"Это та редкая вещь: книга, которую вскоре после ее публикации можно без колебаний назвать шедевром. ... Нам повезло иметь такого победителя в этом году", - сказала председатель жюри Эрика Вагнер.
LATTICING one cherry pie after another, an Ohio housewife tries to bridge the gaps between reality and the torrent of meaningless info that is the United States of America. She worries about her children, her dead parents, African elephants, the bedroom rituals of “happy couples”, Weapons of Mass Destruction, and how to hatch an abandoned wood pigeon egg. Is there some trick to surviving survivalists? School shootings? Medical debts? Franks ’n’ beans?
A scorching indictment of America’s barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster, Ducks, Newburyport is a heresy, a wonder—and a revolution in the novel.
Эми Арнольд0.0 Ash collects words, climbs trees and swims in a deserted lake with her beloved seven-year-old, Charlie. Bemused by everyday life, she has a rich and singular interior world. Over the course of a relentlessly hot summer, Charlie begins to pull away, and in a desperate attempt to reconnect with her daughter Ash does something unforgivable. As the gulf between them grows, Ash’s life begins to slip out of her hold.
Winner of the 2018 Northern Book Prize, Slip of a Fish is a joyously artful and quietly devastating portrait of motherhood, loss and love, in all its kaleidoscopic complexity.
Марк Хэддон0.0 A newborn baby is the sole survivor of a terrifying plane crash.
She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world.
When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail…
So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.
Дебора Леви3.6 An electrifying novel about beauty, envy, and carelessness from Deborah Levy, author of the Booker Prize finalists Hot Milk and Swimming Home.
It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.
The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,
Весна Мейн0.0 In a world where we present our diverse selves through social media, chatbots and messaging, this dark novel listens in on intimate secrets, desires and adultery.
This novel-within-a-novel charts the writing of a story about Richard and Anna, a middle-aged professional couple, who face the biggest crisis of their twenty-five-year marriage when he admits seeing prostitutes. The text unfolds through a dialogue between Anna, the writer, and her husband, Richard, the reader.
As the story of Richard and Anna progresses, the tension between them increases and, on several occasions, they stop speaking to each other. The writer’s novel compels them to examine their own marriage.
Gradually the differences between the characters in the novel on the one hand and the reader and the writer on the other appear to diminish to the point where we begin to wonder whether the reader, like Richard, pays for sex, and whether the writer, like her female protagonist, is coping with the situation by having several lovers.
Изабель Вайднер0.0 We Are Made Of Diamond Stuff is an innovative and critically British novel, taking issue with the dream of national belonging. Set on the Isle of Wight, a small island off the south coast of England, it collides literary aesthetics with contemporary working class cultures and attitudes (B.S. Johnson and Reebok classics), works with themes of empire, embodiment and resistance, and interrogates autobiographical material including the queer migrant experience.
"Это та редкая вещь: книга, которую вскоре после ее публикации можно без колебаний назвать шедевром. ... Нам повезло иметь такого победителя в этом году", - сказала председатель жюри Эрика Вагнер.