Вручение 2014 г.

Премия вручена за 2013 год.

Страна: США Дата проведения: 2014 г.

Премия Дэшила Хэммета

Лауреат
Ричард Ланге 0.0
**Winner of the International Association of Crime Writers' Dashiell Hammett Award**

A woman goes on the run in this intense and cinematic thriller by an award-winning writer.
To escape the awful life she has descended into, Luz plans carefully. She takes only the clothes on her back, a Colt .45, and all the money in her husband's safe. The corpses in the hallway weren't part of her plan.

Luz needs to find the daughter she left behind years earlier, but she knows she may die trying. Her husband is El Principe, a key player in a high-powered drug cartel, a business he runs with the same violence he has used to keep Luz his perfect, obedient wife.

With the pace and relentless force of a Scorsese film, ANGEL BABY is the newest masterpiece from one of the most ambitious and talented crime novelists at work today.
Крейг Дэвидсон 0.0
Owen and Duncan are childhood friends who've grown up in picturesque Niagara Falls--known to them by the grittier name Cataract City. As the two know well, there's more to the bordertown than meets the eye: behind the gaudy storefronts and sidewalk vendors, past the hawkers of tourist T-shirts and cheap souvenirs live the real people who scrape together a living by toiling at the Bisk, the local cookie factory. And then there are the truly desperate, those who find themselves drawn to the borderline and a world of dog-racing, bare-knuckle fighting, and night-time smuggling.
Owen and Duncan think they are different: both dream of escape, a longing made more urgent by a near-death incident in childhood that sealed their bond. But in adulthood their paths diverge, and as Duncan, the less privileged, falls deep into the town's underworld, he and Owen become reluctant adversaries at opposite ends of the law. At stake is not only survival and escape, but a lifelong friendship that can only be broken at an unthinkable price.
Хейвуд Гулд 0.0
A mad director, off his meds, is making a movie about how he murders the producers who ruined his career. The movie is in his mind. The murders are real.

Tommy Veasy, a pot-smoking homicide detective--our hero--who writes poetry to help him solve cases and ward off despair, thinks he sees a pattern in these seemingly accidental deaths. His colleagues think he's being dramatic.

But the bodies keep piling up.

The staff of a syndicated TV show in its tenth year, formerly an international hit but now only being aired in Montenegro and Botswana, worries about how they will maintain their Hollywood lifestyles when they become unemployable. How will the producer finance his two-hooker-a-weekend habit? How will the staff writer pay private school tuition, an underwater mortgage, tennis club dues, the housekeeper, the gardener, cable TV bills, the couples' therapist, et al.?

Not a big problem: the mad director has planted a bomb in the office phone and is frantically trying to set it off.

And meanwhile, a home invader keeps invading the wrong homes, to everyone's perplexity.

In other words: it's just another day in paradise.
Лиза Мур 0.0
Caught begins with a prison break. Twenty-five-year-old David Slaney, locked up on charges of marijuana possession, has escaped his cell and sprinted to the highway. There, he is picked up by a friend of his sister’s and transported to a strip bar where he survives his first night on the run. But evading the cops isn’t his only objective; Slaney intends to track down his old partner, Hearn, and get back into the drug business. Along the way, Slaney’s fugitive journey across Canada rushes vibrantly to life as he visits an old flame and adopts numerous guises to outpace authorities: hitchhiker, houseguest, student, lover. When finally he reunites with Hearn just steps ahead of a detective hell-bent on making a high-profile arrest, their scheme sends Slaney to Mexico, Colombia, and back again on an epic quest fueled by luck, charm, and unbending conviction.

Moore's most plot-driven novel to date, Caught is a thrillingly charged escapade that thrums with energy and suspense and deftly captures a moment in the late 1970s before the almost folkloric glamour surrounding pot smuggling turned violent. Ripe with bravado, love, ambition, and folly, Caught is about trust and deceit, about the risks we take for the lives we want and the mistakes we can’t outrun.