NoViolet Bulawayo3.1 Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the
But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her - from Junot Diaz to Zadie Smith to J.M.Coetzee - while she tells a vivid, raw story all her own.
Митчелл С. Джексон0.0 Mitchell S. Jackson grew up black in a neglected neighborhood in America’s whitest city, Portland, Oregon. In the ’90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a break-out voice that’s nothing less than extraordinary.
The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace. Grace is just out of a drug treatment program, trying to stay clean and get her kids back. Champ is trying to do right by his mom and younger brothers, and dreams of reclaiming the only home he and his family have ever shared. But selling crack is the only sure way he knows to achieve his dream. In this world of few options and little opportunity, where love is your strength and your weakness, this family fights for family and against what tears one apart.
Honest in its portrayal, with cadences that dazzle, The Residue Years signals the arrival of a writer set to awe.
Preston L. Allen0.0 A Chicago Tribune Noteworthy Fiction Pick for 2013
"Allen’s concise book’s power lies within its understated irony, never more heavy-handed than a preacher’s admonition that 'a world without mans is a world without us all.' The plain narrative and relationship between boy and female man, rounded out with humor and occasional (sometimes literal) bite, promises to be a sleeper favorite among speculative audiences."
-- Publishers Weekly
“Allen...throws caution to the wind with his bizarre but exquisitely composed fable that uses transhumanism as the prism to reflect on the nature of humanity...It’s also intellectually curious and rather cutting in many of its conceptual and cultural assessments. It’s a world where man is not only pet, but also meat, where religion, wars and empires are just as backward as they are in our own world, and where worlds collide with a temperamental angst that is as uncomfortable as it is alluring. Much like Pierre Boulle’s 1963 novel Planet of the Apes, this novel is a sardonic parable on the nature and destiny of the species. A nimble fable whose bold narrative experiment is elevated by its near-biblical language and affectionate embrace of our inherent flaws.”
-- Kirkus Reviews
"An imaginative and honest epic, weaving together biblical stories, fantasy, poetry, and fairy tales with a touch of realism…Allen asks us to question the assumptions, -isms, and contradictions of the modern world…Recalling the humanitarian concerns of Octavia Butler’s Fledgling and the poetry of Ovid’s Metamorphosis, this book will appeal to readers of literary fiction and fantasy."
-- Library Journal
"Imaginative, versatile, and daring Allen (Jesus Boy, 2010) raids the realms of myth and fairy tales in this topsy-turvy speculative fable. …With canny improvisations on 'Jack and the Beanstalk,' the 'Epic of Gilgamesh,' and Alice in Wonderland, Allen sharpens our perceptions of class divides, racism, enslavement, and abrupt and devastating climate change to create a delectably adventurous, wily, funny, and wise cautionary parable."
-- Booklist
"There's no doubt this is an original story and one you should read."
--Book Sp(l)ot Reviews
"From this point forward, readers consulting any reference work addressing the concept of tour de force will find there a citation of Preston L. Allen's Every Boy Should Have a Man. It is one thing to devise a fable dealing so adroitly with such concepts as racism, war, religion, and the very nature of civilization itself, but Preston's true triumph is the infusion of each page and every astonishing episode with palpable emotional resonance."
--Les Standiford, author of Desperate Sons
A riveting, poignant satire of societal ills with an added dose of fantasy, Every Boy Should Have a Man takes place in a post-human world where creatures called oafs keep humanlike "mans" as beloved pets. One day, a poor boy oaf brings home a man whom he hides under his bed in the hopes his parents won't find out.
With echoes of Margaret Atwood and Jack and the Beanstalk, Jonathan Swift's Gulliver's Travels and Octavia Butler's Kindred, this is a picaresque journey into uncharted territory in earth, sky, and firmament.
Oafs and mans each gain insight and understanding into one another's worlds, and the worlds that touch theirs—ultimately showing that oafs and mans alike share a common "humanity." Filled with surprising twists and turns, the novel is in part a morality tale that takes on many of today's issues, including poverty, the environment, sexism, racism, war, and religion, all in lighthearted King James prose.
James McBride5.0 From the bestselling author of The Color of Water and Song Yet Sung comes the story of a young boy born a slave who joins John Brown’s antislavery crusade—and who must pass as a girl to survive.
Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry’s master quickly turns violent. Henry is forced to leave town—with Brown, who believes he’s a girl.
Over the ensuing months, Henry—whom Brown nicknames Little Onion—conceals his true identity as he struggles to stay alive. Eventually Little Onion finds himself with Brown at the historic raid on Harpers Ferry in 1859—one of the great catalysts for the Civil War.
An absorbing mixture of history and imagination, and told with McBride’s meticulous eye for detail and character, The Good Lord Bird is both a rousing adventure and a moving exploration of identity and survival.
Courttia Newland0.0 Beverley Cottrell had a dream life: a prestigious job, a beautiful husband and baby boy. This is stolen from her one winter afternoon when her son Malakay is kidnapped from a parked car. Despite a media campaign, a full police investigation, and the offer of a reward, Malakay is never found. Beverley’s marriage soon dissolves and her husband immigrates from England to the U.S. with a new wife.
Beverley gives up her job, sells the house, and moves from the leafy suburbs to the inner city to reside in a west London housing project. She cocoons herself in grief, growing more isolated with each passing year. After two decades she gives up any hope of finding her son. She teaches children who have been expelled from school in the local community center, bright kids thrown on society’s scrap heap.
Beverley starts to believe she has finally pieced her life together—until a young man starts appearing wherever she goes. Beverley is convinced that he’s stalking her. One dark evening the stalker gets past her security door and calls through her letterbox. He tells her not to be scared. He says that he is Malakay, her son.
The Gospel According to Cane is a novel about inner-city youth in contemporary London. It’s a meditation on pain and loss, the burden of heritage, and how the past can blur the present. It’s about trust and the perceived lack of trust, disillusion, and its consequences. A world where everyone is the victim, and no one is to blame.
Amaud Jamaul Johnson0.0 Poetry. African American Studies. DARKTOWN FOLLIES, Amaud Jamaul Johnson's daring and surprising new collection of poems, responds to Black Vaudeville, specifically the personal and professional challenges African American variety performers faced in the early twentieth century. Johnson is fascinated by jokes that aren't funny--particularly, what it means when humor fails or reveals something unintended about our national character. DARKTOWN FOLLIES is an act of self-sabotage, a poet's willful attempt at recklessness, abandoning the "good sense" God gave him, as an effort to explore the boundaries and intersections of race and humor.
Craig Steven Wilder0.0 A 2006 report commissioned by Brown University revealed that institution's complex and contested involvement in slavery-setting off a controversy that leapt from the ivory tower to make headlines across the country. But Brown's troubling past was far from unique. In Ebony and Ivy, Craig Steven Wilder, a rising star in the profession of history, lays bare uncomfortable truths about race, slavery, and the American academy.
Many of America's revered colleges and universities—from Harvard, Yale, and Princeton to Rutgers, Williams College, and UNC—were soaked in the sweat, the tears, and sometimes the blood of people of color. The earliest academies proclaimed their mission to Christianize the savages of North America, and played a key role in white conquest. Later, the slave economy and higher education grew up together, each nurturing the other. Slavery funded colleges, built campuses, and paid the wages of professors. Enslaved Americans waited on faculty and students; academic leaders aggressively courted the support of slave owners and slave traders. Significantly, as Wilder shows, our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained them.
Ebony and Ivy is a powerful and propulsive study and the first of its kind, revealing a history of oppression behind the institutions usually considered the cradle of liberal politics.
Стэнли Крауч0.0 Kansas City Lightning: The Rise and Times of Charlie Parker is the first installment in the long-awaited portrait of one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America.
Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four.
Drawing on interviews with peers, collaborators, and family members, Kansas City Lightning recreates Parker’s Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Crouch reveals an ambitious young man torn between music and drugs, between his domineering mother and his impressionable young wife, whose teenage romance with Charlie lies at the bittersweet heart of this story.
Jesmyn Ward4.5 In five years, Jesmyn Ward lost five young men in her life—to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth—and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.
