Вручение июль 2022 г.

Страна: Австралия Место проведения: город Канберра, съезд литературных исследований Дата проведения: июль 2022 г.

Золотая медаль Австралийского литературного общества

Лауреат
Энди Джексон 0.0
A ground-breaking insight into the experience of disability, from a distinguished poet who has lived with Marfan Syndrome, including severe spinal curvature, and whose poems give voice to those who are often treated as ‘other’ or alien.

The poems are visceral and intimate, they comfort and discomfort at the same time – empathy for the other seems to falter, only to expand and deepen.

The poems in Human Looking speak with the voices of the disabled and the disfigured, in ways which are confronting, but also illuminating and tender. They speak of surgical interventions, and of the different kinds of disability which they seek to ‘correct’. They range widely, finding figures to identify with in mythology and history, art and photography, poetry and fiction. A number of poems deal with unsettling extremes of embodiment, and with violence against disabled people. Others emerge out of everyday life, and the effects of illness, pain and prejudice. The strength of the speaking voice is remarkable, as is its capacity for empathy and love. ‘I, this wonderful catastrophe’, the poet has Mary Shelley’s monstrous figure declare. The use of unusual and disjunctive – or ‘deformed’ – poetic forms, adds to the emotional impact of the poems.
Эмили Битто 0.0
A breathtaking new novel from the Stella Prize-winning author of The Strays.

In spring of 2011, a young Australian man travels to the USA.

It is a quest of sorts, a quest as old as narrative itself: a young man striking out from home in search of experience and culture, which he associates with that talismanic word, America.

Beginning in the excessive, uncanny-familiar glamour and plenitude of New York City, Will crashes with expat chef and former nemesis Paul, and his girlfriend Justine, a rising star in the art scene. From here, he embarks on a doomed road trip into the American heartland, where he meets Wayne Gage. This charismatic, fast-living and deeply damaged Vietnam veteran, collector of exotic animals and would-be spirit guide, draws Will towards the dark conclusion of his journey.

Wild Abandon is a headlong tumble through the falling world of end-days capitalism, a haunting, hyperreal snapshot of our own strange times and what it means to be a tourist, or indeed a human, within them.
John Kinsella 0.0
'The tall trees nearby called them up and red-tailed black cockatoos carried messages to them that they told no one else about.'

Pushing Back is John Kinsella's most haunting and timely fiction to date. It is populated with eccentric, compelling characters, drifters, unlikely friendships, the silences of dissolving relationships, haunted dwellings and lonely highways, the ghosts of cleared bushland and the threats of right-wing nationalists and senseless destruction.

A couple make love in an abandoned asbestos house, a desperate carpet cleaner beholden to the gig economy begs a financially distressed client not to cancel his booking, an addict cannot bear to see his partner without the watch he once gave her, a mother casts her shearer son's ashes on the property on which he worked, fascists pile into a little red car with the intent of terrorising tourists on the Nullarbor, a man more at home with machinery than people rescues a drowning kitten.

Yet throughout this assured distillation of contemporary Australian life, empathy rises like the red- tailed black cockatoos that appear and reappear, nature coalescing with the human spirit, the animals, the trees, the land, the people pushing back. These stories are at once disturbing, tender and hopeful.
С. Дж. Норман 0.0
Visual and performance artist, and winner of the inaugural Kill Your Darlings Manuscript Award, SJ Norman turns their hand to fiction with spectacular results.

This brilliant collection of short fiction explores the shifting spaces of desire, loss and longing. Inverting and queering the gothic and romantic traditions, each story represents a different take on the concept of a haunting or the haunted. Though it ranges across themes and locations - from small-town Australia to Hokkaido to rural England - Permafrost is united by the power of the narratorial voice, with its auto-fictional resonances, dark wit and swagger.

Whether recounting the confusion of a child trying to decipher their father and stepmother's new relationship, the surrealness of an after-hours tour of Auschwitz, or a journey to wintry Japan to reconnect with a former lover, Permafrost unsettles, transports and impresses in equal measure.
Эльфи Шиосаки 0.0
Homecoming pieces together fragments of stories about four generations of Noongar women and explores how they navigated the changing landscapes of colonisation, protectionism, and assimilation to hold their families together.
This seminal collection of poetry, prose and historical colonial archives, tells First Nations truths of unending love for children—those that were present, those taken, those hidden and those that ultimately stood in the light.
Homecoming speaks to the intergenerational dialogue about Country, kin and culture. This elegant and extraordinary form of restorative story work amplifies Aboriginal women’s voices, and enables four generations of women to speak for themselves. This sublime debut highlights the tenacity of family as well as First Nation’s agency to resist, survive and renew.

Elfie Shiosaki has restored humanity and power to her family in this beautifully articulated collection and has given voice to those silenced by our brutal past.
Мария Таколандер 0.0
From award-winning and highly acclaimed author and poet Maria Takolander comes her most impressive and personal poetry collection yet. Trigger Warning is not for the fainthearted, but neither are the elemental realities of domestic violence and environmental catastrophe that these astonishing poems address. Comprised of three sections, the first summons a difficult personal history by conversing with poets—from Sylvia Plath to Anne Carson— whose dramatised confessions trigger Takolander’s own. The second part remains focused on the domestic, while redeeming that scene of trauma through a reinventing wit. The final section of this extraordinary book turns its attention outside, playing with poetry itself in order to confront the Anthropocene and the final frontier of death. This is poetry that balances ruthlessness and lyrical beauty; poetry alive to its time and audience; poetry not to be missed.