Ari Tison0.0 Saints of the Household is a haunting contemporary YA about an act of violence in a small-town--told by a debut Indigenous Costa Rican-American writer.
Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.
But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school's star soccer player to a pulp. This act of violence threatens the brothers' dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They'll have to reach back to their Bribri roots to find their way forward.
Told in alternating points of view using vignettes and poems.
Жаклин Вудсон0.0 National Book Award winner Jacqueline Woodson brings readers a powerful story that delves deeply into life’s burning questions about time and memory and what we take with us into the future.
It seems like Sage’s whole world is on fire the summer before she starts seventh grade. As house after house burns down, her Bushwick neighborhood gets referred to as “The Matchbox” in the local newspaper. And while Sage prefers to spend her time shooting hoops with the guys, she’s also still trying to figure out her place inside the circle of girls she’s known since childhood. A group that each day, feels further and further away from her. But it’s also the summer of Freddy, a new kid who truly gets Sage. Together, they reckon with the pain of missing the things that get left behind as time moves on, savor what’s good in the present, and buoy each other up in the face of destruction. And when the future comes, it is Sage’s memories of the past that show her the way forward. Remember Us speaks to the power of both letting go . . . and holding on.
Andrea L. Rogers0.0 Tsalagi should never have to live on human blood, but sometimes things just happen to sixteen-year-old girls.
Making her YA debut, Cherokee writer Andrea L. Rogers takes her place as one of the most striking voices of the horror renaissance that has swept the last decade.
Horror fans will get their thrills in this collection – from werewolves to vampires to zombies – all the time-worn horror baddies are there. But so are predators of a distinctly American variety – the horrors of empire, of intimate partner violence, of dispossession. And so too the monsters of Rogers’ imagination, that draw upon long-told Cherokee stories – of Deer Woman, fantastical sea creatures, and more.
Following one extended Cherokee family across the centuries, from the tribe’s homelands in Georgia in the 1830s to World War I, the Vietnam War, our own present, and well into the future, each story delivers a slice of a particular time period that will leave readers longing for more.
Alongside each story, Cherokee artist and language technologist Jeff Edwards delivers haunting illustrations that incorporate Cherokee syllabary.
But don’t just take it from us – award-winning writer of The Only Good Indians and Mongrels Stephen Graham Jones says that "Andrea Rogers writes like the house is on fire and her words are the only thing that can put it out."
Man Made Monsters is a masterful, heartfelt, haunting collection ripe for crossover appeal – just don’t blame us if you start hearing things that go bump in the night.
Анджела Джой0.0 A picture book biography of the mother of Emmett Till, and how she channeled grief over her son's death into a call to action for the civil rights movement.
Mamie Till-Mobley is the mother of Emmett Till, the 14-year-old boy who was brutally murdered while visiting the South in 1955. His death became a rallying point for the civil rights movement, but few know that it was his mother who was the catalyst for bringing his name to the forefront of history.
Энджелайн Булли3.7 Триллер о девушке-подростке, которая пытается пресечь криминальный сговор и коррупцию в своей родной общине. Потрясающая атмосфера культуры племени оджибве, столкновение традиций и выбор, который придется сделать главной героине.
Юная Даунис Фонтейн влюбляется в Джейми, звезду хоккея, но чувствует, что он что-то скрывает. Все выясняется, когда Даунис становится свидетелем шокирующего убийства и ФБР втягивает ее в свое расследование. Но поиск истины заводит ее в лабиринт страшных тайн и бередит старые раны. Когда число смертей растет, а разочарование Даунис достигает предела, она должна понять, что значит быть сильной и как далеко она пойдет ради правды, даже если это разрушит ее мир.
Раджани ЛаРокка0.0 An #ownvoices novel in verse about an Indian American girl whose life is turned upside down when her mother is diagnosed with leukemia.
Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.
Then Reha finds out that her Amma is sick. Really sick.
Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.
Иби Зобой, Юсеф Салаам0.0 From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. Perfect for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo.
The story that I thought
was my life
didn’t start on the day
I was born
Amal Shahid has always been an artist and a poet. But even in a diverse art school, he’s seen as disruptive and unmotivated by a biased system. Then one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.
The story that I think
will be my life
starts today
Suddenly, at just sixteen years old, Amal’s bright future is upended: he is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?
With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth, in a system designed to strip him of both.
Виктория Джеймисон, Омар Мохамед4.5 Heartbreak and hope exist together in this remarkable graphic novel about growing up in a refugee camp, as told by a Somali refugee to the Newbery Honor-winning creator of Roller Girl.
Omar and his little brother, Hassan, arrived in Dadaab, a refugee camp in Kenya, seven years ago. Their father was killed the day they left home, and they haven't seen their mother since they joined their neighbors who were fleeing to Dadaab. Now Omar is eleven and Hassan is nine, and Omar has quit school to look after his brother, who has an intellectual disability.
When Omar is given the opportunity to return to school and carve out a future for himself and Hassan, he feels torn. He loves school and could have the opportunity to earn a coveted scholarship to a North American university--and with it a visa for himself and Hassan. But is it worth the risk and heartache of leaving his vulnerable brother for hours each day?
Told in Victoria Jamieson's engaging and accessible graphic-novel style and based on Omar Mohamed's gripping true story, this book is an intimate, important look at day-to-day life in a refugee camp.
Марико Тамаки4.0 Лора Дин, самая популярная девчонка в школе, была мечтой Фредерики Райли, ведь она очаровательна, уверена в себе и красива. Но оказалось, что Лора совсем не лучший партнер. Она подшучивает и обманывает, пропадает или вдруг решает, что пора расстаться... А потом снова появляется, как будто ничего не случилось.
Пытаясь угнаться за этим бесконечным циклом расставаний и возвращений, Фредди совершенно в них увязает. Пока внезапно не обнаруживает себя совершенно разбитой и разрушенной.
Фредди должна решить: оставаться в отношениях, где любимый человек то манит к себе, то отталкивает, тонуть в них, цепляясь за минуты счастья, или сделать первый шаг к тому, чтобы жить настоящей жизнью, а не придуманной. И это не так-то просто, ведь Лора Дин продолжает возвращаться.
Падма Венкатраман5.0 When Viji and her sister, Rukku, whose developmental disability makes her overly trusting and vulnerable to the perils of the world, run away to live on their own, the situation could not be more grim. Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.
Элизабет Асеведо4.3 Уникальный роман в стихах об обретении собственного голоса.
Главной героине Сиомаре Батисте, имя которой переводится как «та, что готова к войне», почти 16 лет. С рождения ей говорят: «С тобой ох как непросто». Сиомара из патриархальной доминиканской семьи, что накладывает глубокий отпечаток на ее воспитании и взаимоотношениях с родителями. «Поэт Икс» — книга, написанная как поэтический дневник Сиомары. Перелистывая страницы, мы будто погружаемся в трудный, противоречивый, саднящий мир девушки-подростка, которая мучительно ищет собственный голос. И находит его, несмотря на скепсис друзей, непонимание родителей и кризис веры.
В тонкой современной лирике раскрыты проблемы, волнующие современных девушек, — от объективизации среди сверстников мужского пола до непонимания в семье и разочарования в традиционных установках.
Джуэлл Паркер Роудс3.5 Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.
Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions.
Джейсон Рейнольдс3.6 Брат Уилла погиб в перестрелке между уличными бандами, и парнишке прекрасно известно, что делать дальше — следовать Правилам:
Не плакать.
Не доносить.
И всегда отомстить.
Все, что осталось, это войти в лифт, спуститься и расправиться с убийцей.
Но… двери лифта снова и снова открываются. И на каждом этаже в кабину входят люди, которых Уилл отлично знал и… которые давно уже мертвы.
Отец. Дядя. Лучший друг. Его первая любовь.
Призраки прошлого. Призраки улиц. Призраки Уилла.
Каждый из них готов рассказать свою историю и помочь Уиллу сделать правильный выбор.
Кэрол Бостон Уэзерфорд0.0 Where is our historian to give us our side, Arturo asked, to teach our people our own history?
Amid the scholars, poets, authors, and artists of the Harlem Renaissance stood an Afro-Puerto Rican man named Arturo Schomburg. His life's passion was to collect books, letters, music, and art from Africa and the African diaspora in order to bring to light the achievements of people of African descent. When his collection became so large that it threatened to overflow his house, he turned to the New York Public Library.
At the time, the collection, with Schomburg as curator, was the cornerstone of a new Division of Negro History, Literature and Prints. A century later, it is the Schomburg Center for Research in Black Culture—and a beacon for scholars all over the world.
In luminous paintings and arresting poems, two of children's literature's foremost African-American scholars track the journey of Arturo Schomburg and his quest to correct and expand the historical record for generations to come.
Джон Роберт Льюис, Нейт Пауэлл, Эндрю Айдин0.0 Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy. Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today's world.
Well, no, actually, a lady tripping over Rashad at the store, making him drop a bag of chips, was what started it all. Because it didn’t matter what Rashad said next—that it was an accident, that he wasn’t stealing—the cop just kept pounding him. Over and over, pummeling him into the pavement. So then Rashad, an ROTC kid with mad art skills, was absent again…and again…stuck in a hospital room. Why? Because it looked like he was stealing. And he was a black kid in baggy clothes. So he must have been stealing.
And that’s how it started.
And that’s what Quinn, a white kid, saw. He saw his best friend’s older brother beating the daylights out of a classmate. At first Quinn doesn’t tell a soul…He’s not even sure he understands it. And does it matter? The whole thing was caught on camera, anyway. But when the school—and nation—start to divide on what happens, blame spreads like wildfire fed by ugly words like “racism” and “police brutality.” Quinn realizes he’s got to understand it, because, bystander or not, he’s a part of history. He just has to figure out what side of history that will be.
Rashad and Quinn—one black, one white, both American—face the unspeakable truth that racism and prejudice didn’t die after the civil rights movement. There’s a future at stake, a future where no one else will have to be absent because of police brutality. They just have to risk everything to change the world.
