Вручение 19 октября 2012 г.

Страна: США Место проведения: г. Вашингтон, округ Колумбия Дата проведения: 19 октября 2012 г.

Проза

Лауреат
Helen Oyeyemi 3.8
What makes a marriage? Is it the end of fairytale romance? It might be if your husband is the writer Mr Fox, who does devilish things to the heroines of his stories. His wife is unable to change his ways, but when his imaginary muse conjures herself one sunny afternoon and confronts him, things take an unexpected turn.
Тайари Джонс 4.1
Дана привыкла жить в тени своей единокровной сестры, которая даже не подозревает о ее существовании. У Шорисс всегда было то, о чем Дана могла только мечтать: полная семья, финансовая поддержка, и главное, — она не была постыдной частью тайны их отца. С самого детства Дана жила наполовину, завидуя сестре и ее идеальной жизни, пока случайная встреча не перевернула судьбы обоих девушек и не заставила взглянуть друг на друга по-новому.
Colson Whitehead 0.0
A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. The worst of the plague is now past, and Manhattan is slowly being resettled. Armed forces have successfully reclaimed the island south of Canal Street – aka ‘Zone One’ and teams of civilian volunteers are clearing out the remaining infected ‘stragglers’. Mark Spitz is a member of one of these taskforces and over three surreal days he undertakes the mundane mission of malfunctioning zombie removal, the rigours of Post-Apocalyptic Stress Disorder, and attempting to come to terms with a fallen world. But then things start to go terribly wrong…
Нуруддин Фарах 0.0
A dozen years after his last visit, Jeebleh returns to his beloved Mogadiscio to see old friends. He is accompanied by his son-in-law, Malik, a journalist intent on covering the region's ongoing turmoil. What greets them at first is not the chaos Jeebleh remembers, however, but an eerie calm enforced by ubiquitous white-robed figures bearing whips.

Meanwhile, Malik's brother, Ahl, has arrived in Puntland, the region notorious as a pirates' base. Ahl
Jesmyn Ward 4.6
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. While brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's framework yield to the final day and Hurricane Katrina, the unforgettable family at the novel's heart--motherless children sacrificing for each other as they can, protecting and nurturing where love is scarce--pulls itself up to struggle for another day. A wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bone is muscled with poetry, revelatory, and real.
Дэнзи Сенна 0.0
From the bestselling author of Caucasia, riveting, unexpected stories about identity under the influence of appearances, attachments, and longing.

Look out for Danzy Senna's latest book, New People, on sale in August!

Each of these eight remarkable stories by Danzy Senna tightrope-walks tantalizingly, sometimes frighteningly, between defined states: life with and without mates and children, the familiar if constraining reference points provided by race, class, and gender. Tensions arise between a biracial couple when their son is admitted to the private school where they'd applied on a lark. A new mother hosts an old friend, still single, and discovers how each of them pities-and envies- the other. A young woman responds to an adoptee in search of her birth mother, knowing it is not she.

Поэзия

Лауреат
Эви Шокли 0.0
Smart, grounded, and lyrical, Evie Shockley's the new black integrates powerful ideas about "blackness," past and present, through the medium of beautifully crafted verse. the new black sees our racial past inevitably shaping our contemporary moment, but struggles to remember and reckon with the impact of generational shifts: what seemed impossible to people not many years ago--for example, the election of an African American president--will have always been a part of the world of children born in the new millennium. All of the poems here, whether sonnet, mesostic, or deconstructed blues, exhibit a formal flair. They speak to the changes we have experienced as a society in the last few decades--changes that often challenge our past strategies for resisting racism and, for African Americans, ways of relating to one another. The poems embrace a formal ambiguity that echoes the uncertainty these shifts produce, while reveling in language play that enables readers to "laugh to keep from crying." They move through nostalgia, even as they insist on being alive to the present and point longingly towards possible futures.

Документальная литература

Лауреат
Томико Браун-Нагин 0.0
The Civil Rights movement that emerged in the United States after World War II was a reaction against centuries of racial discrimination. In this sweeping history of the Civil Rights movement in Atlanta--the South's largest and most economically important city--from the 1940s through 1980, Tomiko Brown-Nagin shows that the movement featured a vast array of activists and many sophisticated approaches to activism. Long before "black power" emerged and gave black dissent from the mainstream civil rights agenda a new name, African Americans in Atlanta debated the meaning of equality and the steps necessary to obtain social and economic justice.
This groundbreaking book uncovers the activism of visionaries--both well-known legal figures and unsung citizens--from across the ideological spectrum who sought something different from, or more complicated than, "integration." Local activists often played leading roles in carrying out the integrationist agenda of the NAACP, but some also pursued goals that differed markedly from those of the venerable civil rights organization. Brown-Nagin discusses debates over politics, housing, public accommodations, and schools. She documents how the bruising battle over school desegregation in the 1970s, which featured opposing camps of African Americans, had its roots in the years before Brown v. Board of Education.
Exploring the complex interplay between the local and national, between lawyers and communities, between elites and grassroots, and between middle-class and working-class African Americans, Courage to Dissent tells gripping stories about the long struggle for equality that speak to the nation's current urban crisis. This remarkable book will transform our understanding of the Civil Rights era.
Шарифа Родес-Питтс 0.0
"No geographic or racial qualification guarantees a writer her subject....Only interest, knowledge, and love will do that--all of which this book displays in abundance." (Zadie Smith, Harper's)

A finalist for the 2011 National Book Critics Circle Award in Autobiography, and a New York Times Notable Book of the Year.

For a century Harlem has been celebrated as the capital of black America, a thriving center of cultural achievement and political action. At a crucial moment in Harlem's history, as gentrification encroaches, Sharifa Rhodes-Pitts untangles the myth and meaning of Harlem's legacy. Examining the epic Harlem of official history and the personal Harlem that begins at her front door, Rhodes-Pitts introduces us to a wide variety of characters, past and present. At the heart of their stories, and her own, is the hope carried over many generations, hope that Harlem would be the ground from which blacks fully entered America's democracy.

Rhodes-Pitts is a brilliant new voice who, like other significant chroniclers of places-Joan Didion on California, or Jamaica Kincaid on Antigua-captures the very essence of her subject.
Биньяванга Вайнайна 0.0
*A New York Times Notable Book*
*A New York Times Book Review Editors' Choice*
*A Publishers Weekly Top Ten Book of the Year*

Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him. This world came to him as a chaos of loud and colorful sounds: the hair dryers at his mother's beauty parlor, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson—all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own.

In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood.

Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties.

Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.
Mark Whitaker 0.0
In a dramatic, moving work of historical reporting and personal discovery, Mark Whitaker, award-winning journalist, sets out to trace the story of what happened to his parents, a fascinating but star-crossed interracial couple, and arrives at a new understanding of the family dramas that shaped their lives—and his own.
His father, “Syl” Whitaker, was the charismatic grandson of slaves who grew up the child of black undertakers from Pittsburgh and went on to become a groundbreaking scholar of Africa. His mother, Jeanne Theis, was a shy World War II refugee from France whose father, a Huguenot pastor, helped hide thousands of Jews from the Nazis and Vichy police. They met in the mid-1950s, when he was a college student and she was his professor, and they carried on a secret romance for more than a year before marrying and having two boys. Eventually they split in a bitter divorce that was followed by decades of unhappiness as his mother coped with self-recrimination and depression while trying to raise her sons by herself, and his father spiraled into an alcoholic descent that destroyed his once meteoric career.

Based on extensive interviews and documentary research as well as his own personal recollections and insights, My Long Trip Home is a reporter’s search for the factual and emotional truth about a complicated and compelling family, a successful adult’s exploration of how he rose from a turbulent childhood to a groundbreaking career, and, ultimately, a son’s haunting meditation on the nature of love, loss, identity, and forgiveness.
Melissa V. Harris-Perry 0.0
Jezebel's sexual lasciviousness, Mammy's devotion, and Sapphire's outspoken anger—these are among the most persistent stereotypes that black women encounter in contemporary American life. Hurtful and dishonest, such representations force African American women to navigate a virtual crooked room that shames them and shapes their experiences as citizens. Many respond by assuming a mantle of strength that may convince others, and even themselves, that they do not need help. But as a result, the unique political issues of black women are often ignored and marginalized.

In this groundbreaking book, Melissa V. Harris-Perry uses multiple methods of inquiry, including literary analysis, political theory, focus groups, surveys, and experimental research, to understand more deeply black women's political and emotional responses to pervasive negative race and gender images. Not a traditional political science work concerned with office-seeking, voting, or ideology, Sister Citizen instead explores how African American women understand themselves as citizens and what they expect from political organizing. Harris-Perry shows that the shared struggle to preserve an authentic self and secure recognition as a citizen links together black women in America, from the anonymous survivors of Hurricane Katrina to the current First Lady of the United States.