Вручение 2013 г.

Страна: США Дата проведения: 2013 г.

Премия Плутарха

Лауреат
Robert A. Caro 5.0
The Passage of Power follows Lyndon Johnson through both the most frustrating and most triumphant periods of his career—1958 to 1964. It is an unparalleled account of the battle between Johnson and John Kennedy for the 1960 presidential nomination, of the machinations behind Kennedy's decision to offer Johnson the vice presidency, and of Johnson’s powerlessness and humiliation in that role. With the superlative skills of a master storyteller, Caro exposes the savage animosity between Johnson and Robert Kennedy, portraying one of America’s great political feuds.
In Caro's description of the Kennedy assassination, which The New York Times called "the most riveting ever," we see the events of November 22, 1963, for the first time through Lyndon Johnson’s eyes. And we watch as his political genius enables him to grasp the reins of the presidency with total command, and, within weeks, make it wholly his own, surmounting unprecedented obstacles in order to fulfill the highest purpose of the office. It is an epic story, displaying all the narrative energy and illuminating insight that led the Times of London to acclaim The Years of Lyndon Johnson as “one of the truly great political biographies of the modern age.”
Дейдре Бэр 0.0
From National Book Award winner Deirdre Bair, the definitive biography of Saul Steinberg, one of The New Yorker's most iconic artists.

The issue date was March 29, 1976. The New Yorker cost 75 cents. And on the cover unfolded Saul Steinberg's vision of the world: New York City, the Hudson River, and then...well, it's really just a bunch of stuff you needn't concern yourself with. Steinberg's brilliant depiction of the world according to self-satisfied New Yorkers placed him squarely in the pantheon of the magazine's—and the era's—most celebrated artists.

But if you look beyond the searing wit and stunning artistry, you'll find one of the most fascinating lives of the twentieth century. Born in Romania, Steinberg was educated in Milan and was already famous for his satirical drawings when World War II forced him to immigrate to the United States. On a single day, Steinberg became a US citizen, a commissioned officer in the US Navy, and a member of the OSS, assigned to spy in China, North Africa, and Italy. After the war ended, he returned to America and to his art. He quickly gained entree into influential circles that included Saul Bellow, Vladimir Nabokov, Willem de Kooning, and Le Corbusier. His wife was the artist Hedda Sterne, from whom he separated in 1960 but never divorced and with whom he remained in daily contact for the rest of his life. This conveniently freed him up to amass a coterie of young mistresses and lovers. But his truly great love was the United States, where he traveled extensively by bus, train, and car, drawing, observing, and writing.

His body of work is staggering and influential in ways we may not yet even be able to fully grasp, quite possibly because there has not been a full-scale biography of him until now. Deirdre Bair had access to 177 boxes of documents and more than 400 drawings. In addition, she conducted several hundred personal interviews. Steinberg's curious talent for creating myths about himself did not make her job an easy one, but the result is a stunning achievement to admire and enjoy.
Лиза Коэн 0.0
A revelatory biography of three glamorous, complex, modern women

Esther Murphy was a brilliant New York intellectual who dazzled friends and strangers with an unstoppable flow of conversation. But she never finished the books she was contracted to write—a painful failure and yet a kind of achievement.

The quintessential fan, Mercedes de Acosta had intimate friendships with the legendary actresses and dancers of the twentieth century. Her ephemeral legacy is the thousands of objects she collected to preserve the memory of those performers and to document her own feelings.

An icon of haute couture and a fashion editor of British Vogue, Madge Garland held influential views on dress that drew on her feminism, her ideas about modernity, and her love of women. Existing both vividly and invisibly at the center of culture, she—like Murphy and de Acosta—is now almost completely forgotten.

In All We Know, Lisa Cohen describes these women’s glamorous choices, complicated failures, and controversial personal lives with lyricism and empathy. At once a series of intimate portraits and a startling investigation into style, celebrity, sexuality, and the genre of biography itself, All We Know explores a hidden history of modernism and pays tribute to three compelling lives.
Тимоти Иган 0.0
How a lone man's epic obsession led to one of America's greatest cultural treasures: Prize-winning writer Timothy Egan tells the riveting, cinematic story behind the most famous photographs in Native American history -- and the driven, brilliant man who made them.

Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.

An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance - ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian.

His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.
Элис Кесслер-Харрис 0.0
Lillian Hellman was a giant of twentieth-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice
Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time.

Kessler-Harris renders Hellman's feisty wit and personality in all of its contradictions: as a non-Jewish Jew, a displaced Southerner, a passionate political voice without a party, an artist immersed in commerce, a sexually free woman who scorned much of the women's movement, a loyal friend whose trust was often betrayed, and a writer of memoirs who repeatedly questioned the possibility of achieving truth and doubted her memory.

Hellman was a writer whose plays spoke the language of morality yet whose achievements foundered on accusations of mendacity. Above all else, she was a woman who made her way in a man's world. Kessler-Harris has crafted a nuanced life of Hellman, empathetic yet unsparing, that situates her in the varied contexts in which she moved, from New Orleans to Broadway to the hearing room of HUAC. A Difficut Woman is a major work of literary and intellectual history. This will be one of the most reviewed, and most acclaimed, books of 2012.
David Maraniss 0.0
From the author of First In His Class, the definitive biography of Bill Clinton, and When Pride Still Mattered, the bestselling biography of Vince Lombardi, and They Marched Into Sunlight, the classic saga of the Vietnam era—a stunning new multigenerational biography of Barack Obama.

From one of our preeminent journalists and modern historians comes the epic story of Barack Obama and the world that created him.

In Barack Obama: The Story, David Maraniss has written a deeply reported generational biography teeming with fresh insights and revealing information, a masterly narrative drawn from hundreds of interviews, including with President Obama in the Oval Office, and a trove of letters, journals, diaries, and other documents.

The book unfolds in the small towns of Kansas and the remote villages of western Kenya, following the personal struggles of Obama’s white and black ancestors through the swirl of the twentieth century. It is a roots story on a global scale, a saga of constant movement, frustration and accomplishment, strong women and weak men, hopes lost and deferred, people leaving and being left. Disparate family threads converge in the climactic chapters as Obama reaches adulthood and travels from Honolulu to Los Angeles to New York to Chicago, trying to make sense of his past, establish his own identity, and prepare for his political future.

Barack Obama: The Story chronicles as never before the forces that shaped the first black president of the United States and explains why he thinks and acts as he does. Much like the author’s classic study of Bill Clinton, First in His Class, this promises to become a seminal book that will redefine a president.
Джон Маттесон 0.0
A brilliant writer and a fiery social critic, Margaret Fuller (1810–1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley’s newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller’s longing to become ever better, reflected by the changing lives she led.
Tom Reiss 4.0

Here is the remarkable true story of the real Count of Monte Cristo – a stunning feat of historical sleuthing that brings to life the forgotten hero who inspired such classics as
The Count of Monte Cristo
and
The Three Musketeers.

The real-life protagonist of
The Black Count, General Alex Dumas, is a man almost unknown today yet with a story that is strikingly familiar, because his son, the novelist Alexandre Dumas, used it to create some of the best loved heroes of literature.

Yet, hidden behind these swashbuckling adventures was an even more incredible secret: the real hero was the son of a black slave -- who rose higher in the white world than any man of his race would before our own time.


Born in Saint-Domingue (now Haiti), Alex Dumas was briefly sold into bondage but made his way to Paris where he was schooled as a sword-fighting member of the French aristocracy. Enlisting as a private, he rose to command armies at the height of the Revolution, in an audacious campaign across Europe and the Middle East – until he met an implacable enemy he could not defeat.

The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. But it is also a heartbreaking story of the enduring bonds of love between a father and son.


Уильям Саудер 0.0
Published on the fiftieth anniversary of her seminal book, Silent Spring, here is an indelible new portrait of Rachel Carson, founder of the environmental movement.

She loved the ocean and wrote three books about its mysteries, including the international bestseller The Sea Around Us. But it was with her fourth book, Silent Spring, that this unassuming biologist transformed our relationship with the natural world.

Rachel Carson began work on Silent Spring in the late 1950s, when a dizzying array of synthetic pesticides had come into use. Leading this chemical onslaught was the insecticide DDT, whose inventor had won a Nobel Prize for its discovery. Effective against crop pests as well as insects that transmitted human diseases such as typhus and malaria, DDT had at first appeared safe. But as its use expanded, alarming reports surfaced of collateral damage to fish, birds, and other wildlife. Silent Spring was a chilling indictment of DDT and its effects, which were lasting, widespread, and lethal.Published in 1962, Silent Spring shocked the public and forced the government to take action-despite a withering attack on Carson from the chemicals industry. The book awakened the world to the heedless contamination of the environment and eventually led to the establishment of the EPA and to the banning of DDT and a host of related pesticides. By drawing frightening parallels between dangerous chemicals and the then-pervasive fallout from nuclear testing, Carson opened a fault line between the gentle ideal of conservation and the more urgent new concept of environmentalism.
Rachel L. Swarns, Rachel L. Swarns 0.0
Michelle Obama's family saga is a remarkable, quintessentially American story—a journey from slavery to the White House in five generations. Yet, until now, little has been reported on the First Lady's roots. Prodigiously researched, American Tapestry traces the complex and fascinating tale of Michelle Obama's ancestors, a history that the First Lady did not even know herself. Rachel L. Swarns, a correspondent for the New York Times, brings into focus the First Lady's black, white, and multiracial forebears, and reveals for the first time the identity of Mrs. Obama's white great-great-great-grandfather—a man who remained hidden in her lineage for more than a century.

American Tapestry illuminates the lives of the ordinary people in Mrs. Obama's family tree who fought for freedom in the Revolutionary and Civil Wars; who endured the agonies of slavery, the disappointment of Reconstruction, the displacement of the Great Migration, and the horrors of Jim Crow to build a better future for their children. Swarns even found a possible link to the Jewish Reform movement.

Though it is an intimate family history, American Tapestry is also the collective chronicle of our changing nation, a nation in which racial intermingling lingers in the bloodlines of countless citizens and slavery was the crucible through which many family lines—black, white, and Native American—were forged.

Epic in scope and beautifully rendered, this is a singularly inspiring story with resonance for us all.