Вручение 1991 г.

Страна: США Дата проведения: 1991 г.

Художественная проза

Лауреат
Джейн Смайли 3.9
Роман, удостоенный Пулитцеровской премии за 1992 год и положенный в основу сценария одноименного фильма с Мишель Пфайффер и Джессикой Лэнг в главной роли.

Роман, который критики называли выдающимся, завораживающим, пугающим, правдивым и прекрасным.

Это история семейства Ларри Кука, хозяина огромной фермы, площадью в тысячу акров, ставшей яблоком раздора для трех его дочерей: Джинни, Роуз и Кэролайн.

Это драма, балансирующая между злостью и отчаянием, обидой и прощением, любовью и ненавистью.

Сколько скелетов хранится за семью замками в фамильных шкафах богатой фермерской семьи Кук? Сколько конфликтов, тлеющих годами и десятилетиями, только и ждут случая вспыхнуть полноценным пожаром? Сколько печальных и постыдных тайн могут однажды выйти на свет? И что случится, когда вырвется, наконец, на волю давно скрываемое безумие жестокого и властного отца трех взрослых дочерей?
Norman Rush 0.0
Had Jane Austen been in the Peace Corps in Africa in the 1980s, Mating is the book she might have written. Set in Botswana in the days before the end of apartheid, Norman Rush's novel is, essentially, a comedy of manners played out in Austen's approved milieu: a country village. Granted, the village in question, Tsau, is a utopian society created by the great American anthropologist Nelson Denoon, and run largely by and for disenfranchised and abused African women. Still, the issue that interests Rush (and the one that fueled Austen's novels) is the age-old question of who mates with whom, and why? The unnamed narrator is a 32-year-old postgraduate student in anthropology whose dissertation has just gone south on her. Drifting around the edges of the expatriate community in Gaborone, the capital of Botswana, she first meets Denoon.
Entranced by this potential soulmate, our heroine strikes out into the Kalahari Desert with a couple of donkeys and follows him to his utopia where sexual attraction, regional politics, and social experimentation make for very strange bedfellows, indeed.
Mating is a fiercely intelligent, hugely ambitious novel that takes on feminism, socialism, political corruption, foreign-sponsored rural development projects, and, yes, male-female relations in ways that are simultaneously hilarious and disturbing. Certainly Rush's language is a big part of what makes the novel work: the narrator's combination of elevated vocabulary and wacky non sequiturs is inspired. When, for example, Denoon explains to her that most of the women in Tsau are celibate and therefore so is he, she reflects that "of course the spiritus rector of a female community would need to be a sexual solitary, at least during the foundational period." She then wonders if "this situation was the analog of western series on television where the female watchership shrank to nothing when the producers let the marshal get married." Mating is remarkable for its wit, its acuity, and its ability to satirize without demeaning; it's also a heck of an entertaining story. Jane Austen would have been proud. --Alix Wilber
Richard Powers 0.0
A national bestseller, voted by Time as the #1 novel of 1991, selected as one of the "Best Books of 1991" by Publishers Weekly, and nominated for a National Book Critics Circle Award--a magnificent story that probes the meaning of love, science, music, and art, by the brilliant author of Three Farmers on Their Way to a Dance.
Gish Jen 0.0
From the beloved author of Mona in the Promised Land and The Love Wife comes this comic masterpiece, an insightful novel of immigrants experiencing the triumphs and trials of American life.

Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. When the Communists assume control of China in 1949, though, Ralph Chang, his sister Theresa, and his wife Helen, find themselves in a crisis. At first, they cling to their old-world ideas of themselves. But as they begin to dream the American dream of self-invention, they move poignantly and ironically from people who disparage all that is “typical American” to people who might be seen as typically American themselves. With droll humor and a deep empathy for her characters, Gish Jen creates here a superbly engrossing story that resonates with wit and wisdom even as it challenges the reader to reconsider what a typical American might be today.
Louis Begley 5.0
"Extraordinary...Rich in irony and regret...[the] people and settings are vividly realized and his prose [is] compelling in its simplicity."
THE WALL STREET JOURNAL
As the world slips into the throes of war in 1939, young Maciek's once closetted existence outside Warsaw is no more. When Warsaw falls, Maciek escapes with his aunt Tania. Together they endure the war, running, hiding, changing their names, forging documents to secure their temporary lives—as the insistent drum of the Nazi march moves ever closer to them and to their secret wartime lies.


From the Paperback edition.

Документальная литература

Лауреат
Susan Faludi 5.0
Skillfully Probing the Attack on Women’s Rights

“Opting-out,” “security moms,” “desperate housewives,” “the new baby fever”—the trend stories of 2006 leave no doubt that American women are still being barraged by the same backlash messages that Susan Faludi brilliantly exposed in her 1991 bestselling book of revelations. Now, the book that reignited the feminist movement is back in a fifteenth anniversary edition, with a new preface by the author that brings backlash consciousness up to date.

When it was first published, Backlash made headlines for puncturing such favorite media myths as the “infertility epidemic” and the “man shortage,” myths that defied statistical realities. These willfully fictitious media campaigns added up to an antifeminist backlash. Whatever progress feminism has recently made, Faludi’s words today seem prophetic. The media still love stories about stay-at-home moms and the “dangers” of women’s career ambitions; the glass ceiling is still low; women are still punished for wanting to succeed; basic reproductive rights are still hanging by a thread. The backlash clearly exists.

With passion and precision, Faludi shows in her new preface how the creators of commercial culture distort feminist concepts to sell products while selling women downstream, how the feminist ethic of economic independence is twisted into the consumer ethic of buying power, and how the feminist quest for self-determination is warped into a self-centered quest for self-improvement. Backlash is a classic of feminism, an alarm bell for women of every generation, reminding us of the dangers that we still face.
Деннис Овербай 0.0
In southern California, nearly a half century ago, a small band of researchers -- equipped with a new 200-inch telescope and a faith born of scientific optimism -- embarked on the greatest intellectual adventure in the history of humankind: the search for the origin and fate of the universe. Their quest would eventually engulf all of physics and astronomy, leading not only to the discovery of quasars, black holes, and shadow matter but also to fame, controversy, and Nobel Prizes. Lonely Hearts of the Cosmos tells the story of the men and women who have taken eternity on their shoulders and stormed nature in search of answers to the deepest questions we know to ask.
Томас Геогеган 0.0
When it first appeared in hardcover, Which Side Are You On? received widespread critical accolades, and was nominated for a National Book Critics Circle Award for nonfiction. In this new paperback edition, Thomas Geoghegan has updated his eloquent plea for the relevance of organized labor in America with an afterword covering the labor movement through the 1990s. A funny, sharp, unsentimental career memoir, Which Side Are You On? pairs a compelling history of the rise and near-fall of labor in the United States with an idealist's disgruntled exercise in self-evaluation. Writing with the honesty of an embattled veteran still hoping for the best, Geoghegan offers an entertaining, accessible, and literary introduction to the labor movement, as well as an indispensable touchstone for anyone whose hopes have run up against the unaccommodating facts on the ground. Wry and inspiring, Which Side Are You On? is the ideal book for anyone who has ever woken up and realized, "You must change your life."
Мелисса Фэй Грин 0.0
Finalist for the 1991 National Book Award and a New York Times Notable book, Praying for Sheetrock is the story of McIntosh County, a small, isolated, and lovely place on the flowery coast of Georgia--and a county where, in the 1970s, the white sheriff still wielded all the power, controlling everything and everybody. Somehow the sweeping changes of the civil rights movement managed to bypass McIntosh entirely. It took one uneducated, unemployed black man, Thurnell Alston, to challenge the sheriff and his courthouse gang--and to change the way of life in this community forever. "An inspiring and absorbing account of the struggle for human dignity and racial equality" (Coretta Scott King)
Джонатан Козол 0.0
For two years, beginning in 1988, Jonathan Kozol visited schools in neighborhoods across the country, from Illinois to Washington D.C., and from New York to San Antonio. He spoke with teachers, principals, superintendents, and, most important, children. What he found was devastating. Not only were schools for rich and poor blatantly unequal, the gulf between the two extremes was widening—and it has widened since. The urban schools he visited were overcrowded and understaffed, and lacked the basic elements of learning—including books and, all too often, classrooms for the students.
In Savage Inequalities, Kozol delivers a searing examination of the extremes of wealth and poverty and calls into question the reality of equal opportunity in our nation’s schools.

Поэзия

Лауреат
Albert Goldbarth 0.0
Focusing with equal energy at the imposing sky and at our own home planet, Albert Goldbarth moves from hosannah-choiring angels to a single peach pit glistening on the tongue of Madame Renoir, from the sweep of the earth's ecocycles to the particles of quantum physics.In these poems surgeons, lovers, astronauts, psychiatrists, and priests embark on the same far journey, traveling into the universe of what it means to be human, exploring "how the world works." Here, the ancient Egyptian afterlife and the atrocities of the 10 o'clock news, the realm of guacamole chip dip and the life of Rembrandt mix toward one cohesive vision.
Адриенна Рич 0.0
The heart of Adrienne Rich's award-winning collection beats in its title sequence, 13 poems charting "An Atlas of the Difficult World." Like Atlas, who bears Earth on his shoulders, Rich bears--and wields--an enormous political consciousness. These poems find her struggling to say what is honest and true, resisting easy answers, having the ambition to risk everything; these are the energies for which her readers return. For example, after deriding as solipsistic the poetry of Richard Hugo, she writes:
I wonder if this is a white man's madness.
I honor your truth and refuse to leave it at that.
What have I learned from stories of the hunt, of lonely men in gangs?
But there were other stories...
Rich knows that mere political poetry has a quick expiration date. Her genius enables her to speak to the moment and to posterity simultaneously. "Catch if you can your country's moment, begin / where any calendar's ripped-off: Appomattox / Wounded Knee, Los Alamos / Selma, the last airlift from Saigon," she exhorts at one point, tuning the present to its history like Muriel Rukeyser or Ezra Pound. Early in the book Rich praises "those needed to teach, advise, persuade, weigh arguments ... the meticulous delicate work of reaching the heart of the desperate woman, the desperate man / --never-to-be-finished, still unbegun work of repair," but wonders who will continue this work in the America she has witnessed.
Филип Левин 0.0
Winner of the National Book Award in 1991

“This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.”
—Daniel L. Guillory, Library Journal
Аллен Гроссман 0.0
In addition to substantial new work, Allen Grossman in The Ether Dome and Other Poems New and Selected 1979-1991 gives his readers a retrospective of a life in poetry that has brought him such honors as a Guggenheim Fellowship, the Witter Bynner Prize of the American Academy and Institute of Arts and Letters, and a MacArthur Fellowship. The Ether Dome is his seventh book of poems
Diane Ackerman 5.0
In A Natural History of the Senses Diane Ackerman revealed herself as a naturalist who writes with the sensuous immediately of a great poet. Now Jaguar of Sweet Laughter presents the work of a poet with the precise and wondering eye of a gifted naturalist.

Ackermans's Olympian vision records and transforms landscapes from Amazonia to Antarctica, while her imaginative empathy penetrates the otherness of hummingbirds, deer, and trilobites. But even as they draw readers into the wild heart of nature, Ackerman's poems are indelible reminders of what it is to be a human being -- the "jaguar of sweet laughter" that, according to Mayan mythology, astonished the world because it was the first animal to speak.

Критика

Лауреат
Лоуренс Л. Лангер 0.0
This important an original book is the first sustained analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust. It also sheds light on the forms and functions of memory as victims relive devastating experiences of pain, humiliation, and loss.



Drawing on the Fortunoff Video Archives for Holocaust Testimonies at Yale University, Lawrence L. Langer shows how oral Holocaust testimonies complement historical studies by enabling us to confront the human dimensions of the catastrophe. Quoting extensively from these interviews, Langer develops a technique for interpreting them as we might a written text. He contrasts written and oral narratives, noting that while survivor memoirs by authors such as Primo Levi and Charlotte Delbo transform reality through style, imagery, chronology, or a coherent moral vision, oral testimonies resist these organizing impulses and allow instead a kind of unshielded truth to emerge, just as powerful in its impact as the visions taking shape in written memoirs. He argues that it is necessary to deromanticize the survival experience and that to burden it with accolades about the “indomitable human spirit” is to slight its painful complexity and ambivalence. Finally he explores the perplexing task of establishing a meaningful connection between consequential living and inconsequential dying, between moral striving and the sprit of anguish and sense of a diminished self that pervades these haunting Holocaust testimonies.
J. Hoberman 0.0
A collection of film criticism, including movie reviews, essays, and film-festival reports of the '80s. Writing from the perspective of Lower Manhattan, the author places movies in the context of the other visual arts painting, photography, comics, video, and TV as well as that of postmodem theorists such as Leslie Fiedler and Jean Baudrillard.
Луиз Каплан 0.0
Louise J. Kaplan challenges the traditional view that perversion represents deviant sexual behavior in this "fascinating and ambitious new study".--The New York Times Book Review. "This masterful study breaks new ground in our understanding of sexuality, gender roles and the way modern society trivializes erotic expression".--Publishers Weekly.
Норман Кантор 0.0
The Lives, Works, and Ideas of the Great Medievalists of the Twentieth Century

In this ground-breaking work, Norman Cantor explains how our current notion of the Middle Ages-with its vivid images of wars, tournaments, plagues, saints and kings, knights and ladies-was born in the twentieth century. The medieval world was not simply excavated through systematic research. It had to be conceptually created: It had to be invented, and this is the story of that invention.

Norman Cantor focuses on the lives and works of twenty of the great medievalists of this century, demonstrating how the events of their lives, and their spiritual and emotional outlooks, influenced their interpretations of the Middle Ages. Cantor makes their scholarship an intensely personal and passionate exercise, full of color and controversy, displaying the strong personalities and creative minds that brought new insights about the past.

A revolution in academic method, this book is a breakthrough to a new way of teaching the humanities and historiography, to be enjoyed by student and general public alike. It takes an immense body of learning and transmits it so that readers come away fully informed of the essentials of the subject, perceiving the interconnection of medieval civilization with the culture of the twentieth century and having had a good time while doing it! This is a riveting, entertaining, humorous, and learned read, compulsory for anyone concerned about the past and future of Western civilization.

Биография и автобиография

Лауреат
Philip Roth 3.9
Patrimony, a true story, touches the emotions as strongly as anything Philip Roth has ever written. Roth watches as his eighty-six-year-old father—famous for his vigor, charm, and his repertoire of Newark recollections—battles with the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long, stubborn engagement with life.
John Cheever 0.0
A literary event of great importance: the journals--begun in the late 1940s and continued through three decades--of one of the great American writers of our time. The work provides peerless insights into the creation of his novels and stories, as well the man himself.
Дайан Миддлбрук 0.0
Anne Sexton began writing poetry at the age of twenty-nine to keep from killing herself. She held on to language for dear life and somehow -- in spite of alcoholism and the mental illness that ultimately led her to suicide -- managed to create a body of work that won a Pulitzer Prize and that still sings to thousands of readers. This exemplary biography, which was nominated for the National Book Award, provoked controversy for its revelations of infidelity and incest and its use of tapes from Sexton's psychiatric sessions. It reconciles the many Anne Sextons: the 1950s housewife; the abused child who became an abusive mother; the seductress; the suicide who carried "kill-me pills" in her handbag the way other women carry lipstick; and the poet who transmuted confession into lasting art.
Art Spiegelman 4.4
The second installment of the Pulitzer Prize-winning graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker).

A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.