Эси Эдугян3.3 Chip told us not to go out. Said, don't you boys tempt the devil. But it been one brawl of a night, I tell you.The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black.Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled. In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...
Дана Джонсон0.0 We first met Avery in two of the stories featured in Dana Johnson’s award-winning collection Break Any Woman Down. As a young girl, she and her family escape the violent streets of Los Angeles to a more gentrified existence in suburban West Covina. This average life, filled with school, trips to 7-Eleven to gawk at Tiger Beat magazine, and family outings to Dodger Stadium, is soon interrupted by a past she cannot escape, personified in the guise of her violent cousin Keith.
When Keith moves in with her family, he triggers a series of events that will follow Avery throughout her life: to her studies at USC, to her burgeoning career as a painter and artist, and into her relationship with a wealthy Italian who sequesters her in his glass-walled house in the Hollywood Hills. The past will intrude upon Avery’s first gallery show, proving her mother’s adage: Every goodbye aint gone. The dual-narrative of Elsewhere, California illustrates the complicated history of African Americans across the rolling basin of Los Angeles.
Бернис Макфадден0.0 McFadden's last novel was a hit with book clubs, and this new novel should have an even stronger reception. McFadden has a strong appeal to African American women, while also appealing to a broader literary audience. Prominent reviews expected.
Attica Locke4.0 The American South in the twenty-first century. A plantation owned for generations by a rich family. So much history. And a dead body.
Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted.
A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.
Иветт Эдвардс0.0 Redolent of Monica Ali and Zadie Smith, Yvvette Edwards' bold debut is a searing story of family, jealousy, and tragic betrayal."He just knocked, that was all, knoced at the front door and waited, like the fourteen years since the night I'd killed my mother hadn't happened at all..."Fourteen years ago, Jinx' mother was brutally murdered in their East London home. Overwhelmed by the part she played, Jinx's whole life has been poisoned by guilt. Then, out of nowhere, Lemon arrives on her doorstep. An old friend of her mother's, he wants to revisit the events leading to that terrible night, forcing Jinx to finally confront her past, and offering her the possibility of redemption alongside the pain of remembrance. Estranged from her husband and detached from her son, Jinx knows that this is her only chance to make her confession, and end the emotional paralysis that has blighted her life. But Lemon has his own secrets to share, and over the course of one weekend they unravel an unforgettable family drama, stoked with violence and passion.Rich with voices from East London and the West Indies, Edward's narrative is delivered with a unique and uncompromsing bight that announces a new talent in British fiction.
Люсиль Клифтон0.0 "The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years."--Publishers Weekly
"All poetry readers will want to own this book; almost everything is in it."--Publishers Weekly
"If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it."—NPR
"The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--The Washington Post
"The love readers feel for Lucille Clifton—both the woman and her poetry—is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."—Toni Morrison, from the Foreword
The Collected Poems of Lucille Clifton 1965�2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965�1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize�winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career.
On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America.
"mother-tongue: to man-kind" (from the unpublished the book of days):
all that I am asking is
that you see me as something
more than a common occurrence,
more than a woman in her ordinary skin.
Fredrick C. Harris0.0 The historical significance of Barack Obama's triumph in the presidential election of 2008 scarcely requires comment. Yet it contains an irony: he won a victory as an African American only by denying that he should discuss issues that target the concerns of African Americans. Obama's very success, writes Fredrick Harris, exacted a heavy cost on black politics.
In The Price of the Ticket, Harris puts Obama's career in the context of decades of black activism, showing how his election undermined the very movement that made it possible. The path to his presidency began just before passage of the 1965 Voting Rights Act, when black leaders began to discuss strategies to make the most of their new access to the ballot. Some argued that black voters should organize into a cohesive, independent bloc to promote both targeted and universal polices; others urged a more race-neutral approach, working together with other racial minorities as well as like-minded whites. This has been the fundamental divide within black politics ever since. At first, the gap did not seem serious. But the post-civil-rights era has accelerated a shift towards race-neutral politics. Obama made a point of distancing himself from older race-conscious black leaders, such as Jesse Jackson- and leaders of the Congressional Black Caucus-even though, as Harris shows, he owes much to Jackson's earlier campaigns for the White House. Unquestionably Obama's approach won support among whites, but Harris finds the results troublesome. The social problems targeted by an earlier generation of black politicians--racial disparities in income and education, stratospheric incarceration and unemployment rates--all persist, yet Obama's election, ironically, marginalized those issues, keeping them off the political agenda. Meanwhile, the civil-rights movement's militancy to attack the vestiges of racial inequality is fading.
Written by one of America's leading scholars of race and politics, The Price of the Ticket will reshape our understanding of the rise of Barack Obama and the decline of a politics dedicated to challenging racial inequality head on.
Ashraf H. A. Rushdy0.0 After observing the varying reactions to the 1998 death of James Byrd Jr. in Texas, called a lynching by some, denied by others, Ashraf Rushdy determined that to comprehend this event he needed to understand the long history of lynching in the United States. In this meticulously researched and accessibly written interpretive history, Rushdy shows how lynching in America has endured, evolved, and changed in meaning over the course of three centuries, from its origins in early Virginia to the present day.
Rushdy argues that we can understand what lynching means in American history by examining its evolution—that is, by seeing how the practice changes in both form and meaning over the course of three centuries, by analyzing the rationales its advocates have made in its defense, and, finally, by explicating its origins. The best way of understanding what lynching has meant in different times, and for different populations, during the course of American history is by seeing both the continuities in the practice over time and the specific features in different forms of lynching in different eras.
Sara Lawrence-Lightfoot is enthralled by exits: long farewells, quick goodbyes, sudden endings, the ordinary and the extraordinary. There’s a relationship, she attests, between small goodbyes and our ability “to master and mark the larger farewells.”
In Exit, her tenth book, she explores the ways we leave one thing and move on to the next; how we anticipate, define, and reflect on our departures; our epiphanies that something is over and done with. The result is an enthusiastic, uplifting lesson about ourselves and the role of transition in our lives.
Lawrence-Lightfoot, a sociologist and a professor at the Harvard Graduate School of Education, has interviewed more than a dozen women and men in states of major change, and she paints their portraits with sympathy and insight: a gay man who finds home and wholeness after coming out; a sixteen-year-old boy forced to leave Iran in the midst of the violent civil war; a Catholic priest who leaves the church he has always been devoted to, he life he has loved, and the work that has been deeply fulfilling; an anthropologist who carefully stages her departure from he “field” after four years of research; and many more.
Too often, Lawrence-Lightfoot believes, we exalt new beginnings t the expense of learning from our goodbyes. Exit finds isdom and perspective in the possibility of moving on and marks the start of a new conversation, to help us discover how we might make our exits with purpose and dignity.
