Вручение 2013 г.

Страна: Великобритания Место проведения: город Лондон Дата проведения: 2013 г.

Премия Голдсмитс

Лауреат
Eimear McBride 0.0
Eimear McBride's debut tells, with astonishing insight and in brutal detail, the story of a young woman's relationship with her brother, and the long shadow cast by his childhood brain tumour. Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist, to read A Girl Is A Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation.

Touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity and mordant wit. A Girl is a Half-formed Thing is moving, funny - and alarming. It is a book you will never forget.
Jim Crace 3.9

SHORT-LISTED FOR THE MAN BOOKER PRIZE

On the morning after harvest, the inhabitants of a remote English village
awaken looking forward to
a hard-earned day of rest and feasting at their landowner's table. But the sky is marred by two
conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.

One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The
second column
rises from the wooded edge of the village, sent
up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the
land. It is his presence more than any other that will threaten the village's entire way of life.

In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the
wake of economic progress. His tale is timeless and unsettling,
framed by a beautifully evoked
world that will linger in your memory long after you finish reading.
David Peace 0.0
In 1959, Liverpool Football Club were in the Second Division. Liverpool Football Club had never won the FA Cup. Fifteen seasons later, Liverpool Football Club had won three League titles, two FA Cups and the UEFA Cup. Liverpool Football Club had become the most consistently successful team in England. And the most passionately supported club. Their manager was revered as a god.Destined for immortality. Their manager was Bill Shankly. His job was his life. His life was football. His football a form of socialism. Bill Shankly inspired people. Bill Shankly transformed people. The players and the supporters.His legacy would reveberate through the ages.

In 1974, Liverpool Football Club and Bill Shankly stood on the verge of even greater success. In England and in Europe. But in 1974, Bill Shankly shocked Liverpool and football. Bill Shankly resigned. Bill Shankly retired.

Red or Dead is the story of the rise of Liverpool Football Club and Bill Shankly. And the story of the retirement of Bill Shankly. Of one man and his work. And of the man after that work. A man in two halves. Home and away. Red or dead.
Lars Iyer 0.0
A wickedly funny and satisfyingly highbrow black comedy about the collapse of Western academic institutions under the weight of neoliberal economics and crushing, widespread idiocy.

Lars and W., the two preposterous philosophical anti-heroes of Spurious and Dogma—called “Uproarious” by the New York Times Book Review—return and face a political, intellectual, and economic landscape in a state of total ruination.

With philosophy professors being moved to badminton departments and gin in short supply—although not short enough—the two hapless intellectuals embark on a relentless mission. Well, several relentless missions. For one, they must help gear a guerilla philosophy movement—conducted outside the academy, perhaps under bridges—that will save the study of philosophy after the long, miserable decades of intellectual desert known as the early 21st-century.

For another, they must save themselves, perhaps by learning to play badminton after all. Gin isn’t free, you know.
Филип Терри 0.0

Taking as its starting point marginal images in the Bayeux Tapestry, which have been left largely unexplained by historians, Terry retells the story of the Norman Conquest from the point of view of the tapestry's English embroiderers. Combining magic realism and Oulipian techniques, this is a tour de force of narrative and language. Philip Terry was born in Belfast, and is currently Director of Creative Writing at the University of Essex.
Ali Smith 4.7
Artful presents, in book form, four lectures given by Ali Smith at Oxford University.

Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted - literally - by a former lover, the writer of a series of lectures about art and literature. Full of both the poignancy and humour of fiction and all the sideways insights and jaunty angles you would expect from Ali Smith's criticism, it explores form, style, life, love, death, mortality, immortality and what art and writing can mean.

Part fiction, part essay, Artful is a revelation of what writing can do and a reaffirmation of Ali Smith's unmatched literary powers.