Вручение 13 марта 2013 г.

Премия за 2012 год.

Страна: США Место проведения: город Нью-Йорк, Университет Новой школы Дата проведения: 13 марта 2013 г.

Лучший сборник рассказов года

Лауреат
Джордж Сондерс 3.1
Новая книга от мастера рассказа Джорджа Сондерса — одного из самых оригинальных и важных писателей своего поколения. Честные и цепляющие истории о людях, которые нас окружают, задают важные вопросы о самой сущности нашего бытия — что делает нас добрыми и что делает нас человечными? Любовь, отчаяние, война, работа, секс и сознание — Сондерс с уникальной энергией описывает основы нашей реальности. Смешные, странные и в чем-то даже чеховские, эти рассказы не только раскрывают необъяснимое, но и открывают дверь к человеческому сердцу.
Андреа Барретт 0.0
Winner of the National Book Award for her collection of stories Ship Fever, Andrea Barrett has become one of our most admired and beloved writers. In this magnificent new book, she unfolds five pivotal moments in the lives of her characters and in the history of knowledge.

During the summer of 1908, twelve-year-old Constantine Boyd is witness to an explosion of home-spun investigation—from experiments with cave-dwelling fish without eyes to scientifically bred crops to motorized bicycles and the flight of an early aeroplane. In 1920, a popular science writer and young widow tries, immediately after the bloodbath of the First World War, to explain the new theory of relativity to an audience (herself included) desperate to believe in an “ether of space” housing spirits of the dead. Half a century earlier, in 1873, a famous biologist struggles to maintain his sense of the hierarchies of nature as Darwin’s new theory of evolution threatens to make him ridiculous in the eyes of a precocious student. The twentieth-century realms of science and war collide in the last two stories, as developments in genetics and X-ray technology that had once held so much promise fail to protect humans—among them, a young American soldier, Constantine Boyd, sent to Archangel, Russia, in 1919—from the failures of governments and from the brutality of war.

In these brilliant fictions rich with fact, Barrett explores the thrill and sense of loss that come with scientific progress and the personal passions and impersonal politics that shape all human knowledge.
Rebecca Lee 0.0
Rebecca Lee, one of our most gifted and original short story writers, guides readers into a range of landscapes, both foreign and domestic, crafting stories as rich as novels. A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

За историю в центре внимания

Лауреат
Ben Stroud 0.0
Winner of the Bakeless Prize for Fiction, an imaginative debut that ranges from Havana to Berlin.

Ancient cities and fallen empires come to life in this masterful collection. In the Byzantine court, a noble with a crippled hand is called upon to ensure that a holy man poses no threat to the throne. On an island in Lake Michigan, a religious community crumbles after an ardent convert digs a little too deep. And the black detective Jackson Hieronymus Burke rises to fame and falls from favor in two stories that recount his origins in Havana and the height of his success in Kaiser Wilhelm’s Germany. Ben Stroud’s historical reimaginings twist together with contemporary stories to reveal startling truths about human nature across the centuries. In his able hands, Byzantium makes us believe that these are accounts we haven’t heard yet. As the chronicler of Burke’s exploits muses, “After all, where does history exist, except in our imagination? Does that make it any less true?”