Вручение 2019 г.

Дата проведения: 2019 г.

Художественная литература

Лауреат
Каролина де Робертис 5.0
"Cantoras is a stunning lullaby to revolution--and each woman in this novel sings it with a deep ferocity. Again and again, I was lifted, then gently set down again--either through tears, rage, or laughter. Days later, I am still inside this song of a story."--Jacqueline Woodson, National Book Award-winning author

From the highly acclaimed, award-winning author of The Gods of Tango, a revolutionary new novel about five wildly different women who, in the midst of the Uruguayan dictatorship, find one another as lovers, friends, and ultimately, family.

In 1977 Uruguay, a military government crushed political dissent with ruthless force. In this environment, where the everyday rights of people are under attack, homosexuality is a dangerous transgression to be punished. And yet Romina, Flaca, Anita "La Venus," Paz, and Malena--five cantoras, women who "sing"--somehow, miraculously, find one another. Together, they discover an isolated, nearly uninhabited cape, Cabo Polonio, which they claim as their secret sanctuary. Over the next thirty-five years, their lives move back and forth between Cabo Polonio and Montevideo, the city they call home, as they return, sometimes together, sometimes in pairs, with lovers in tow, or alone. And throughout, again and again, the women will be tested--by their families, lovers, society, and one another--as they fight to live authentic lives.
A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.
Дженет Уинтерсон 3.5
Лето 1816 года, Швейцария.

Перси Биши Шелли со своей юной супругой Мэри и лорд Байрон со своим приятелем и личным врачом Джоном Полидори арендуют два дома на берегу Женевского озера. Проливные дожди не располагают к прогулкам, и большую часть времени молодые люди проводят на вилле Байрона, развлекаясь посиделками у камина и разговорами о сверхъестественном. Наконец Байрон предлагает, чтобы каждый написал рассказ-фантасмагорию. Мэри, которую неотвязно преследует мысль о бессмертной человеческой душе, запертой в бренном физическом теле, начинает писать роман о новой, небиологической, форме жизни. «Берегитесь меня: я бесстрашен и потому всемогущ», — заявляет о себе Франкенштейн, порожденный ее фантазией...

Спустя два столетия, Англия, Манчестер.

Близится день, когда чудовищный монстр, созданный воображением Мэри Шелли, обретет свое воплощение и столкновение искусственного и человеческого разума ввергнет мир в хаос...
Jacqueline Woodson 4.2
Moving forward and backward in time, Jacqueline Woodson's taut and powerful new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of the new child.

As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place.

Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be.
Мириам Тэйвз 3.6
Основанная на реальных событиях история скандала в религиозной общине Боливии, ставшая основой голливудского фильма.

Однажды вечером восемь меннонитских женщин собираются в сарае на секретную встречу.

На протяжении двух лет к ним и еще сотне других девушек в их колонии по ночам являлись демоны, чтобы наказать за грехи. Но когда выясняется, что синяки, ссадины и следы насилия — дело рук не сатанинских сил, а живых мужчин из их же общины, женщины оказываются перед выбором: остаться жить в мире, за пределами которого им ничего не знакомо, или сбежать, чтобы спасти себя и своих дочерей?
Намвали Серпелл 4.0
1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives—their triumphs, errors, losses and hopes—emerge through a panorama of history, fairytale, romance and science fiction.

From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time.
Валериа Луиселли 4.2
Мать, отец, сын и дочь отправляются в роуд-трип из Нью-Йорка в Аризону. Их пункт назначения — Апачерия, место, которое апачи когда-то называли домом. Но грандиозное путешествие прерывают печальные новости по радио: тысячи детей-иммигрантов потерялись в пустыне при попытке пересечь юго-западную границу США. Грядет перелом — как в стране, так и в судьбе семьи...

Рассказанный несколькими голосами, сочетающий в себе слова, звуки и образы, «Архив потерянных детей» представляет собой образец литературной виртуозности. Это история о том, как мы документируем свой опыт и запоминаем то, что для нас важнее всего. Она погружает нас в жизнь одной семьи, рождая сочувствие и исследуя природу справедливости и равенства в наше время.

Документальная литература

Лауреат
Тресси Макмиллан Коттом 0.0
Smart, humorous, and strikingly original thoughts on race, beauty, money, and more—by one of today's most intrepid public intellectuals

Tressie McMillan Cottom, the writer, professor, and acclaimed author of Lower Ed, now brilliantly shifts gears from running regression analyses on college data to unleashing another identity: a purveyor of wit, wisdom—and of course Black Twitter snark—about all that is right and much that is so very wrong about this thing we call society. In the bestselling tradition of bell hooks and Roxane Gay, McMillan Cottom’s freshman collection illuminates a particular trait of her tribe: being thick. In form, and in substance.

This bold compendium, likely to find its place on shelves alongside Lindy West, Rebecca Solnit, and Maggie Nelson, dissects everything from beauty to Obama to pumpkin spice lattes. Yet Thick will also fill a void on those very shelves: a modern black American female voice waxing poetic on self and society, serving up a healthy portion of clever prose and southern aphorisms in a style uniquely her own.

McMillan Cottom has crafted a black woman’s cultural bible, as she mines for meaning in places many of us miss and reveals precisely how—when you’re in the thick of it—the political, the social, and the personal are almost always one and the same.
Эсме Вейцзюн Ван 3.7
Книга американки китайского происхождения Эсме Вэйцзюнь Ван развеивает многочисленные мифы о шизофрении. На личном опыте писательница рассказывает о гранях психического расстройства, противоречивых диагнозах, вариантах терапии и судьбах людей, ставших жертвами душевной болезни. Обладательница неутешительного диагноза, Эсме Вэйцзюнь Ван способна смотреть на свои проблемы со стороны. Это дает ей возможность быть беспристрастным исследователем собственного недуга, а в обычной жизни делает ее высокофункциональной и эмпатичной. Драматичный опыт писательницы – положительный пример того, каких высот личного и социального развития может достичь человек с психическим расстройством при развитом интеллекте, рефлексии и самодисциплине.
Т Кира Мэдден 0.0
Acclaimed literary essayist T Kira Madden's raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.

As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.

With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It's a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
Jennine Capó Crucet 0.0
In this sharp and candid collection of essays, first-generation American Jennine Capó Crucet explores the condition of finding herself a stranger in the country where she was born.

Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Florida.

Crucet illuminates how she came to see her exclusion from aspects of the theoretical American Dream, despite her family’s attempts to fit in with white American culture—beginning with their ill-fated plan to name her after the winner of the Miss America pageant.

In prose that is both fearless and slyly humorous, My Time Among the Whites examines the sometimes hopeful, sometimes deeply flawed ways in which many Americans have learned to adapt, exist, and―in the face of all signals saying otherwise―perhaps even thrive in a country that never imagined them here.
Мира Джейкоб 4.0
A “vibrant, inventive, and vulnerable” (Bustle) graphic memoir about American identity, interracial families, and our most difficult conversations, from the acclaimed author of The Sleepwalker’s Guide to Dancing.

“By turns hilarious and heart-rending, it’s exactly the book America needs at this moment.”—Celeste Ng

“How brown is too brown?”
“Can Indians be racist?”
“What does real love between really different people look like?”

Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love.

Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions.

Praise for Good Talk

“Emphasizes the complexities of being part of an interracial family and the struggles of parenting in the present moment.”—Time

“Good Talk uses a masterful mix of pictures and words to speak on life’s most uncomfortable conversations.”—io9

“Mira Jacob just made me toss everything I thought was possible in a book-as-art-object into the garbage. Her new book changes everything.”—Kiese Laymon, New York Times bestselling author of Heavy
Bassey Ikpi 0.0
A deeply personal collection of essays exploring Nigerian-American author Bassey Ikpi’s experiences navigating Bipolar II and anxiety throughout the course of her life.

Bassey Ikpi was born in Nigeria in 1976. Four years later, she and her mother joined her father in Stillwater, Oklahoma —a move that would be anxiety ridden for any child, but especially for Bassey. Her early years in America would come to be defined by tension: an assimilation further complicated by bipolar II and anxiety that would go undiagnosed for decades.

By the time she was in her early twenties, Bassey was a spoken word artist and traveling with HBO's Russell Simmons Def Poetry Jam, channeling her experiences into art. But something wasn’t right—beneath the façade of the confident performer, Bassey’s mental health was in a precipitous decline, culminating in a breakdown that resulted in hospitalization and a diagnosis of Bipolar II.

Determined to learn from her experiences—and share them with others—Bassey became a mental health advocate and has spent the fourteen years since her diagnosis examining the ways mental health is inextricably intertwined with every facet of ourselves and our lives. Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we are—and the ways, as honest as we try to be, each of these stories can also be a lie