Боб Шакочис0.0 Renowned through four award-winning books for his gritty and revelatory visions of the Caribbean, Bob Shacochis returns to occupied Haiti in The Woman Who Lost Her Soul before sweeping across time and continents to unravel tangled knots of romance, espionage, and vengeance. In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world.
When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful and seductive photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It’s the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings, and everyone has secrets. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed, and to make sense of her death, Tom must plunge back into a thorny past and his complicated ties to both Jackie and Eville Burnette, a member of Special Forces who has been assigned to protect her.
From the violent, bandit-dominated terrain of World War II Dubrovnik to the exquisitely rendered Istanbul in the 1980s, Shacochis brandishes Jackie’s shadowy family history with daring agility. Caught between her first love and the unsavory attentions of her father—an elite spy and quintessential Cold War warrior pressuring his daughter to follow in his footsteps—seventeen-year-old Jackie hatches a desperate escape plan that puts her on course to becoming the soulless woman Tom equally feared and desired.
Set over fifty years and in four countries backdropped by different wars, The Woman Who Lost Her Soul is a magnum opus that brings to life, through the mystique and allure of history, an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.
In this luminous debut, Margaret Wrinkle takes us on an unforgettable journey across continents and through time, from the burgeoning American South to West Africa and deep into the ancestral stories that reside in the soul. "Wash" introduces a remarkable new voice in American literature.
In early 1800s Tennessee, two men find themselves locked in an intimate power struggle. Richardson, a troubled Revolutionary War veteran, has spent his life fighting not only for his country but also for wealth and status. When the pressures of westward expansion and debt threaten to destroy everything he s built, he sets Washington, a young man he owns, to work as his breeding sire. Wash, the first member of his family to be born into slavery, struggles to hold onto his only solace: the spirituality inherited from his shamanic mother. As he navigates the treacherous currents of his position, despair and disease lead him to a potent healer named Pallas. Their tender love unfolds against this turbulent backdrop while she inspires him to forge a new understanding of his heritage and his place in it. Once Richardson and Wash find themselves at a crossroads, all three lives are pushed to the brink."
Энтони Марра2.0 In A Constellation of Vital Phenomena, Anthony Marra takes us to snow-covered Chechnya during the Second Chechen War. The novel, a remarkable decade-spanning debut, opens with eight-year-old Havaa looking on as her father is dragged off by Russian soldiers for a crime he did not commit. The soldiers set fire to Havaa's home, and next-door neighbor Akhmed attempts to hide her at nearby hospital. Sonya, the doctor who runs the facility, is hesitant to harbor Havaa, as the child invites unnecessary risk to her barely functioning hospital, but both she and Akhmed realize that Havaa represents something greater than a single life: she is the key to maintaining humanity in an ethnic conflict that is absurd and unjust. "There are things a person shouldn't understand," Akhmed says. "There are things a person has a moral duty never to understand." But by the end of Vital Phenomena, we do understand--with deeply emotional characters and gripping depiction of wartorn Chechnya, Marra makes us understand. --Kevin Nguyen
Antonio Muñoz Molina0.0 October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, he reflects on months of fratricidal conflict in his embattled country, his own transformation from a bricklayer's son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever alters his life. Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain's most important contemporary novelists.
Элис Макдермот4.0 'At seven, I was a shy child, and comical-looking, with a round flat face and black slits for eyes, thick glasses, black bangs, a straight and serious mouth - a little girl cartoon.
With my heart pinned to my father's sleeve'
Someone begins on the stoop of a Brooklyn apartment building where Marie is waiting for her father to come home from work. It is the 1920s and in her Irish-American enclave the stories of her neighbours unfold before her short-sighted eyes. There is war-blinded Billy Corrigan and foolish, ill-fated Pegeen - and her parents' legendary Syrian-Irish marriage - the terrifying Big Lucy, and the ever-present Sisters of Charity from the convent down the road.
As the years pass Marie's own history plays out against the backdrop of a changing world. Her older brother Gabe leaves for the seminary to study for the priesthood, his faith destined to be tested to breaking point. Marie experiences first love - and first heartbreak - marriage and motherhood, and discovers how time can reveal us all to be fools and dreamers, blinded in one way or another by hope, loss or the exigencies of life and love.
One life in all its devastating pains and unexpected joys; its bursts of brilliant clarity and moments of profound confusion. Fragments of a curious childhood, of adolescent sexual awakenings, of motherhood and, finally, old age are pieced together in this resonant story of an unremarkable, unforgettable woman.
П. С. Даффи0.0
In the tradition of Robert Goolrick's A Reliable Wife and Karl Marlantes's Matterhorn, P. S. Duffy's astonishing debut showcases a rare and instinctive talent emerging in midlife. Her novel leaps across the Atlantic, between a father at war and a son coming of age at home without him. When his beloved brother-in-law goes missing at the front in 1916, Angus defies his pacifist upbringing to join the war and find him. Assured a position as a cartographer in London, he is instead sent directly into the visceral shock of battle. Meanwhile, at home, his son Simon Peter must navigate escalating hostility in a fishing village torn by grief. With the intimacy of The Song of Achilles and the epic scope of The Invisible Bridge, The Cartographer of No Man's Land offers a soulful portrayal of World War I and the lives that were forever changed by it, both on the battlefield and at home.
Карима Беннун0.0 Eye-opening accounts of heroic resistance to religious extremism.
In Lahore, Pakistan, Faizan Peerzada resisted being relegated to a "dark corner" by staging a performing arts festival despite bomb attacks. In Senegal, wheelchair-bound Aissatou Cisse produced a comic book to illustrate the injustices faced by disabled women and girls. In Algeria, publisher Omar Belhouchet and his journalists struggled to put out their paper, El Watan (The Nation), the same night that a 1996 jihadist bombing devastated their offices and killed eighteen of their colleagues. In Afghanistan, Young Women for Change took to the streets of Kabul to denounce sexual harassment, undeterred by threats. In Minneapolis, Minnesota, Abdirizak Bihi organized a Ramadan basketball tournament among Somali refugees to counter the influence of Al Shabaab. From Karachi to Tunis, Kabul to Tehran, across the Middle East, North Africa, South Asia, and beyond, these trailblazers often risked death to combat the rising tide of fundamentalism within their own countries. But this global community of writers, artists, doctors, musicians, museum curators, lawyers, activists, and educators of Muslim heritage remains largely invisible, lost amid the heated coverage of Islamist terror attacks on one side and abuses perpetrated against suspected terrorists on the other.
A veteran of twenty years of human rights research and activism, Karima Bennoune draws on extensive fieldwork and interviews to illuminate the inspiring stories of those who represent one of the best hopes for ending fundamentalist oppression worldwide.
Nominated for the Dayton Literary Peace Prize 2014
1948: As Jewish refugees, survivors of the Holocaust, struggle toward the new State of Israel, Arab refugees are fleeing, many under duress. Sixty years later, the memory of trauma has shaped both peoples' collective understanding of who they are.
After a war, the victors write history. How was the story of the exiled Palestinians erased – from textbooks, maps, even the land? How do Jewish and Palestinian Israelis now engage with the histories of the Palestinian Nakba ("Catastrophe") and the Holocaust, and how do these echo through the political and physical landscapes of their country?
Vividly narrated, with extensive original interview material, Contested Land, Contested Memory examines how these tangled histories of suffering inform Jewish and Palestinian-Israeli lives today, and frame Israel's possibilities for peace.
Стив МакКвидди0.0 Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped.
They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.
After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.
As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.
Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions resonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.
Кэти Батлер0.0 Knocking on Heaven's Door is a visionary map through the labyrinth of a broken and morally adrift medical system. It will inspire the necessary and difficult conversations we all need to have with loved ones as it illuminates a path to a better way of death.
Like so many of us, award-winning writer Katy Butler always assumed her aging parents would experience healthy, active retirements before dying peacefully at home. Then her father suffered a stroke that left him incapable of easily finishing a sentence or showering without assistance. Her mother was thrust into full-time caregiving, and Katy became one of the 24 million Americans who help care for aging parents. In an effort to correct a minor and non–life threatening heart arrhythmia, doctors outfitted her father with a pacemaker. The device kept his heart beating but did nothing to prevent his slide into dementia, incontinence, near-muteness, and misery. After several years, he asked his wife for help, telling her, "I am living too long."
Mother and daughter faced a series of wrenching moral questions: When does death cease being a curse and become a blessing? Where is the line between saving life and prolonging a dying? When is the right time to say to a doctor, "Let my loved one go"?
When doctors refused to disable the pacemaker, sentencing her father to a protracted and agonizing death, Katy set out to understand why. Her quest had barely begun when her mother faced her own illness, rebelled against her doctors, refused open-heart surgery, and instead met death head-on. Knocking on Heaven's Door, a revolutionary blend of memoir and investigative reporting, is the fruit of the Butler family's journey.
With a reporter's skill, a poet's eye, and a daughter's love, Butler explores what happens when our terror of death collides with the technological imperatives of modern medicine. Her provocative thesis is that advanced medicine, in its single-minded pursuit of maximum longevity, often creates more suffering than it prevents. Butler lays bare the tangled web of technology, medicine, and commerce that modern dying has become and chronicles the rise of Slow Medicine - a growing movement that promotes care over cure.
Knocking on Heaven's Door is a visionary map through the labyrinth of a broken and morally adrift medical system. It will inspire the necessary and difficult conversations we all need to have with loved ones as it illuminates a path to a better way of death.
Jesmyn Ward4.5 In five years, Jesmyn Ward lost five young men in her life—to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth—and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.
David Finkel0.0 With a foreword by Roméo Dallaire and an introduction by Carol Off.
No journalist has reckoned with the psychology of war as intimately as David Finkel. In The Good Soldiers, Finkel shadowed the men of the US 2-16 Infantry Battalion in Baghdad as they carried out the grueling fifteen-month "surge" that changed them all forever. Now Finkel has followed many of the same men as they've returned home and struggled to reintegrate - both into their family lives and into society at large.
In the ironically titled Thank You for Your Service, Finkel writes with tremendous compassion not just about the soldiers but about their wives and children. Where do soldiers belong after their homecoming? Is it reasonable, or even possible, to expect them to rejoin their communities as if nothing has happened? And in moments of hardship, who can soldiers turn to if they feel alienated by the world they once lived in? These are the questions Finkel faces as he revisits the brave but shaken men of the 2-16.
More than a work of journalism, Thank You for Your Service is an act of understanding -- shocking but always riveting, unflinching but deeply humane, it takes us inside the heads of those who must live the rest of their lives with the realities of war.
Второе место.