Эдит Перлман0.0 Tenderly, observantly, incisively, Edith Pearlman captures life on the page like few other writers. She is a master of the short story, and this is a spectacular collection.
Дана Спиотта0.0 "Stone Arabia" is about family, obsession, memory, and the urge to create in isolation, at the margins of our winner-take-all culture.
In the sibling relationship, there are no first impressions, no seductions, no getting to know each other, says Denise Kranis. For her and her brother Nik, now in their forties, no relationship is more significant. They grew up in Los Angeles in the late seventies and early eighties. Nik was always the artist, always wrote music, always had a band. Now he makes his art in private, obsessively documenting the work, but never testing it in the world. Denise remains Nik s most passionate and acute audience, sometimes his only audience. She is also her family s first defense against the world s fragility. Friends die, their mother s memory and mind unravel, and the news of global catastrophe and individual tragedy haunt Denise. When her daughter Ada decides to make a film about Nik, everyone s vulnerabilities seem to escalate."
Alan Hollinghurst4.4 Tout commence en 1913, dans le jardin de la maison de campagne des Sawle dans le Middlesex. Etudiant à Cambridge, le timide George Sawle a invité aux Deux Arpents un de ses camarades, l'aristocratique et énigmatique Cecil Valance. Ces jours dans la maison familiale et le poème qu'ils inspirent à Cecil vont changer leur destin. Et plus encore celui de Daphné, la sœur de George. En ce printemps où rien n'annonce les proches bouleversements de l'Histoire, un pacte se noue secrètement entre les trois jeunes gens, point de départ d'une fresque saisissante à travers le XXe siècle, par l'un des plus grands romanciers anglais contemporains.
Джеффри Евгенидис4.0 "А порою очень грустны" - под таким названием впервые по-русски выходит долгожданный роман известного американского прозаика Джеффри Евгенидиса The Marriage Plot (2011 г.).
Первый шумный успех пришел к писателю после публикации бестселлеров "Девственницы-самоубийцы" (1993 г.) - книга экранизирована Софией Коппола (1999 г.), и "Средний пол" (Пулитцеровская премия, 2003 г.).
Роман "А порою очень грустны" - повествование, насквозь проникнутое любовью, - рассказывает о выпускниках университета Брауна начала восьмидесятых, где в те же годы учился сам автор. Главные герои книги изучают теорию литературы: это и влюбленная в викторианскую эпоху Мадлен, которая пишет диплом по теме "Матримониальный сюжет", и ее друзья - Леонард и Митчелл, - их кумиры Эко, Деррида, Хемингуэй. Мадлен, с ее романтическими исканиями, предстоит быстро повзрослеть, пройдя через нелегкие испытания, а ее друзьям - один из них станет мужем Мадлен, - почувствовать, какая глубокая социальная пропасть их разделяет.
Теджу Коул3.8 По улицам Манхэттена бродит молодой нигерийский врач-психиатр по имени Джулиус, размышляя о своих отношениях, недавнем разрыве с подругой, о своем настоящем и прошлом. Он встречает людей разных культур и классов, которые помогут ему разобраться в том путешествии, которое приведет его в Брюссель, в Нигерию его юности и в самые непознаваемые грани его собственной души.
Единственный роман фотографа, эссеиста и куратора Теджу Коула был восторженно принят критикой, закономерно сравнивавшей этот текст с прозой Зебальда. Однако в том неприметном зазоре между фактом и выдумкой, который возникает между рассказчиком и автором, таится отнюдь незебальдовский сюжетный поворот, заставляющий читателя по-новому взглянуть на обманчивую слабость голосов меньшинства.
Майя Ясанофф0.0 On November 25, 1783, the last British troops pulled out of New York City, bringing the American Revolution to an end. Patriots celebrated their departure and the confirmation of U.S. independence. But for tens of thousands of American loyalists, the British evacuation spelled worry, not jubilation. What would happen to them in the new United States? Would they and their families be safe? Facing grave doubts about their futures, some sixty thousand loyalists—one in forty members of the American population—decided to leave their homes and become refugees elsewhere in the British Empire. They sailed for Britain, for Canada, for Jamaica, and for the Bahamas; some ventured as far as Sierra Leone and India. Wherever they went, the voyage out of America was a fresh beginning, and it carried them into a dynamic if uncertain new world.
A groundbreaking history of the revolutionary era, Liberty’s Exiles tells the story of this remarkable global diaspora. Through painstaking archival research and vivid storytelling, award-winning historian Maya Jasanoff re-creates the journeys of ordinary individuals whose lives were overturned by extraordinary events. She tells of refugees like Elizabeth Johnston, a young mother from Georgia, who spent nearly thirty years as a migrant, searching for a home in Britain, Jamaica, and Canada. And of David George, a black preacher born into slavery, who found freedom and faith in the British Empire, and eventually led his followers to seek a new Jerusalem in Sierra Leone. Mohawk leader Joseph Brant resettled his people under British protection in Ontario, while the adventurer William Augustus Bowles tried to shape a loyalist Creek state in Florida. For all these people and more, it was the British Empire—not the United States—that held the promise of “life, liberty, and the pursuit of happiness.” Yet as they dispersed across the empire, the loyalists also carried things from their former homes, revealing an enduring American influence on the wider British world.
Ambitious, original, and personality-filled, Liberty’s Exiles is at once an intimate narrative history and a provocative new analysis—a book that explores an unknown dimension of America’s founding to illuminate the meanings of liberty itself.
Джон Джеремия Салливан4.0 In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now...
Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.
Адам Хохшильд5.0 World War I stands as one of history’s most senseless spasms of carnage, defying rational explanation. In a riveting, suspenseful narrative with haunting echoes for our own time, Adam Hochschild brings it to life as never before. He focuses on the long-ignored moral drama of the war’s critics, alongside its generals and heroes. Thrown in jail for their opposition to the war were Britain’s leading investigative journalist, a future winner of the Nobel Prize for Literature, and an editor who, behind bars, published a newspaper for his fellow inmates on toilet paper. These critics were sometimes intimately connected to their enemy hawks: one of Britain’s most prominent women pacifist campaigners had a brother who was commander in chief on the Western Front. Two well-known sisters split so bitterly over the war that they ended up publishing newspapers that attacked each other.
Today, hundreds of military cemeteries spread across the fields of northern France and Belgium contain the bodies of millions of men who died in the “war to end all wars.” Can we ever avoid repeating history?
James Gleick4.2 From the bestselling author of the acclaimed Chaos and Genius comes a thoughtful and provocative exploration of the big ideas of the modern era: Information, communication, and information theory.
Acclaimed science writer James Gleick presents an eye-opening vision of how our relationship to information has transformed the very nature of human consciousness. A fascinating intellectual journey through the history of communication and information, from the language of Africa’s talking drums to the invention of written alphabets; from the electronic transmission of code to the origins of information theory, into the new information age and the current deluge of news, tweets, images, and blogs. Along the way, Gleick profiles key innovators, including Charles Babbage, Ada Lovelace, Samuel Morse, and Claude Shannon, and reveals how our understanding of information is transforming not only how we look at the world, but how we live.
10 BEST BOOKS • THE NEW YORK TIMES BOOK REVIEW • 2011
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • The New Yorker • Chicago Tribune • The Economist • Nancy Pearl, NPR • Bloomberg.com • Library Journal • Publishers Weekly
Acclaimed historian Amanda Foreman follows the phenomenal success of her New York Times bestseller Georgiana: Duchess of Devonshire with her long-awaited second work of nonfiction: the fascinating story of the American Civil War and the major role played by Britain and its citizens in that epic struggle.
Even before the first rumblings of secession shook the halls of Congress, British involvement in the coming schism was inevitable. Britain was dependent on the South for cotton, and in turn the Confederacy relied almost exclusively on Britain for guns, bullets, and ships. The Union sought to block any diplomacy between the two and consistently teetered on the brink of war with Britain. For four years the complex web of relationships between the countries led to defeats and victories both minute and history-making. In A World on Fire, Amanda Foreman examines the fraught relations from multiple angles while she introduces characters both humble and grand, bringing them to vivid life over the course of her sweeping and brilliant narrative.
Between 1861 and 1865, thousands of British citizens volunteered for service on both sides of the Civil War. From the first cannon blasts on Fort Sumter to Lee’s surrender at Appomattox, they served as officers and infantrymen, sailors and nurses, blockade runners and spies. Through personal letters, diaries, and journals, Foreman has woven together their experiences to form a panoramic yet intimate view of the war on the front lines, in the prison camps, and in the great cities of both the Union and the Confederacy. Through the eyes of these brave volunteers we see the details of the struggle for life and the great and powerful forces that threatened to demolish a nation.
In the drawing rooms of London and the offices of Washington, on muddy fields and aboard packed ships, Foreman reveals the decisions made, the beliefs held and contested, and the personal triumphs and sacrifices that ultimately led to the reunification of America. A World on Fire is a complex and groundbreaking work that will surely cement Amanda Foreman’s position as one of the most influential historians of our time.
Laura Kasischke0.0 Laura Kasischke's poems have the same haunting qualities and truth as our most potent memories and dreams. Through ghostly voices, fragmented narratives, overheard conversations, songs, and prayers in language reminiscent of medieval lyrics converted into contemporary idiom, the poems in Space, In Chains create a visceral strangeness true to its own music.
So we found ourselves in an ancient place, the very
air around us bound by chains. There was
stagnant water in which lightning
was reflected, like desperation
in a dying eye. Like science. Like
a dull rock plummeting through space, tossing
off flowers and veils, like a bride. And
also the subway.
Speed under ground.
And the way each body in the room appeared to be
a jar of wasps and flies that day—but, enchanted,
like frightened children's laughter.
Bruce Smith0.0 In the hands of Bruce Smith, devotions are momentary stops to listen to the motor of history. They are meditations and provocations. They are messages received from the chatter of the street and from transmissions as distant as Memphis and al-Mansur. Bulletins and interruptions come from brutal elsewheres and from the interior where music puts electrodes on the body to take an EKG. These poems visit high schools, laundromats, motels, films, and dreams in order to measure the American hunger and thirst. They are interested in the things we profess to hold most dear as well as what’s unspoken and unbidden. While we’re driving, while riding a bus, while receiving a call, while passing through an X-ray machine, the personal is intersected—sometimes violently, sometimes tenderly—with the hum and buzz of the culture. The culture, whether New York or Tuscaloosa, Seattle or Philadelphia, past or present, carries the burden of race and “someone’s idea of beauty.” The poems fluctuate between the two poles of “lullaby and homicide” before taking a vow to remain on earth, to look right and left, to wait and to witness.
Юсеф Комунякаа0.0 A new and intimate collection from one of America's most important poets
The latest collection from one of our preeminent poets, The Chameleon Couch is also one of Yusef Komunyakaa's most personal to date. As in his breakthrough work, Copacetic, Komunyakaa writes again of music as muse--from a blues club in the East Village to the shakuhachi of Basho. Beginning with "Canticle," this varied new collection often returns to the idea of poem as hymn, ethereal and haunting, as Komunyakaa reveals glimpses of memory, myth, and violence. With contemplations that spring up along walks or memories conjured by the rhythms of New York, Komunyakaa pays tribute more than ever before to those who came before him.
The book moves seamlessly across cultural and historical boundaries, evoking Komunyakaa's capacity for cultural excavation, through artifact and place. The Chameleon Couch begins in and never fully leaves the present--an urban modernity framed, brilliantly, in pastoral-minded verse. The poems seek the cracks beneath the landscape, whether New York or Ghana or Poland, finding in each elements of wisdom or unexpected beauty. The collection is sensually, beautifully relaxed in rhetoric; in poems like "Cape Coast Castle," Komunyakaa reminds us of his gift for combining the personal with the universal, one moment addressing a lover, the next moving the focus outward, until both poet and reader are implicated in the book's startling world.
Араселис Гирмей0.0 The poems in this highly anticipated second book are elegiac poems, as concerned with honoring our dead as they are with praising the living. Through Aracelis Girmay's lens, everything is animal: the sea, a jukebox, the desert. In these poems, everything possesses a system of desire, hunger, a set of teeth, and language. These are poems about what is both difficult and beautiful about our time here on earth.
Aracelis Girmay's debut collection won the Great Lakes Colleges Association New Writers Award. A Cave Canem Fellow, she is on the faculty at Drew University and Hampshire College. She lives in Brooklyn, New York.
Форрест Гэндер0.0 Forrest Gander’s Core Samples from the World is a magnificent compendium of poetry, photography, and essay (a form of Japanese haibun). Collaborating with three acclaimed photographers, Gander explores tensions between the familiar and foreign. His eloquent new work voices an ethical concern for others, exploring empathic relations in which the world itself is fundamental. Taking us around the globe to China, Mexico, Bosnia-Herzegovina, and Chile, Core Samples shows how Gander’s “sharp sense of place has made him the most earthly of our avant-garde, the best geographer of fleshly sites since Olson” (Donald Revell,
The Colorado Review).
Geoff Dyer0.0 *Winner of the National Book Critics Circle Award in Criticism*
*A New York Times Book Review Editors' Choice*
*A New York Times Top 10 Nonfiction Book of the Year, as selected by Dwight Garner*
Geoff Dyer has earned the devotion of passionate fans on both sides of the Atlantic through his wildly inventive, romantic novels as well as several brilliant, uncategorizable works of nonfiction. All the while he has been writing some of the wittiest, most incisive criticism we have on an astonishing array of subjects—music, literature, photography, and travel journalism—that, in Dyer's expert hands, becomes a kind of irresistible self-reportage.
Otherwise Known as the Human Condition collects twenty-five years of essays, reviews, and misadventures. Here he is pursuing the shadow of Camus in Algeria and remembering life on the dole in Brixton in the 1980s; reflecting on Richard Avedon and Ruth Orkin, on the status of jazz and the wonderous Nusrat Fateh Ali Khan, on the sculptor ZadKine and the saxophonist David Murray (in the same essay), on his heroes Rebecca West and Ryszard Kapus´cin´ski, on haute couture and sex in hotels. Whatever he writes about, his responses never fail to surprise. For Dyer there is no division between the reflective work of the critic and the novelist's commitment to lived experience: they are mutually illuminating ways to sharpen our perceptions. His is the rare body of work that manages to both frame our world and enlarge it.
Нона Уиллис Ароновиц0.0 In 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country’s most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artists—Bob Dylan, The Who, Van Morrison, Elvis Presley, David Bowie, the Rolling Stones, Creedence Clearwater Revival, Joni Mitchell, the Velvet Underground, Sam and Dave, Bruce Springsteen, and Stevie Wonder—assessing their albums and performances not only on their originality, musicianship, and cultural impact but also in terms of how they made her feel.
Because Willis stopped writing about music in the early 1980s—when, she felt, rock ’n’ roll had lost its political edge—her significant contribution to the history and reception of rock music has been overshadowed by contemporary music critics like Robert Christgau, Lester Bangs, and Dave Marsh. Out of the Vinyl Deeps collects for the first time Willis’s Rock, Etc. columns and her other writings about popular music from this period (includingliner notes for works by Lou Reed and Janis Joplin) and reasserts her rightful place in rock music criticism.
More than simply setting the record straight, Out of the Vinyl Deeps reintroduces Willis’s singular approach and style—her use of music to comment on broader social and political issues, critical acuity, vivid prose, against-the-grain opinions, and distinctly female (and feminist) perspective—to a new generation of readers. Featuring essays by the New Yorker’s current popular music critic, Sasha Frere-Jones, and cultural critics Daphne Carr and Evie Nagy, this volume also provides a lively and still relevant account of rock music during, arguably, its most innovative period.
Whether it's commentary on jaded youth, the ways technology has made us soft in the head, or how wrestling a hotel minibar into a bathtub is the best way to stick it to The Man, Ugresic writes with unmatched honesty and panache.
Jonathan Lethem0.0 What’s a novelist supposed to do with contemporary culture? And what’s contemporary culture supposed to do with novelists? In The Ecstasy of Influence, Jonathan Lethem, tangling with what he calls the “white elephant” role of the writer as public intellectual, arrives at an astonishing range of answers.
A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf’s worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and others. And, writing about Brooklyn, his father, and his sojourn through two decades of writing, Lethem sheds an equally strong light on himself.
Дэвид Беллос3.9 Funny and surprising on every page, Is That a Fish in Your Ear? offers readers new insight into the mystery of how we come to know what someone else means—whether we wish to understand Astérix cartoons or a foreign head of state. Using translation as his lens, David Bellos shows how much we can learn about ourselves by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Cameron's Avatar.
Is That a Fish in Your Ear? ranges across human experience to describe why translation sits deep within us all, and why we need it in so many situations, from the spread of religion to our appreciation of literature; indeed, Bellos claims that all writers are by definition translators. Written with joie de vivre, reveling both in misunderstanding and communication, littered with wonderful asides, it promises any reader new eyes through which to understand the world. In the words of Bellos: "The practice of translation rests on two presuppositions. The first is that we are all different: we speak different tongues, and see the world in ways that are deeply influenced by the particular features of the tongue that we speak. The second is that we are all the same—that we can share the same broad and narrow kinds of feelings, information, understandings, and so forth. Without both of these suppositions, translation could not exist. Nor could anything we would like to call social life. Translation is another name for the human condition."
Джон Льюис Гэддис5.0 Drawing on extensive interviews with George Kennan and exclusive access to his archives, an eminent scholar of the Cold War delivers a revelatory biography of its troubled mastermind.
In the late 1940s, George Kennan wrote two documents, the "Long Telegram" and the "X Article," which set forward the strategy of containment that would define U.S. policy toward the Soviet Union for the next four decades. This achievement alone would qualify him as the most influential American diplomat of the Cold War era. But he was also an architect of the Marshall Plan, a prizewinning historian, and would become one of the most outspoken critics of American diplomacy, politics, and culture during the last half of the twentieth century. Now the full scope of Kennan's long life and vast influence is revealed by one of today's most important Cold War scholars.
Эзра Фогель0.0 Perhaps no one in the twentieth century had a greater long-term impact on world history than Deng Xiaoping. And no scholar of contemporary East Asian history and culture is better qualified than Ezra Vogel to disentangle the many contradictions embodied in the life and legacy of China's boldest strategist.
Once described by Mao Zedong as a "needle inside a ball of cotton", Deng was the pragmatic yet disciplined driving force behind China's radical transformation in the late twentieth century. He confronted the damage wrought by the Cultural Revolution, dissolved Mao's cult of personality, and loosened the economic and social policies that had stunted China's growth. Obsessed with modernization and technology, Deng opened trade relations with the West that lifted hundreds of millions of his countrymen out of poverty. Yet at the same time he answered to his authoritarian roots, most notably when he ordered the crackdown in June 1989 at Tiananmen Square.
Deng's youthful commitment to the Communist Party was cemented in Paris in the early 1920s, among a group of Chinese student-workers that also included Zhou Enlai. Deng returned home in 1927 to join the Chinese Revolution on the ground floor. In the fifty years of his tumultuous rise to power, he endured accusations, purges, and even exile before becoming China's preeminent leader from 1978 to 1989 and again in 1992. When he reached the top, Deng saw an opportunity to creatively destroy much of the economic system he had helped build for five decades as a loyal follower of Mao - and he did not hesitate.
"This is an impressive and important biography of one of the most important men of the twentieth century. Deng Xiaoping transformed China economically, politically, and socially. One of the most significant achievements for his and my country was the establishment of diplomatic relations between us. The book provides an excellent account of this historic event". President Jimmy Carter
"Vogel offers a nuanced portrait of China's great reform leader Deng Xiaoping and a shrewd analysis of the political maneuvers by which he made such a large mark on history. By entering deeply into Deng's vision for China, Vogel shows how the person who forged the world's most successful example of modernizing authoritarianism understood how such a system could work. And he shows how a major leader can steer a huge country in a new historical direction. A terrific accomplishment". Andrew J.Nathan, Columbia University
"Not just a definitive biography of a world-class leader, but also the most authoritative and riveting account of the secretly contrived U.S.-Chinese strategic accommodation of 1978 and of how that in turn facilitated China's domestic transformation". Zbigniew Brzezinski
"A multilayered study of change and adaptability. At the core is one man's response to the dangers of a complex revolution. Around him is the transformation of the largest political entity in history from rural disarray and helplessness to an industrial and manufacturing giant. In between are ambitious and bewildered people in search of leadership. Vogel has made Deng Xiaoping's vision convincing, the Chinese maze comprehensible, and even the bit actors come alive". Wang Gungwu, National University of Singapore
"Deng could be tough, but he was direct and engaged. He was a person we could do business with, and I liked him a lot. He played an extraordinary role, bringing the world's largest nation into the modern world. We are fortunate that Vogel, one of our foremost China scholars, has now brought the man alive in this uniquely researched biography". Brent Scowcroft
"Deng Xiaoping's skill, vision, and courage in overcoming seemingly insuperable obstacles and guiding China onto the path of sustained economic development rank him with the great leaders of history. And yet, too little is known about the life and career of this extraordinary man. In this superbly researched and highly readable biography,
Мэннинг Марабл0.0 Constantly rewriting his own story, Malcolm X became a criminal, a minister, a leader, and eventually an icon, assassinated at the age of 39. The details of his life have long since calcified into a familiar narrative: his early years as a vagabond in Boston and New York, his conversion to Islam and subsequent rise to prominence as a militant advocate for black rights, his acrimonious split with the Nation of Islam, and ultimately his violent death at their hands. Yet this story, told and retold to various ends by writers, historians, and filmmakers, captures only a snapshot, a fraction of the man in full.
Manning Marable's new biography is a stunning achievement, filled with new information and shocking revelations that will reframe the way we understand his life and work. Malcolm X unfolds a sweeping story of the darkest days of racial unrest, from the rise of the Ku Klux Klan to the struggles of the civil rights movement, examining his engagement with the Nation of Islam, and the romantic relationships whose energy alternately drained him and pushed him to unimagined heights.
Malcolm X will stand as the definitive work on one of the most iconic figures of the twentieth century, a man who constantly strove, in the great American tradition, to remake himself anew.
Пол Хендриксон0.0 From a National Book Critics Circle Award winner, a brilliantly conceived and illuminating reconsideration of a key period in the life of Ernest Hemingway that will forever change the way he is perceived and understood.
Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the reigning monarch of American letters until his suicide—Paul Hendrickson traces the writer’s exultations and despair around the one constant in his life during this time: his beloved boat, Pilar.
We follow him from Key West to Paris, to New York, Africa, Cuba, and finally Idaho, as he wrestles with his best angels and worst demons. Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities.
Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend.
We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.”
Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.
Мэри Габриэль0.0 Brilliantly researched and wonderfully written, LOVE AND CAPITAL is a heartbreaking and dramatic saga of the family side of the man whose works would redefine the world after his death.
Drawing upon years of research, acclaimed biographer Mary Gabriel brings to light the story of Karl and Jenny Marx's marriage. We follow them as they roam Europe, on the run from governments amidst an age of revolution and a secret network of would-be revolutionaries, and see Karl not only as an intellectual, but as a protective father and loving husband, a revolutionary, a jokester, a man of tremendous passions, both political and personal.
In LOVE AND CAPITAL, Mary Gabriel has given us a vivid, resplendent, and truly human portrait of the Marxes-their desires, heartbreak and devotion to each other's ideals.
