но и его личность — способность мыслить и творить, грустить и радоваться?

Рано или поздно каждый нейрохирург неизбежно задается этими вопросами, ведь любая операция связана с огромным риском. Генри Марш, всемирно известный британский нейрохирург, раздумывал над ними на протяжении всей карьеры, и итогом его размышлений стала захватывающая, предельно откровенная и пронзительная книга, главную идею которой можно уложить в два коротких слова: "не навреди".
Эван Ознос 4.2
Китай со стороны выглядит почти карикатурой: коммунисты-прагматики, “колосс на глиняных ногах”, роботообразные студенты, “мастер ская мира”, бесстрашные коррупционеры и диссиденты, “желтая угроза”… Настоящий котел противоречий под прыгающей крышкой. Корреспондент журнала “Нью-Йоркер” делится впечатлениями о культуре, политике и экономике, но главное — о людях стремитель но меняющейся КНР, где он прожил восемь лет. Эта книга в 2015 году вошла в шорт-лист Пулитцеровской премии в номинации “Документальная литература”
Том Уилкинсон 4.1
A brilliant exploration of architecture through ten of the world’s great buildings.

We don’t just look at buildings: their facades, beautiful or ugly, conceal the spaces where we live. We are born, work, love, and die in architecture. We buy and sell it, rent and squat it, create and destroy it. All of these aspects of buildings—economic, erotic, political, and psychological—are crucial if we are to understand architecture properly. And because architecture molds us just as much as we mold it, understanding architecture helps us to understand our lives and our world.

In this book, ten buildings from across the globe tell stories of architecture from the beginning of civilization to the present day. From the remains of the Tower of Babel to the Summer Palace in Beijing, built and destroyed by Europeans, to the Ford car plant where the production line was born, Tom Wilkinson unpicks these structures to reveal the lives of the people who built and used them. Architecture has always had a powerful and intimate relationship with society and the lives of those who build and live with it. It has often been used to try and improve society. But can architecture change our lives for the better?

The buildings are: the Tower of Babel, Babylon; Nero’s Golden House, Rome; Djinguereber Mosque, Timbuktu; Palazzo Rucellai, Florence; the Garden of Perfect Brightness, Beijing; the Festival Theatre, Beyreuth; E.1027, Cap Martin; Highland Park Ford Plant, Detroit; and the Finsbury Health Centre, London.
Марион Коуттс 0.0
In 2008, Marion Coutts' husband, the art critic Tom Lubbock, was diagnosed with a brain tumour, and told that he had not more than two years to live. The tumour was located in the area of the brain that controls speech and language, and would eventually rob him of the ability to speak. Tom was 53 when he died, leaving Marion and their son Eugene, just two years old, alone. In short bursts of beautiful, textured prose, Coutts describes the eighteen months leading up to Tom's death.

The Iceberg is an unflinching, honest exploration of staring death in the face, finding solace in strange places, finding beauty and even joy in the experience of dying. Written with extraordinary narrative force and power, it is almost shocking in its rawness. Nothing is kept from the reader: the fury, the occasional spells of selfishness, the indignity of being trapped in a hopeless situation. It is a story of pain and sadness, but also an uplifting and life-affirming tale of great fortitude, courage, determination – and above all, love.
Мэтью Томас 4.0
Born in 1941, Eileen Tumulty is raised by her Irish immigrant parents in Woodside, Queens, in an apartment where the mood swings between heartbreak and hilarity, depending on whether guests are over and how much alcohol has been consumed.

When Eileen meets Ed Leary, a scientist whose bearing is nothing like those of the men she grew up with, she thinks she’s found the perfect partner to deliver her to the cosmopolitan world she longs to inhabit. They marry, and Eileen quickly discovers Ed doesn’t aspire to the same, ever bigger, stakes in the American Dream.

Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future.
Sarah Perry 3.0
One hot summer's day, John Cole decides to leave his life behind.

He shuts up the bookshop no one ever comes to and drives out of London. When his car breaks down and he becomes lost on an isolated road, he goes looking for help, and stumbles into the grounds of a grand but dilapidated house.

Its residents welcome him with open arms - but there's more to this strange community than meets the eye. They all know him by name, they've prepared a room for him, and claim to have been waiting for him all along.

As nights and days pass John finds himself drawn into a baffling menagerie. There is Hester, their matriarchal, controlling host; Alex and Claire, siblings full of child-like wonder and delusions; the mercurial Eve; Elijah - a faithless former preacher haunted by the Bible; and chain-smoking Walker, wreathed in smoke and hostility. Who are these people? And what do they intend for John?

Elegant, gently sinister and psychologically complex, this is a haunting and hypnotic debut novel by a brilliant new voice.
Фиона Макфарлейн 3.4
In an isolated house on the New South Wales coast, Ruth - a widow whose sons work abroad - lives alone. Until one day a stranger bowls up, announcing that she's been sent by the authorities to be Ruth's carer.
At first, Ruth is happy to have the company. Frida is efficient and helpful, and willing to listen to Ruth's stories about her childhood in Fiji and the man she fell for there. But why does Ruth hear a tiger prowling through the house at night? How far can Ruth trust this enigmatic woman? And how far can she trust herself?
This hypnotic tale soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, dependence, fear and power, and about the mysterious workings of the mind. Here is a dazzling new writer, reminding us how powerfully fiction can speak to our innermost secrets.
Зиа Хайдер Рахман 0.0
One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unravelling, receives a surprise visitor at his West London home. He struggles to place the dishevelled figure carrying a backpack, until he recognizes a friend from his student days, a brilliant man who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.

Theirs is the age-old story of the bond between two men and the betrayal of one by the other. As the friends begin to talk, and as their room becomes a world, a journey begins that is by turns exhilarating, shocking, intimate and strange. Set against the breaking of nations and beneath the clouds of economic crisis, and moving between Kabul, New York, Oxford, London and Islamabad, In the Light of What We Know tells the story of people wrestling with unshakeable legacies of class and culture, and pushes at the great questions of love, origins, science, faith and war.

In an extraordinary feat of imagination, Zia Haider Rahman has woven the seismic upheavals of our young century into a novel of rare compassion, scope, and courage.
Мэй-Лан Тан 0.0
A motorcycle courier finds a cache of nude photos in her boyfriend’s desk. The daughter of East German emigrants encounters her doppelgänger, who has crossed another cultural divide. Twin brothers fall for the same girl. When a stripper receives an enigmatic proposal from a client, she accepts, ignorant of its terms.

Shadows, doubles, and the ghosts of past and future lovers haunt these elegantly structured and often hallucinatory stories. The language is hypnotic, deadpan, intense; the sentences jewel-hard and sublime. This marks the début of a stylish, exuberant new voice in modern fiction.