Karen Joy Fowler3.7 This title is written by the author of worldwide bestseller The Jane Austen Book Club: you can't choose your family, but they can make choices for you. Big, life-defining choices. Rosemary's young, just at college, and she's decided not to tell anyone a thing about her family. So we're not going to tell you too much either: you'll have to find out for yourselves what it is that makes her unhappy family unlike any other. Rosemary is now an only child, but she used to have a sister the same age as her, and an older brother. Both are now gone - vanished from her life. There's something unique about Rosemary's sister, Fern. So now she's telling her story; a looping narrative that begins towards the end, and then goes back to the beginning. Twice. It's funny, clever, intimate, honest, analytical and swirling with ideas that will come back to bite you. We hope you enjoy it, and if, when you're telling a friend about it, you do decide to spill the beans about Fern - it's pretty hard to resist - don't worry.
Benjamin Alire Sáenz5.0 Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club.
Deborah Eisenberg0.0 Since 1986 with the publication of her first story collection, Deborah Eisenberg has devoted herself to writing “exquisitely distilled stories” which “present an unusually distinctive portrait of contemporary American life” to quote the MacArthur Foundation. This one volume brings together Transactions in a Foreign Currency (1986), Under the 82nd Airborne (1992), All Around Atlantis (1997) and her most recent collection-Twilight of the Superheroes (2006).
“One of America’s finest writers.”—San Francisco Chronicle “Concentrated bursts of perfection.”—The Times (London) “Shimmering stories that possess the power and charm to move us.” —The New York Times “Exhilarating.”—Harper’s Magazine “Outstanding.”—Christian Science Monitor “Eisenberg simply writes like no one else.”—Elle “Eisenberg’s stories possess all the steely beauty of a knife wrapped in velvet.”—The Boston Globe “Dazzling.”—Time Out New York “Magic.”—Newsweek “Comic, elegant and pitch perfect.”—Vanity Fair “One of the great fiction writers living in America today.”—The Dallas Morning News “There aren’t many contemporary novels as shudderingly intimate and mordantly funny as Eisenberg’s best stories.”—The New York Times Book Review
Sherman Alexie4.8 Fresh off his National Book Award win, Alexie delivers a heartbreaking, hilarious collection of stories that explores the precarious balance between self-preservation and external responsibility in art, family, and the world at large. With unparalleled insight into the minds of artists, laborers, fathers, husbands, and sons, Alexie populates his stories with ordinary men on the brink of exceptional change. In a bicoastal journey through the consequences of both simple and monumental life choices, Alexie introduces us to personal worlds as they transform beyond return. In the title story, a famous writer must decide how to care for his distant father who is slowly dying a “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor. Alexie dissects a vintage-clothing store owner’s failing marriage and his courtship of a married photographer in various airports across the country; what happens when a politician’s son commits a hate crime; and how a young boy discovers his self-worth while writing obituaries for his local newspaper. Brazen and wise, War Dances takes us to the heart of what it means to be human. This provocative new work is Alexie at the height of his powers.
In a New York City made phantasmagorical by the events of 9/11, and left alone after his English wife and son return to London, Hans van den Broek stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. As the two men share their vastly different experiences of contemporary immigrant life in America, an unforgettable portrait emerges of an "other" New York populated by immigrants and strivers of every race and nationality.
Кейт Кристенсен0.0 Oscar Feldman, the renowned figurative painter, has passed away. As his obituary notes, Oscar is survived by his wife, Abigail, their son, Ethan, and his sister, the well-known abstract painter Maxine Feldman. What the obituary does not note, however, is that Oscar is also survived by his longtime mistress, Teddy St. Cloud, and their daughters. As two biographers interview the women in an attempt to set the record straight, the open secret of his affair reaches a boiling point and a devastating skeleton threatens to come to light. From the acclaimed author of The Epicure's Lament, a scintillating novel of secrets, love, and legacy in the New York art world.
Филип Рот3.6 Безымянный герой романа "Обычный человек" пытается преодолеть страх гибели собственного тела и личности, погружаясь в воспоминания о детстве и отдаваясь сильному сексуальному влечению.
Эдгар Лоренс Доктороу4.3 В романе "Марш" Доктороу изменяет своей любимой эпохе - рубежу веков, на фоне которого разворачивается действие "Регтайма" и "Всемирной выставки", и берется за другой исторический пласт - время Гражданской войны, эпохальный период американской истории.
Роман о печально знаменитом своей жестокостью генерале северян Уильяме Шермане, решительными действиями определившем исход войны в пользу "янки", как и другие произведения Доктороу, является сплавом литературы вымысла и литературы факта.
"Текучий мир шермановской армии, разрушая жизнь так же, как ее разрушает поток, затягивает в себя и несет фрагменты этой жизни, но уже измененные, превратившиеся во что-то новое", - пишет о романе Доктороу Джон Апдайк.
"Марш" Доктороу, - вторит ему Уолтер Керн, - наглядно демонстрирует то, о чем умалчивает большинство других исторических романов о войнах: "Да, война - ад. Но ад - это еще не конец света. И научившись жить в аду - и проходить через ад, - люди изменяют и обновляют мир. У них нет другого выхода".
Ха Цзинь0.0 War Trash, the extraordinary new novel by the National Book Award–winning author of Waiting, is Ha Jin’s most ambitious work to date: a powerful, unflinching story that opens a window on an unknown aspect of a little-known war—the experiences of Chinese POWs held by Americans during the Korean conflict—and paints an intimate portrait of conformity and dissent against a sweeping canvas of confrontation.
Set in 1951–53, War Trash takes the form of the memoir of Yu Yuan, a young Chinese army officer, one of a corps of “volunteers” sent by Mao to help shore up the Communist side in Korea. When Yu is captured, his command of English thrusts him into the role of unofficial interpreter in the psychological warfare that defines the POW camp.
Taking us behind the barbed wire, Ha Jin draws on true historical accounts to render the complex world the prisoners inhabit—a world of strict surveillance and complete allegiance to authority. Under the rules of war and the constraints of captivity, every human instinct is called into question, to the point that what it means to be human comes to occupy the foremost position in every prisoner’s mind.
As Yu and his fellow captives struggle to create some sense of community while remaining watchful of the deceptions inherent in every exchange, only the idea of home can begin to hold out the promise that they might return to their former selves. But by the end of this unforgettable novel—an astonishing addition to the literature of war that echoes classics like Dostoevsky’s Memoirs from the House of the Dead and the works of Siegfried Sassoon and Wilfred Owen—the very concept of home will be more profoundly altered than they can even begin to imagine.
