Penelope Fitzgerald4.0 This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it.
Филип Рот3.9 "Американская пастораль" - по-своему уникальный роман. Как нынешних российских депутатов закон призывает к ответу за предвыборные обещания, так Филип Рот требует ответа у Америки за посулы богатства, общественного порядка и личного благополучия, выданные ею своим гражданам в XX веке. Главный герой - Швед Лейвоу - женился на красавице "Мисс Нью-Джерси", унаследовал отцовскую фабрику и сделался владельцем старинного особняка в Олд-Римроке. Казалось бы, мечты сбылись, но однажды сусальное американское счастье разом обращается в прах...
Андрей Макин4.1 "Французскому завещанию" суждено было стать сенсацией, притом не только во Франции, но и в России еще и по особым причинам. В России – потому что автором "лучшего французского романа" года оказался русский, всего восемь лет назад покинувший Советский Союз. (В некоторых откликах явственно слышалось эдакое "знай наших!".) У них – потому что этот русский пишет "безупречным, классическим" французским языком и любит Францию так, как любят родину – или страну своей мечты. Такое необычное объяснение в любви ко всему французскому не могло не подкупить французов. Хотя страна, сотворенная русским мальчиком Алешей – так зовут героя – из рассказов бабушки, француженки Шарлотты (волей случая застрявшей в российском захолустье), из старых газетных вырезок, хранившихся в бабушкином чемодане, и, конечно, из французской литературы, давным-давно канула в Лету.
"Французское завещание" представляет собой нечто среднее между семейной хроникой и романом воспитания...
Чарльз Фрейзер4.1 В последние дни гражданской войны дезертировавший с фронта Инман решает пробираться домой, в городок Холодная Гора, к своей невесте. История любви на фоне войны за независимость. Снятый по роману фильм Энтони Мингеллы номинировался на "Оскара".
Don DeLillo4.5 While Eisenstein documented the forces of totalitarianism and Stalinism upon the faces of the Russian peoples, DeLillo offers a stunning, at times overwhelming, document of the twin forces of the Cold War and American culture, compelling that "swerve from evenness" in which he finds events and people both wondrous and horrifying.
Underworld opens with a breathlessly graceful prologue set during the final game of the Giants-Dodgers pennant race in 1951. Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand.
"It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.
Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.
Энн Фадиман0.0 Lia Lee was born in 1981 to a family of recent Hmong immigrants, and soon developed symptoms of epilepsy. By 1988 she was living at home but was brain dead after a tragic cycle of misunderstanding, over-medication, and culture clash: "What the doctors viewed as clinical efficiency the Hmong viewed as frosty arrogance." The Spirit Catches You and You Fall Down is a tragedy of Shakespearean dimensions, written with the deepest of human feeling. Sherwin Nuland said of the account, "There are no villains in Fadiman's tale, just as there are no heroes. People are presented as she saw them, in their humility and their frailty—and their nobility."
Джон Кракауэр4.3 19 альпинистов-любителей отправляются в Непал, чтобы покорить Эверест.
Это приключение стоит 65 000 долларов. Каждого клиента ведет опытный гид по четко спланированному маршруту. Исход малейшей ошибки известен всем, но желание попасть на вершину затмевает разум.
Однако... Последнее слово остается за горой.
Там, на высоте 8 848 метров, в разреженном воздухе, мозг потеряет миллионы клеток, тело предательски ослабеет и даже самые опытные начнут совершать одну роковую ошибку за другой.
Это восхождение не забудет никто.
Самая страшная трагедия в истории Эвереста. От первого лица.
Ранее книга выходила под названием "Эверест. Кому и за что мстит гора?".
Джеймс Л. Кугель0.0 This is a guide to the Hebrew Bible unlike any other. Leading us chapter by chapter through its most important stories--from the Creation and the Tree of Knowledge through the Exodus from Egypt and the journey to the Promised Land--James Kugel shows how a group of anonymous, ancient interpreters radically transformed the Bible and made it into the book that has come down to us today.
Was the snake in the Garden of Eden the devil, or the Garden itself "paradise"? Did Abraham discover monotheism, and was his son Isaac a willing martyr? Not until the ancient interpreters set to work. Poring over every little detail in the Bible's stories, prophecies, and laws, they let their own theological and imaginative inclinations radically transform the Bible's very nature. Their sometimes surprising interpretations soon became the generally accepted meaning. These interpretations, and not the mere words of the text, became the Bible in the time of Jesus and Paul or the rabbis of the Talmud.
Drawing on such sources as the Dead Sea Scrolls, ancient Jewish apocrypha, Hellenistic writings, long-lost retellings of Bible stories, and prayers and sermons of the early church and synagogue, Kugel reconstructs the theory and methods of interpretation at the time when the Bible was becoming the bedrock of Judaism and Christianity. Here, for the first time, we can witness all the major transformations of the text and recreate the development of the Bible "As It Was" at the start of the Common era--the Bible as we know it.
Полин Майер0.0 Pauline Maier shows us the Declaration as both the defining statement of our national identity and the moral standard by which we live as a nation. It is truly "American Scripture," and Maier tells us how it came to be -- from the Declaration's birth in the hard and tortuous struggle by which Americans arrived at Independence to the ways in which, in the nineteenth century, the document itself became sanctified.
Maier describes the transformation of the Second Continental Congress into a national government, unlike anything that preceded or followed it, and with more authority than the colonists would ever have conceded to the British Parliament; the great difficulty in making the decision for Independence; the influence of Paine's Common Sense, which shifted the terms of debate; and the political maneuvers that allowed Congress to make the momentous decision.
In Maier's hands, the Declaration of Independence is brought close to us. She lets us hear the voice of the people as revealed in the other "declarations" of 1776: the local resolutions -- most of which have gone unnoticed over the past two centuries -- that explained, advocated, and justified Independence and undergirded Congress's work. Detective-like, she discloses the origins of key ideas and phrases in the Declaration and unravels the complex story of its drafting and of the group-editing job which angered Thomas Jefferson.
Maier also reveals what happened to the Declaration after the signing and celebration: how it was largely forgotten and then revived to buttress political arguments of the nineteenth century; and, most important, how Abraham Lincoln ensured its persistence as a living force in American society. Finally, she shows how by the very act of venerating the Declaration as we do -- by holding it as sacrosanct, akin to holy writ -- we may actually be betraying its purpose and its power.
Стивен Пинкер4.3 Книга Стивена Пинкера, выдающегося ученого, специализирующегося в экспериментальной психологии и когнитивных науках, в увлекательной и доступной форме рассматривает, какие факторы воздействуют на сознание человека, как формируется интеллект взрослого человека и чем он отличается от детского, чем человеческое мышление отличается от мышления животных вообще и приматов в частности, особенности искусственного разума.
Пинкер поддерживает идею о комплексной человеческой природе, состоящей из множества адаптивных способностей разума. Он считает, что человеческое сознание работает отчасти при помощи комбинаторной манипуляции символами.
Книга написана в легкой и доступной форме и предназначена для психологов, антропологов, специалистов в области искусственного интеллекта, а также всех, интересующихся данными науками.
Чарльз Райт0.0 Winner of the Pulitzer Prize and the National Book Critics Circle Award
Black Zodiac offers poems suffused with spiritual longing—lyrical meditations on faith, religion, heritage, and morality. The poems also explore aging and mortality with restless grace. Approaching his vast subjects by way of small moments, Wright magnifies details to reveal truths much larger than the quotidian happenings that engendered them. His is an astonishing, flexible, domestic-yet-universal verse. As the critic Helen Vendler has observed, Wright is a poet who "sounds like nobody else."
Марк Джарман0.0 Winner--1998 Lenore Marshall Poetry Prize
Finalist--1997 National Book Critics Circle Award
In Questions for Ecclesiastes, Mark Jarman takes on the idea of holiness in an unholy world, of spiritual realities in secular America... His poems made me think of altars, the kind we sometimes make unconsciously on a side-table or dresser where we deposit sea shells, pebbles, lost buttons, and other interesting finds, arranging them just so, as if to make an offering to an unknown god.-Charles Simic, Judge, The Academy of American Poets
A devout and learned exploration of the absence and silence of God.-The Philadelphia Inquirer
In this deeply impressive collection, Jarman is concerned with God, His grace, and humans' relations with Him... In 20 'Unholy Sonnets, ' he takes up matters of theology directly and so appositely for these times that some of them may become pulpit as well as anthology staples.-Ray Olson, Booklist
yAn A+ level candidate for glory, so peculiar in the excellence and pleasure it offers as to baffle anyone in the business of awarding laurels.-The Hudson Review
Inverting Donne's 'Holy Sonnets' in his ironic 20-poem 'Unholy Sonnets' sequence, Jarman's tone is discursive instead of devotional, comic instead of firm. The sonnets...explore faith with a sense of inevitability. Yet they are less about God than about our relationship to God and our inability to understand God's judgement.-The Boston Book Review
Memorable for its section 'Unholy Sonnets'...Questions for Ecclesiastes ultimately captures a poet's challenge to God: Are you there, or aren't you?-Seattle Weekly
Бренда Хиллман0.0 Loose Sugar is an alchemical manuscript disguised as a collection of poems, or vice versa. Either way, the primal materials of which this book is comprised -- love, sex, adolescence, space-time, depression, post-colonialism, and sugar -- are movingly and mysteriously transmuted: not into gold, but into a poet's philosopher's stone, in which language marries life.
Structurally virtuosic, elaborate without being ornate, Loose Sugar is spun into series within series: each of the five sections has a dual heading (such as "space / time" or "time / work") in which the terms are neither in collision nor collusion, but in conversation. It's elemental sweet talk, and is Brenda Hillman's most experimental work to date, culminating in a meditation on the possibility of a native -- and feminine -- language.
Фрэнк Бидарт0.0 Nominated for the National Book Critics Circle Award for Poetry.
I hate and--love. The sleepless body hammering a nail nails itself, hanging crucified.--from "Catullus: Excrucior" In Frank Bidart's collection of poems, the encounter with desire is the encounter with destiny. The first half contains some of Bidart's most luminous and intimate work-poems about the art of writing, Eros, and the desolations and mirror of history (in a spectacular narrative based on Tacitus). The second half of the book exts the overt lyricism of the opening section into even more ambitious territory-"The Second Hour of the Night" may be Bidart's most profound and complex meditation on the illusion of will, his most seductive dramatic poem to date.
Desire is a 1997 National Book Award Finalist for Poetry.
Mario Vargas Llosa0.0 Mario Vargas Llosa, renowned as a novelist, is one of our most brilliant and provocative public intellectuals as well. In "Making Waves," the first collection of his essays, he explores, with characteristic brio and elegance, his long-standing preoccupations - literature and politics, Europe and the Americas, and the relations among them all. We follow Vargas Llosa from his native Peru to Madrid and then to Paris, the setting of essays on his great precursors Jean-Paul Sartre, Simone de Beauvoir, and Albert Camus, as well as a comic account of his visit to the tomb of Rin Tin Tin and an affecting memoir of his time in the city as an aspiring writer in the 1960s. In passionately critical essays on the Cuban revolution and its aftermath, Vargas Llosa takes up vital questions of Latin American independence, while in essays on Faulkner, Garcia Marquez, and Julio Cortazar - and in an exchange with Gunter Grass - he ponders magic realism. In more recent articles, he considers the terrorism of Peru's Shining Path and the presidency of Alberto Fujimori - and the failures of the English public-school system, which made his son into a Rastafarian. The essays in "Making Waves" are full of Mario Vargas Llosa's unflagging literary intensity and moral and political integrity. They are an important addition to the body of work of this major international writer.
Джон Брюэр0.0 The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation.
John Brewer's enthralling book explains how this happened and recreates the world in which the great works of English eighteenth-century art were made. Its purpose is to show how literature, painting, music and the theatre were communicated to a public increasingly avid for them. It explores the alleys and garrets of Grub Street, rummages the shelves of bookshops and libraries, peers through printsellers' shop windows and into artists' studios, and slips behind the scenes at Drury Lane and Covent Garden. It takes us out of Gay and Boswell's London to visit the debating clubs, poetry circles, ballrooms, concert halls, music festivals, theatres and assemblies that made the culture of English provincial towns, and shows us how the national landscape became one of Britain's greatest cultural treasures. It reveals to us a picture of English artistic and literary life in the eighteenth century less familiar, but more suprising, more various and more convincing than any we have seen before.
Вивиан Горник0.0 Offers powerful insight into the portrayal of romantic love by Jean Rhys, Clover Adams, Christina Stead, Willa Cather, Grace Paley, Raymond Carver, Andre Dubus, and others.
Хелен Вендлер0.0 Helen Vendler, widely regarded as an accomplished interpreter of poetry, here serves as a guide to some of the best-known poems in the English language.
In detailed commentaries on Shakespeare's 154 sonnets, Vendler interprets imaginative and stylistic features of the poems, pointing out new levels of import in particular lines, and the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect.
Alfred Kazin0.0 God and the American Writer does more to illuminate the fundamental purposes and motivations of our greatest writers from Hawthorne to Faulkner than any study I have read in the past fifty-five years--that is, since the same author's On Native Grounds.
--Louis S. Auchincloss
This is the culminating work of the finest living critic of American literature. Alfred Kazin brings a lifetime of thought and reading to the triumphant elucidation of his fascinating and slippery subjects: what the meaning of God has been for American writers, and how those writers, from the New England Calvinists to William Faulkner, have expressed it. In a series of trenchant critical studies of writers as divergent as Hawthorne, Melville, Emerson, Lincoln, Whitman, Dickinson, Twain, William James, Eliot, Frost, and Faulkner, Kazin gives a profound sense of each, and his quotations from their works are artfully chosen to pursue the main theme. The centerpiece of the book is the reflection in American writing of the great American tragedy, the Civil War--so deeply involved in the whole complex issue of religion in America. An enthralling book by a major writer.
"This is a book about the place of God in the imaginative life of a country that for two centuries countenanced slavery and then engaged in a fratricidal war to end it. For Americans no subject is more compelling or, in its entanglement with the deepest roots of the national soul, more terrible. And no one has ever written as incisively, as movingly, or as unforgivingly about it as Alfred Kazin has here."
--Louis Menand
"In the era of willful obfuscation, Alfred Kazin is the good, clear word, a brilliant scholar and an original reader. His latest book, God and the American Writer, which comes fifty-five years after On Native Grounds, proves he has lost nothing and gives us everything he has."
--David Remnick
"American writers have been born into all sorts of religious sects, but have had to struggle in solitude to make sense of God. Alfred Kazin, a cosmos unto himself, has written brilliantly and affectingly of how a dozen or so of our finest authors--poets, novelists, philosophers, and one president--endured and illuminated that struggle. Kazin is sometimes passionate, even fierce, especially in his discussions of slavery and of his hero (and mine), Abraham Lincoln. But, as ever, Kazin's writing is tempered by an enormous American empathy and by his sense of irony about our country and its spiritual predicaments. Spare, sharp, and immensely learned, God and the American Writer is the most moving volume of criticism yet by our greatest living critic."
--Sean Wilentz
Джеймс Тобин0.0 When a machine-gun bullet ended the life of war correspondent Ernie Pyle in the final days of World War II, Americans mourned him in the same breath as they mourned Franklin Roosevelt. To millions, the loss of this American folk hero seemed nearly as great as the loss of the wartime president.
If the hidden horrors and valor of combat persist at all in the public mind, it is because of those writers who watched it and recorded it in the faith that war is too important to be confined to the private memories of the warriors. Above all these writers, Ernie Pyle towered as a giant. Through his words and his compassion, Americans everywhere gleaned their understanding of what they came to call “The Good War.”
Pyle walked a troubled path to fame. Though insecure and anxious, he created a carefree and kindly public image in his popular prewar column—all the while struggling with inner demons and a tortured marriage. War, in fact, offered Pyle an escape hatch from his own personal hell.
It also offered him a subject precisely suited to his talent—a shrewd understanding of human nature, an unmatched eye for detail, a profound capacity to identify with the suffering soldiers whom he adopted as his own, and a plain yet poetic style reminiscent of Mark Twain and Will Rogers. These he brought to bear on the Battle of Britain and all the great American campaigns of the war—North Africa, Sicily, Italy, D-Day and Normandy, the liberation of Paris, and finally Okinawa, where he felt compelled to go because of his enormous public stature despite premonitions of death.
In this immensely engrossing biography, affectionate yet critical, journalist and historian James Tobin does an Ernie Pyle job on Ernie Pyle, evoking perfectly the life and labors of this strange, frail, bald little man whose love/hate relationship to war mirrors our own. Based on dozens of interviews and copious research in little-known archives, Ernie Pyle's War is a self-effacing tour de force. To read it is to know Ernie Pyle, and most of all, to know his war.
Джозеф Эллис0.0 Following his subject from the drafting of the Declaration of Independence to his retirement in Monticello, Joseph Ellis unravels the contradictions of the Jeffersonian character. A marvel of scholarship, a delight to read, and an essential gloss on the Jeffersonian legacy.
Doris Lessing0.0 The second volume of Doris Lessing's extraordinary autobiography covers the years 1949-62, from her arrival in war-weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook. She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.
Гермиона Ли0.0 "A majestic literary biography, a truly new, surprisingly fresh portrait. --
Newsday
A New York Times Book Review Editors' Choice
National Book Critics Circle Award finalist
"A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh."
--The Philadelphia Inquirer
While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact. Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit, and her sanity and strength.
It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come.
