Дэниел Ороско0.0 Breakfast’s boiled egg, the overhead hum of fluorescent lights, the midmorning coffee break—daily routines keep the world running. But when people are pushed—by a coworker’s taunt, a face-to-face encounter with a woman in free fall from a bridge—cracks appear, revealing alienation, casual cruelty, madness, and above all a simultaneous hunger for and fear of the unknown.
Daniel Orozco leads the reader through the hidden lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. He reveals the secret pleasures of late-night supermarket trips for cookie binges, exceptional data entry, and an exiled dictator’s occasional piss on the U.S. embassy. A love affair blooms between two officers in the impartially worded pages of a police blotter; a new employee’s first-day office tour includes descriptions of other workers’ most private thoughts and actions; during an earthquake, the consciousness of the entire state of California shakes free for examination.
Orientation introduces a writer at the height of his powers, whose work surely invites us to reassess the landscape of American fiction.
Orientation is a Kirkus Reviews Best of 2011 Short Story Collections title.
Ben Lerner4.1 Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?
In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.
Мирослав Пеньков4.0 A grandson tries to buy Lenin's corpse on eBay for his Communist grandfather. A failed wunderkind steals a golden cross from an Orthodox church. Every five years, a boy meets his cousin (the love of his life) in the river that divides their village into east and west. These are Miroslav Penkov's strange, unexpectedly moving visions of his home country, Bulgaria, and they are the stories that make up this beguiling and deeply felt debut. Animated by Penkov's unmatched eye for the absurd, East of the West is a brilliant portrait of a country with its own compass.
Элизабет Това Бейли4.5 In a work that beautifully demonstrates the rewards of closely observing nature, Elisabeth Bailey shares an inspiring and intimate story of her uncommon encounter with a "Neohelix albolabris" a common woodland snail.
While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater under standing of her own confined place in the world.
Intrigued by the snail s molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and mysterious courtship activities, Bailey becomes an astute and amused observer, providing a candid and engaging look into the curious life of this underappreciated small animal.
Told with wit and grace, "The Sound of a Wild Snail Eating" is a remarkable journey of survival and resilience, showing us how a small part of the natural world illuminates our own human existence and provides an appreciation of what it means to be fully alive.
Арион Голмакани0.0 Best Nonfiction Finalist, Stanford University– William Saroyan International Prize.
One of 30 Moving memoirs every student should read. –OnlineCollege
Solaces tells the touching story of a boy's search for family life and safety following his parents' divorce in Iran during the 1960s. The first child of a heartless father and a discarded mother is left to fend for himself on the streets of Mashhad, seeking food and shelter wherever he can. His lonely early years are an unbelievable tale of cruelty and betrayal by nearly everyone who might be expected to help, save for one aunt who leaves the door to her home partially open to him. But living a harsh and solitary existence has one advantage for this little boy: other than forcing him to be self-reliant, no one is around to chain the wings of his imagination and limit how much he can dream.
Джон Джеремия Салливан4.0 In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now...
Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.
