Вручение 2014 г.

Страна: Великобритания Место проведения: город Лондон Дата проведения: 2014 г.

Премия Голдсмитс

Лауреат
Али Смит 3.9
Роман «Как быть двумя» — это две истории о любви и несправедливости, сплетенные в одну нить. Здесь время становится вечностью, знание — тайной, фантазия — правдой, а всему живому дается еще один шанс. Али Смит, один из самых блестящих мастеров британской прозы, исследует в своей книге любовь, одержимость, сексуальность и многоликий образ искусства. Ошеломляющее произведение, которое одновременно бросает вызов читателю — и вознаграждает его.
Rachel Cusk 3.9
A woman writer goes to Athens in the height of summer to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.

Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.

Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.
Пол Кингснорт 0.0
Everyone knows the date of the Battle of Hastings. Far fewer people know what happened next...Set in the three years after the Norman invasion, The Wake tells the story of a fractured band of guerilla fighters who take up arms against the invaders. Carefully hung on the known historical facts about the almost forgotten war of resistance that spread across England in the decade after 1066, it is a story of the brutal shattering of lives, a tale of lost gods and haunted visions, narrated by a man of the Lincolnshire fens bearing witness to the end of his world. Written in what the author describes as 'a shadow tongue' - a version of Old English updated so as to be understandable for the modern reader - The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster's world is to feel powerfully the sheer strangeness of the past.
J
Howard Jacobson 3.4
Set in the future, a world where the past is a dangerous country, not to be talked about or visited, J is a love story of incomparable strangeness, both tender and terrifying.

Two people fall in love, not yet knowing where they have come from or where they are going. Kevern doesn't know why his father always drew two fingers across his lips when he said a world starting with a J. It wasn't then, and isn't now, the time or place to be asking questions. Ailinn too has grown up in the dark about who she was or where she came from. On their first date Kevern kisses the bruises under her eyes. He doesn't ask who hurt her. Brutality has grown commonplace. They aren't sure if they have fallen in love of their own accord, or whether they've been pushed into each other's arms. But who would have pushed them, and why?
Зиа Хайдер Рахман 0.0
One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unravelling, receives a surprise visitor at his West London home. He struggles to place the dishevelled figure carrying a backpack, until he recognizes a friend from his student days, a brilliant man who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.

Theirs is the age-old story of the bond between two men and the betrayal of one by the other. As the friends begin to talk, and as their room becomes a world, a journey begins that is by turns exhilarating, shocking, intimate and strange. Set against the breaking of nations and beneath the clouds of economic crisis, and moving between Kabul, New York, Oxford, London and Islamabad, In the Light of What We Know tells the story of people wrestling with unshakeable legacies of class and culture, and pushes at the great questions of love, origins, science, faith and war.

In an extraordinary feat of imagination, Zia Haider Rahman has woven the seismic upheavals of our young century into a novel of rare compassion, scope, and courage.