Рахул Бхаттачария0.0 In flight from the tame familiarity of home in Bombay, a twenty-six-year-old cricket journalist chucks his job and arrives in Guyana, a forgotten colonial society of raw, mesmerizing beauty. Amid beautiful, decaying wooden houses in Georgetown, on coastal sugarcane plantations, and in the dark rainforest interior scavenged by diamond hunters, he grows absorbed with the fantastic possibilities of this new place where descendants of the enslaved and indentured have made a new world. Ultimately, to fulfill his purpose, he prepares to mount an adventure of his own. His journey takes him beyond Guyanese borders, and his companion will be the feisty, wild-haired Jan.
In this dazzling novel, propelled by a singularly forceful voice, Rahul Bhattacharya captures the heady adventures of travel, the overheated restlessness of youth, and the paradoxes of searching for life’s meaning in the escape from home.
Тим Робинсон0.0 In its landscape, history and folklore, Connemara is a singular region ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume "Stones of Aran", moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe.
Джулия Блэкберн0.0 You come across the shell of a ruined house. It could be anywhere in southern Europe where people once lived and then moved away because there was no work to hold them there. You might find things scattered in the empty rooms: a bread oven, a broken spade, earthenware jars that still hold the pungent scent of olive oil; even clothes left hanging in a cupboard, a silent clock on a shelf, a picture cut from a newspaper pinned on a wall.
The house is remote, but it is surrounded by a tracery of thin paths. One path goes steeply down to a village; others zigzag their way to scattered huts and stone shelters, to caves where you could hide in times of danger and to unexpected lookout points from where you could watch the approach of animals or human intruders.
Julia Blackburn and her husband moved to a little house in the mountains of northern Italy in 1999. She arrived as a stranger speaking no Italian, but a series of events brought her close to the old people of the village. They began to tell her stories that made the landscape come alive, repopulating it with their vivid memories. Until quite recently most of them had been mezzadri, half-people who were trapped in an archaic feudal system and owned by a local padrone who demanded his share of all they had - even a pretty wife or daughter. They were eager to talk about the old way of life and about how everything changed with the eruption of the Second World War. This village was at the heart of the conflict between the fascists and the partisans, so they learnt a lot about death and fear and hunger and how men and women could hide like foxes in the mountains. 'Write it down for us,' they said, 'because otherwise it will all be lost.'
Thin Paths is a celebration of the songlines of one place that could be many places; it is also a celebration of the humour and determination of the human spirit.
Пол Фарли0.0 Edgelands explores a wilderness that is much closer than you think: a debatable zone, neither the city nor the countryside, but a place in-between - so familiar it is never seen for looking. Passed through, negotiated, unnamed, ignored, the edgelands have become the great wild places on our doorsteps, places so difficult to acknowledge they barely exist. Edgelands forms a critique of what we value as 'wild', and allows our allotments, railways, motorways, wasteland and water a presence in the world, and a strange beauty all of their own.
Paul Farley and Michael Symmons Roberts - both well-known poets - have lived and worked and known these places all their lives, and in Edgelands their journeying prose fuses, in the anonymous tradition, to allow this in-between world to speak up for itself. They write about mobile masts and gravel pits, business parks and landfill sites in the same way the Romantic writers forged a way of looking at an overlooked - but now familiar - landscape of hills and lakes and rivers. England, the first country to industrialise, now offers the world's most mature post-industrial terrain, and is still in a state of flux: Edgelands takes the reader on a journey through its forgotten spaces so that we can marvel at this richly mysterious, cheek-by-jowl region in our midst.
Olivia Laing3.9 To the River is the story of the Ouse, the Sussex river in which Virginia Woolf drowned in 1941. One midsummer week over sixty years later, Olivia Laing walked Woolf's river from source to sea. The result is a passionate investigation into how history resides in a landscape - and how ghosts never quite leave the places they love. Along the way, Laing explores the roles rivers play in human lives, tracing their intricate flow through literature and mythology alike. To the River excavates all sorts of stories from the Ouse's marshy banks, from the brutal Barons' War of the thirteenth century to the 'Dinosaur Hunters', the nineteenth-century amateur naturalists who first cracked the fossil code. Central among these ghosts is, of course, Virginia Woolf herself: her life, her writing and her watery death. Woolf is the most constant companion on Laing's journey, and To the River can be read in part as a biography of this extraordinary English writer, refracted back through the river she loved. But other writers float through these pages too - among them Iris Murdoch, Shakespeare, Homer and Kenneth Grahame, author of the riverside classic The Wind in the Willows. The result is a wonderfully discursive read - which interweaves biography, history, nature writing and memoir, driven by Laing's deep understanding of science and cultural history. It's a beautiful, lyrical work that marks the arrival of a major new writer.
Teju Cole3.8 A haunting novel about identity, dislocation, and history, Teju Cole Open City is a profound work by an important new author who has much to say about our country and our world.
