Joan Silber0.0 One of our most gifted writers of fiction returns with a bold and piercing novel about a young single mother living in Harlem, her eccentric aunt, and the decisions they make that have unexpected implications for the world around them.
Reyna knows her relationship with Boyd isn't perfect, yet she sees him through a three-month stint at Riker's Island, their bond growing tighter. Kiki, now settled in the East Village after a youth that took her to Turkey and other far off places--and loves--around the world, admires her niece's spirit but worries that motherhood to four-year old Oliver might complicate a difficult situation. Little does she know that Boyd is pulling Reyna into a smuggling scheme, across state lines, violating his probation. When Reyna takes a step back, her small act of resistance sets into motion a tapestry of events that affect the lives of loved ones and strangers around them.
A novel that examines conviction, connection, repayment, and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki's beloved Turkish rugs, as colorful as the tattoos decorating Reyna's body, with narrative twists and turns as surprising and unexpected as the lives all around us. The Boston Globe said -No other writer can make a few small decisions ripple across the globe, and across time, with more subtlety and power, - and Improvement is Silber's most shining achievement.
Hernan Diaz2.5 A young Swedish boy finds himself in penniless and alone in California. He travels East in search of his brother, moving on foot against the great push to the West. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.
Hernán Díaz is the author of Borges, Between History and Eternity (Bloomsbury 2012), managing editor of RHM, and associate director of the Hispanic Institute at Columbia University. He lives in New York.
Саманта Хант0.0 The acclaimed novelist Samantha Hunt’s first collection of stories blends the literary and the fantastic and brings us characters on the verge—girls turning into women, women turning into deer, people doubling or becoming ghosts, and more
Strange things happen all around us all the time, but is it best to acknowledge or to turn away from moments when the weird pokes its way into our ordinary lives?
In these marvelously inventive stories, Samantha Hunt imagines numerous ways in which lives might be altered by the otherworldly. An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.
Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.
Ачи Обеджас0.0 "Achy Obejas's collection is about fictional Cuban migrants who never quite escape the land they’ve left."
--Electric Literature
"For twenty years I’ve been a fan of the genius Achy Obejas--since I first read Memory Mambo in 1996. Obejas has been the model of a writer for me in every way--a master in her aesthetics, an inspiration in her politics, fearless and vital in every page. The Tower of the Antilles is another brilliant collection, a story of many Cubas, intensely personal and political, erotic and cerebral. I found myself holding my breath as I devoured this book, as I navigated the various avenues of the body, the blood, and all those seemingly impossible roads that lead to a place we try to call home."
--Porochista Khakpour, author of The Last Illusion
"These stories are like a long dream of many parts, mixed desire, love, longing, anger—Obejas is a master of the human, able to conjure her characters’ heartbeats right under your fingertips, their breaths in your ears."
--Alexander Chee, author of The Queen of the Night
"Achy Obejas's new story collection begins and ends with a question: What is your name? The answer is an abounding one. Counterrevolutionaries, the witnesses to the arrival of Columbus's caravels, poets, Supermán--the characters in these stories, in all their riveting variety, name themselves as Cuban, and are bound in complex ways by the geography of their hearts, if not the geography beneath their feet. An audacious and remarkable read!"
--Chantel Acevedo, author of The Distant Marvels
Praise for Achy Obejas:
"Obejas writes like an angel, which is to say: gloriously...one of Cuba's most important writers."
--Junot Díaz
The Cubans in Achy Obejas's story collection The Tower of the Antilles are haunted by an island: the island they fled, the island they've created, the island they were taken to or forced from, the island they long for, the island they return to, and the island that can never be home again.
In "Supermán," several possible story lines emerge about a 1950s Havana sex-show superstar who disappeared as soon as the revolution triumphed. "North/South" portrays a migrant family trying to cope with separation, lives on different hemispheres, and the eventual disintegration of blood ties. "The Cola of Oblivion" follows the path of a young woman who returns to Cuba, and who inadvertently uncorks a history of accommodation and betrayal among the family members who stayed behind during the revolution. In the title story, "The Tower of the Antilles," an interrogation reveals a series of fantasies about escape and a history of futility.
With language that is both generous and sensual, Obejas writes about lives beset by events beyond individual control, and poignantly captures how history and fate intrude on even the most ordinary of lives.
Джесмин Уорд3.9 В этой истории три рассказчика. Леони, далеко не идеальная мать двоих детей, в вечном конфликте с собой и с окружающими. Ее тринадцатилетний сын Джоджо, который куда больше, чем Леони, заботится о своей пятилетней сестренке, учится у деда тому, что значит быть мужчиной. И еще один рассказчик — это погибший в тюрьме Парчман мальчик Ричи, ровесник Джоджо. Леони с детьми отправляется в ту самую тюрьму, забирать их только что освобожденного отца, Майкла. В пути по Миссисипи и сами герои, и читатели узнают многое и о тайнах семьи, и о тяготах жизни на американском Юге.
