Вручение 1997 г.

Страна: США Дата проведения: 1997 г.

Художественная проза

Лауреат
Penelope Fitzgerald 4.0
This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it.
Филип Рот 3.9
"Американская пастораль" - по-своему уникальный роман. Как нынешних российских депутатов закон призывает к ответу за предвыборные обещания, так Филип Рот требует ответа у Америки за посулы богатства, общественного порядка и личного благополучия, выданные ею своим гражданам в XX веке. Главный герой - Швед Лейвоу - женился на красавице "Мисс Нью-Джерси", унаследовал отцовскую фабрику и сделался владельцем старинного особняка в Олд-Римроке. Казалось бы, мечты сбылись, но однажды сусальное американское счастье разом обращается в прах...
Андрей Макин 4.1
"Французскому завещанию" суждено было стать сенсацией, притом не только во Франции, но и в России еще и по особым причинам. В России – потому что автором "лучшего французского романа" года оказался русский, всего восемь лет назад покинувший Советский Союз. (В некоторых откликах явственно слышалось эдакое "знай наших!".) У них – потому что этот русский пишет "безупречным, классическим" французским языком и любит Францию так, как любят родину – или страну своей мечты. Такое необычное объяснение в любви ко всему французскому не могло не подкупить французов. Хотя страна, сотворенная русским мальчиком Алешей – так зовут героя – из рассказов бабушки, француженки Шарлотты (волей случая застрявшей в российском захолустье), из старых газетных вырезок, хранившихся в бабушкином чемодане, и, конечно, из французской литературы, давным-давно канула в Лету.
"Французское завещание" представляет собой нечто среднее между семейной хроникой и романом воспитания...
Чарльз Фрейзер 4.1
В последние дни гражданской войны дезертировавший с фронта Инман решает пробираться домой, в городок Холодная Гора, к своей невесте. История любви на фоне войны за независимость. Снятый по роману фильм Энтони Мингеллы номинировался на "Оскара".
Don DeLillo 4.5
While Eisenstein documented the forces of totalitarianism and Stalinism upon the faces of the Russian peoples, DeLillo offers a stunning, at times overwhelming, document of the twin forces of the Cold War and American culture, compelling that "swerve from evenness" in which he finds events and people both wondrous and horrifying.

Underworld opens with a breathlessly graceful prologue set during the final game of the Giants-Dodgers pennant race in 1951. Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand.

"It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.

Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

Документальная литература

Лауреат
Энн Фадиман 0.0
Lia Lee was born in 1981 to a family of recent Hmong immigrants, and soon developed symptoms of epilepsy. By 1988 she was living at home but was brain dead after a tragic cycle of misunderstanding, over-medication, and culture clash: "What the doctors viewed as clinical efficiency the Hmong viewed as frosty arrogance." The Spirit Catches You and You Fall Down is a tragedy of Shakespearean dimensions, written with the deepest of human feeling. Sherwin Nuland said of the account, "There are no villains in Fadiman's tale, just as there are no heroes. People are presented as she saw them, in their humility and their frailty—and their nobility."
Джон Кракауэр 4.3
19 альпинистов-любителей отправляются в Непал, чтобы покорить Эверест.
Это приключение стоит 65 000 долларов. Каждого клиента ведет опытный гид по четко спланированному маршруту. Исход малейшей ошибки известен всем, но желание попасть на вершину затмевает разум.

Однако... Последнее слово остается за горой.

Там, на высоте 8 848 метров, в разреженном воздухе, мозг потеряет миллионы клеток, тело предательски ослабеет и даже самые опытные начнут совершать одну роковую ошибку за другой.

Это восхождение не забудет никто.

Самая страшная трагедия в истории Эвереста. От первого лица.

Ранее книга выходила под названием "Эверест. Кому и за что мстит гора?".
Джеймс Л. Кугель 0.0
This is a guide to the Hebrew Bible unlike any other. Leading us chapter by chapter through its most important stories--from the Creation and the Tree of Knowledge through the Exodus from Egypt and the journey to the Promised Land--James Kugel shows how a group of anonymous, ancient interpreters radically transformed the Bible and made it into the book that has come down to us today.

Was the snake in the Garden of Eden the devil, or the Garden itself "paradise"? Did Abraham discover monotheism, and was his son Isaac a willing martyr? Not until the ancient interpreters set to work. Poring over every little detail in the Bible's stories, prophecies, and laws, they let their own theological and imaginative inclinations radically transform the Bible's very nature. Their sometimes surprising interpretations soon became the generally accepted meaning. These interpretations, and not the mere words of the text, became the Bible in the time of Jesus and Paul or the rabbis of the Talmud.

Drawing on such sources as the Dead Sea Scrolls, ancient Jewish apocrypha, Hellenistic writings, long-lost retellings of Bible stories, and prayers and sermons of the early church and synagogue, Kugel reconstructs the theory and methods of interpretation at the time when the Bible was becoming the bedrock of Judaism and Christianity. Here, for the first time, we can witness all the major transformations of the text and recreate the development of the Bible "As It Was" at the start of the Common era--the Bible as we know it.
Полин Майер 0.0
Pauline Maier shows us the Declaration as both the defining statement of our national identity and the moral standard by which we live as a nation. It is truly "American Scripture," and Maier tells us how it came to be -- from the Declaration's birth in the hard and tortuous struggle by which Americans arrived at Independence to the ways in which, in the nineteenth century, the document itself became sanctified.

Maier describes the transformation of the Second Continental Congress into a national government, unlike anything that preceded or followed it, and with more authority than the colonists would ever have conceded to the British Parliament; the great difficulty in making the decision for Independence; the influence of Paine's Common Sense, which shifted the terms of debate; and the political maneuvers that allowed Congress to make the momentous decision.

In Maier's hands, the Declaration of Independence is brought close to us. She lets us hear the voice of the people as revealed in the other "declarations" of 1776: the local resolutions -- most of which have gone unnoticed over the past two centuries -- that explained, advocated, and justified Independence and undergirded Congress's work. Detective-like, she discloses the origins of key ideas and phrases in the Declaration and unravels the complex story of its drafting and of the group-editing job which angered Thomas Jefferson.

Maier also reveals what happened to the Declaration after the signing and celebration: how it was largely forgotten and then revived to buttress political arguments of the nineteenth century; and, most important, how Abraham Lincoln ensured its persistence as a living force in American society. Finally, she shows how by the very act of venerating the Declaration as we do -- by holding it as sacrosanct, akin to holy writ -- we may actually be betraying its purpose and its power.
Стивен Пинкер 4.3
Книга Стивена Пинкера, выдающегося ученого, специализирующегося в экспериментальной психологии и когнитивных науках, в увлекательной и доступной форме рассматривает, какие факторы воздействуют на сознание человека, как формируется интеллект взрослого человека и чем он отличается от детского, чем человеческое мышление отличается от мышления животных вообще и приматов в частности, особенности искусственного разума.
Пинкер поддерживает идею о комплексной человеческой природе, состоящей из множества адаптивных способностей разума. Он считает, что человеческое сознание работает отчасти при помощи комбинаторной манипуляции символами.

Книга написана в легкой и доступной форме и предназначена для психологов, антропологов, специалистов в области искусственного интеллекта, а также всех, интересующихся данными науками.
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