Вручение 2009 г.

Страна: США Дата проведения: 2009 г.

Алекс

Лауреат
Майкл Суэнвик 4.0
Впервые на русском — пожалуй, самый ожидаемый любителями фантастики роман нового десятилетия, триумфальное возвращение в мир культовой "Дочери железного дракона". Мастер смешения стилей и непредсказуемых зигзагов сюжета вновь разворачивает масштабное полотно, сталкивая жестоких эльфов и паровых драконов, лисиц-оборотней и политиков-популистов, вавилонских человекобыков и боевых кентавров, древние пророчества и неутолимую жажду мести. А начинается все с того, что в деревню, где живет полусмертный Вилл ле Фей, приползает дракон бомбардировочной авиации, сбитый василиском противовоздушной обороны, и объявляет себя новым властителем...
Лауреат
Стивен Кинг 4.0
"Команда скелетов". "Ночная смена". "Всё предельно"... сборники рассказов всегда занимали в творчестве Стивена Кинга особое место.
И теперь - "После заката".
Потрясающие рассказы от "короля ужасов"!
"Чёртова дюжина" историй, каждая из которых способна напугать читателя даже с самыми крепкими нервами и восхитить даже самого искушённого ценителя "ужастиков".
Тринадцать - хорошее число.
Но легко ли вместе с героями Кинга пережить тринадцать встреч со Злом, Тьмой и Ужасом?
Лауреат
David Benioff 3.6
Documenting his reluctant grandparents' experiences during the infamous siege of Leningrad, a young writer learns his grandfather's story about how a military deserter and he endeavored to secure their pardons by gathering hard-to-find ingredients for a powerful colonel's daughter's wedding cake.
Лауреат
Зои Феррарис 0.0
A novel of taut psychological suspense, offering an unprecedented window into Saudi Arabia and the lives of the men and women who live there.

Zoë Ferraris’s electrifying debut of taut psychological suspense offers an unprecedented window into Saudi Arabia and the lives of men and women there.

When sixteen-year-old Nouf goes missing, along with a truck and her favorite camel, her prominent family calls on Nayir al-Sharqi, a desert guide, to lead a search party. Ten days later, just as Nayir is about to give up in frustration, her body is discovered by anonymous desert travelers. But when the coroner’s office determines that Nouf died not of dehydration but from drowning, and her family seems suspiciously uninterested in getting at the truth, Nayir takes it upon himself to find out what really happened to her.

This mission will push gentle, hulking, pious Nayir, a Palestinian orphan raised by his bachelor uncle, to delve into the secret life of a rich, protected teenage girl -- in one of the most rigidly gender-segregated of Middle Eastern societies. Initially horrified at the idea of a woman bold enough to bare her face and to work in public, Nayir soon realizes that if he wants to gain access to the hidden world of women, he will have to join forces with Katya Hijazi, a lab worker at the coroner’s office. Their partnership challenges Nayir, bringing him face to face with his desire for female companionship and the limitations imposed by his beliefs. It also ultimately leads them both to surprising revelations.

Fast-paced and utterly transporting, Finding Nouf offers an intimate glimpse inside a closed society and a riveting literary mystery.

First published as Night of the Mi'raj in the UK.
Лауреат
Hannah Tinti 0.0
Richly imagined, gothically spooky, and replete with the ingenious storytelling ability of a born novelist, The Good Thief introduces one of the most appealing young heroes in contemporary fiction and ratifies Hannah Tinti as one of our most exciting new talents.

Twelve year-old Ren is missing his left hand. How it was lost is a mystery that Ren has been trying to solve for his entire life, as well as who his parents are, and why he was abandoned as an infant at Saint Anthony's Orphanage for boys. He longs for a family to call his own and is terrified of the day he will be sent alone into the world.

But then a young man named Benjamin Nab appears, claiming to be Ren's long-lost brother, and his convincing tale of how Ren lost his hand and his parents persuades the monks at the orphanage to release the boy and to give Ren some hope. But is Benjamin really who he says he is? Journeying through a New England of whaling towns and meadowed farmlands, Ren is introduced to a vibrant world of hardscrabble adventure filled with outrageous scam artists, grave robbers, and petty thieves. If he stays, Ren becomes one of them. If he goes, he's lost once again. As Ren begins to find clues to his hidden parentage he comes to suspect that Benjamin not only holds the key to his future, but to his past as well.
Лауреат
Хиллари Джордан 4.2
In Jordan's prize-winning debut, prejudice takes many forms, both subtle and brutal. It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm - a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not - charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion.

The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still."
Лауреат
Todd Tucker 0.0
In the summer of 1979, Andy and Tom are two fourteen-year-old boys---best friends, expert cave explorers, and crack shots with their Springfield M-6 Scout rifles. In rural southern Indiana they are blissfully unaware of the local labor strife surrounding the Borden Casket Company. The fact that Andy’s dad is a manager and Tom’s dad is a union laborer has no bearing on their fun and adventure.

But in the building summer heat, violence quickly erupts---including an explosion, a murder, and the escape of two fugitives---and the young boys can no longer ignore that the world around them has forever changed. Through their secret observations of labor meetings, both boys feel the effect of the dissolution, and it tests their loyalty and friendship, as well as the town's spirit.

What began as a season of independence becomes a summer of growth and change, of adventure and misbehavior. Reminiscent of Stand by Me and To Kill a Mockingbird, Over and Under is the quintessential story of ruddy-faced, scheming, precocious boys who must navigate that hazy boundary between growing up and making the most of their last summer of innocence and freedom as they explore the wilds of rural Indiana, see the most amazing gunshot of their lives, and discover what it means to be friends.
Лауреат
Стивен Г. Блум 0.0
In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa (pop. 676). He converted an abandoned storefront on Main Street into a makeshift studio and posted fliers inviting people to stop by. At first they trickled in slowly, but in the end, nearly all of Oxford stood before Feldstein's lens. Twenty years later, Feldstein decided to do it again. Only this time he invited writer Stephen G. Bloom to join him, and together they went in search of the same Oxford residents Feldstein had originally shot two decades earlier. Some had moved. Most had stayed. Others had passed away. All were marked by the passage of time.

In a place like Oxford, not only does everyone know everyone else, but also everyone else's brothers, sisters, parents, grandparents, lovers, secrets, failures, dreams, and favorite pot luck recipes. This intricate web of human connections between neighbors friends, and family, is the mainstay of small town American life, a disappearing culture that is unforgettably captured in Feldstein's candid black-and-white portraiture and Bloom's astonishing rural storytelling.

Meet the town auctioneer who fell in love with his wife in high school while ice-skating together on local ponds; his wife who recalls the dress she wore as his prom date over fifty years ago; a retired buck skinner who started a gospel church and awaits the rapture in 2028; the donut baker at the Depot who went from having to be weighed on a livestock scale to losing over 150 pounds with the support of all of Oxford; a twenty-one-year-old man photographed in 1984 as an infant in his father's arms, who has now survived both of his parents due to tragedy and illness.

Considered side-by-side, the portraits reveal the inevitable transformations of aging: wider waistlines, wrinkled skin, eyeglasses, and bowed backs. Babies and children have instantly sprouted into young nurses, truck drivers, teachers, and rodeo riders, become Buddhists, racists, democrats, and drug addicts. The courses of lives have been irrevocably altered by deaths, births, marriages, and divorces. Some have lost God—others have found Him. But there are also those for whom it appears time has almost stood still. Kevin Somerville looks eerily identical in his 1984 and 2004 portraits, right down to his worn overalls, shaggy mane, and pale sunglasses. Only the graying of his lumberjack beard gives away the years that have passed.

Face after face, story after story, what quietly emerges is a living composite of a quintessential Midwestern community, told through the words and images of its residents—then and now. In a town where newcomers are recognized by the sound of an unfamiliar engine idle, The Oxford Project invites you to discover the unexpected details, the heartbreak, and the reality of lives lived on the fringe of our urban culture.
Лауреат
Тоби Барлоу 4.0
An ancient race of lycanthropes has survived to the present day, and its numbers are growing. Bent on dominance, rival factions are initiating the down-and-out of L.A. into their ranks. Caught in the middle are Anthony, a kindhearted, lovesick dogcatcher, and the object of his affection: a female werewolf who has abandoned her pack.
Лауреат
Тереза Ребек 0.0
Now that it’s all over, everybody is saying it was the picture–that stupid picture was behind every disaster. . . . They may be the granddaughters of a famous literary critic, but what really starts it all is Daria, Polly, and Amelia Heller’s stunning red hair. Out of the blue one day, The New Yorker calls and says that they want to feature the girls in a glamorous spread shot by a world-famous photographer, and before long these three beautiful nobodies from Brooklyn have been proclaimed the new “It” girls. But with no parental guidance–Mom’s a former beauty queen living vicariously through her daughters, and Dad is nowhere to be found–the three girls find themselves easy prey for the sharks and piranhas of show business. Posing in every hot fashion magazine, tangling with snarling fashonistas and soulless agents, skipping school and hitting A-list parties, the sisters are caught up in a whirlwind rise to fame that quickly spirals out of control. When Amelia, the youngest of the three–who never really wanted to be a model in the first place–appears in an Off-Broadway play, the balance of power shifts, all the pent-up resentment and pressure comes to a head, and the girls’ quiet, neglected brother reaches a critical point of virtual breakdown. And against the odds, even as the struggle for fame threatens to tear the family apart, the Hellers begin to see that despite the jealousy, greed, and uncertainty that have come to define their relationships, in the celebrity world of viciousness and betrayal, all they really have is one another. Narrated in four parts, from the perspective of each sibling, Three Girls and Their Brother is a sharp, perceptive, and brilliantly written debut novel from an acclaimed playwright. From the Hardcover edition.