James Sallis0.0 A hired killer on his final job, a burned-out detective whose wife is dying slowly and in agony, a young boy abandoned by his parents and living alone by his wits. Three people, solitary and sundered from society.
In what is at one and the same time a coming-of-age novel, a realistic crime novel and a novel of the contemporary Southwest, The Killer Is Dying is above all the story of three men of vastly different age and background, and of the shape their lives take against the unforgiving sunlight and sprawl of America's fifth largest city, Phoenix.
The detective, Sayles, is looking for the killer, Christian, though he doesn't know that. Christian is trying to find the man who stepped in and took down his target before he had the chance. And the boy, Jimmie, is having the killer's dreams. While they never meet, through the course of the novel, all find community.
Майкл Ондатже3.7 Впервые на русском — новейший (выпущенный осенью 2011 года!) роман от автора «Английского пациента», удивительного бестселлера, который покорил читателей всех континентов, был отмечен самой престижной в англоязычном мире Букеровской премией и послужил основой знаменитого кинофильма, получившего девять «Оскаров». Трехнедельное плавание с Цейлона в Европу на лайнере «Оронсей» перевернуло всю жизнь нашего героя, прозванного Майной (говорящий скворец). Усаженный за «кошкин стол» («самое что ни на есть затрапезное место» в судовом ресторане), он знакомится с двумя другими мальчиками, Рамадином и Кассием, и со взрослыми, один другого эксцентричнее: мистер Мазаппа играет в корабельном оркестре и учит их петь блюз; мисс Ласкети швыряет за борт недочитанные детективы и разгуливает по палубе в «голубином» жилете, карманы которого набиты живыми птицами; мистер Дэниелс заведует устроенным в судовом трюме садом и пытается ухаживать за Эмили — красавицей-кузиной Майны. Эмили же куда больше интересует Хайдерабадский мудрец из акробатической труппы «Джанкла». Но главную загадку для всех представляет узник, которого выводят на палубу лишь в полночь и в кандалах...
James Lee Burke0.0 Sheriff Hackberry Holland patrols a small Southwest Texas border town with a deep and abiding respect for the citizens in his care. Still mourning the loss of his cherished wife and locked in a perilous almost-romance with his deputy, Pam Tibbs, a woman many decades his junior, Hackberry feeds off the deeds of evil men to keep his own demons at bay. When alcoholic ex-boxer Danny Boy Lorca witnesses a man tortured to death in the desert and reports it, Hack's investigation leads to the home of Anton Ling, a regal, mysterious Chinese woman whom the locals refer to as La Magdalena and who is known for sheltering illegals. Ling denies having seen the victim or the perpetrators, but there is something in her steely demeanor and aristocratic beauty that compels Hackberry to return to her home again and again as the investigation unfolds. Could it be that the sheriff is so taken in by this creature who reminds him of his deceased wife that he would ignore the possibility that she is just as dangerous as the men she harbors?
The danger in the desert increases tenfold with the return of serial murderer Preacher Jack Collins, whom "The New York Times "called "one of Burke's most inspired villains." Presumed dead at the close of "Rain Gods," Preacher Jack has reemerged with a calm, single-minded zeal for killing that is more terrifying than the muzzle flash of his signature machine gun. But this time he and Sheriff Holland have a common enemy.
Praised by Joyce Carol Oates for "the luminosity of his writerly voice," James Lee Burke returns with his most allegorical novel to date, illuminating vital issues of our time--immigration, energy, religious freedom--with the rich atmosphere and devastatingly flawed, authentic characters that readers have come to celebrate during the five decades of his brilliant career.
“The book is beautifully written in a tight, quirky style that distinguishes Gran as one of the more original writers working today.”—Bruce DeSilva, Associated Press
“Reads . . . as if David Lynch directed a Raymond Chandler novel.”—CNN
“What would you get if that punkish dragon girl Lisbeth Salander met up with Jim Sallis’s Lew Griffin walking the back streets of New Orleans? Or Sue Grafton’s Kinsey Millhone transformed herself into a tattooed magnolia driving a 4x4? Clare DeWitt, that’s what you’d get . . . DeWitt’s mesmerizing character and memorable voice take your breath away.”—New Orleans Times-Picayune
Claire DeWitt believes she is the world’s greatest PI, even if few agree with her. A one-time teen detective in Brooklyn, she is a follower of the esoteric French detective Jacques Silette, whose mysterious handbook Détection inspired Claire’s unusual practices. Claire also has deep roots in New Orleans, where she was mentored by Silette’s student the brilliant Constance Darling—until Darling was murdered. When a respected DA goes missing she returns to the hurricane-ravaged city to find out why. Claire DeWitt and the City of the Dead is a knockout start to a bracingly original new series.
“The hard-living, wisecracking titular detective bounces around post-Katrina New Orleans trying to track down a missing prosecutor in this auspicious debut of a new mystery series—and the Big Easy is every bit her equal in sass and flavor.”—Elle
“Reminds me why I fell in love with the genre.”—Laura Lippman
"I love this book!" -- Sue Grafton
Thomas Perry0.0 In Thomas Perry’s Edgar-winning debut The Butcher’s Boy, a professional killer betrayed by the Mafia leaves countless mobsters dead and then disappears. Justice Department official Elizabeth Waring is the only one who believes he ever existed. Many years later, the Butcher’s Boy finds his peaceful life threatened when a Mafia hit team finally catches up with him. He knows they won’t stop coming and decides to take the fight to their door.
Soon Waring, now high up in the Organized Crime Division of the Justice Department, receives a surprise latenight visit from the Butcher’s Boy. Knowing she keeps track of the Mafia, he asks her whom his attackers worked for, offering information that will help her crack an unsolved murder in return. So begins a new assault on organized crime and an uneasy alliance between opposite sides of the law. As the Butcher’s Boy works his way ever closer to his quarry in an effort to protect his new way of life, Waring is in a race against time, either to convince him to become a protected informant—or to take him out of commission for good.
