Хишам Матар4.0 WINNER OF THE PULITZER PRIZE - The acclaimed memoir about fathers and sons, a legacy of loss, and, ultimately, healing--one of The New York Times Book Review's ten best books of the year, winner of the PEN/Jean Stein Book Award, and a finalist for the National Book Critics Circle Award
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, The New York Times - The Washington Post - The Guardian - Financial Times
When Hisham Matar was a nineteen-year-old university student in England, his father went missing under mysterious circumstances. Hisham would never see him again, but he never gave up hope that his father might still be alive. Twenty-two years later, he returned to his native Libya in search of the truth behind his father's disappearance. The Return is the story of what he found there.
The Pulitzer Prize citation hailed The Return as "a first-person elegy for home and father." Transforming his personal quest for answers into a brilliantly told universal tale of hope and resilience, Matar has given us an unforgettable work with a powerful human question at its core: How does one go on living in the face of unthinkable loss?
Praise for The Return
"A tale of mighty love, loyalty and courage. It simply must be read."--The Spectator (U.K.)
"Wise and agonizing and thrilling to read."--Zadie Smith
"[An] eloquent memoir . . . at once a suspenseful detective story about a writer investigating his father's fate . . . and a son's efforts to come to terms with his father's ghost, who has haunted more than half his life by his absence."--Michiko Kakutani, The New York Times
"This outstanding book . . . roves back and forth in time with a freedom that conceals the intricate precision of its art."--The Wall Street Journal
"Truly remarkable . . . a book with a profound faith in the consolations of storytelling . . . a testament to [Matar's] father, his family and his country."--The Daily Telegraph (U.K.)
"The Return is a riveting book about love and hope, but it is also a moving meditation on grief and loss. . . . Likely to become a classic."--Colm Toibin
"Matar's evocative writing and his early traumas call to mind Vladimir Nabokov." --The Washington Post
"Utterly riveting."--The Boston Globe
"A moving, unflinching memoir of a family torn apart."--Kazuo Ishiguro, The Guardian
"Beautiful . . . The Return, for all the questions it cannot answer, leaves a deep emotional imprint."--Newsday
"A masterful memoir, a searing meditation on loss, exile, grief, guilt, belonging, and above all, family. It is, as well, a study of the shaping--and breaking--of the bonds between fathers and sons. . . . This is writing of the highest quality."--The Sunday Times (U.K.)
Лора Камминг0.0 From one of the world’s most expert art critics, the incredible true story—part art history and part mystery—of a Velázquez portrait that went missing and the obsessed nineteenth-century bookseller determined to prove he had found it.
When John Snare, a nineteenth-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young—too young to be king—and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible—but what?
His research brought him to Diego Velazquez, whose long-lost portrait of Prince Charles has eluded art experts for generations. Velázquez (1599–1660) was the official painter of the Madrid court, during the time the Spanish Empire teetered on the edge of collapse. When Prince Charles of England—a man wealthy enough to help turn Spain’s fortunes—ventured to the court to propose a marriage with a Spanish princess, he allowed just a few hours to sit for his portrait. Snare believed only Velázquez could have met this challenge. But in making his theory public, Snare was ostracized, victim to aristocrats and critics who accused him of fraud, and forced to choose, like Velázquez himself, between art and family.
A thrilling investigation into the complex meaning of authenticity and the unshakable determination that drives both artists and collectors of their work, The Vanishing Velázquez travels from extravagant Spanish courts in the 1700s to the gritty courtrooms and auction houses of nineteenth-century London and New York. But it is above all a tale of mystery and detection, of tragic mishaps and mistaken identities, of class, politics, snobbery, crime, and almost farcical accident. It is a magnificently crafted page-turner, a testimony to how and why great works of art can affect us to the point of obsession.
China Mieville3.2 For readers of George Saunders, Kelly Link, and Karen Russell, This Census-Taker is the poignant and uncanny new novella from award-winning and bestselling author China Miéville.
After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?
К. Э. Морган0.0 Hellsmouth, a wilful thoroughbred filly, has the legacy of a family riding on her.
The Forges: one of the oldest and proudest families in Kentucky; descended from the first settlers to brave the Wilderness Road; as mythic as the history of the South itself – and now, first-time horse breeders.
Through an act of naked ambition, Henry Forge is attempting to blaze this new path on the family's crop farm. His daughter, Henrietta, becomes his partner in the endeavour but has desires of her own. When Allmon Shaughnessy, an African American man fresh from prison, comes to work in the stables, the ugliness of the farm's history rears its head. Together through sheer will, the three stubbornly try to create a new future – one that isn't determined by Kentucky's bloody past – while they mould Hellsmouth into a champion.
The Sport of Kings has the force of an epic. A majestic story of speed and hunger, racism and justice, this novel is an astonishment from start to finish.
Maggie Nelson4.2 An intrepid voyage out to the frontiers of the latest thinking about love, language, and family
Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.
Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.
Francis Spufford0.0 New York, a small town on the tip of Manhattan Island, 1746.
One rainy evening in November, a handsome young stranger fresh off the boat pitches up at a counting-house door in Golden Hill Street: this is Mr. Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.
Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?
As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.
This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.
Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.
Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.
Madeleine Thien4.0 Madeleine Thien's new novel is breathtaking in scope and ambition even as it is hauntingly intimate. With the ease and skill of a master storyteller, Thien takes us inside an extended family in China, showing us the lives of two successive generations--those who lived through Mao's Cultural Revolution in the mid-twentieth century; and the children of the survivors, who became the students protesting in Tiananmen Square in 1989, in one of the most important political moments of the past century. With exquisite writing sharpened by a surprising vein of wit and sly humour, Thien has crafted unforgettable characters who are by turns flinty and headstrong, dreamy and tender, foolish and wise.
At the centre of this epic tale, as capacious and mysterious as life itself, are enigmatic Sparrow, a genius composer who wishes desperately to create music yet can find truth only in silence; his mother and aunt, Big Mother Knife and Swirl, survivors with captivating singing voices and an unbreakable bond; Sparrow's ethereal cousin Zhuli, daughter of Swirl and storyteller Wen the Dreamer, who as a child witnesses the denunciation of her parents and as a young woman becomes the target of denunciations herself; and headstrong, talented Kai, best friend of Sparrow and Zhuli, and a determinedly successful musician who is a virtuoso at masking his true self until the day he can hide no longer. Here, too, is Kai's daughter, the ever-questioning mathematician Marie, who pieces together the tale of her fractured family in present-day Vancouver, seeking a fragile meaning in the layers of their collective story.
With maturity and sophistication, humour and beauty, a huge heart and impressive understanding, Thien has crafted a novel that is at once beautifully intimate and grandly political, rooted in the details of daily life inside China, yet transcendent in its universality.
Робин Ясин-Кассаб, Лейла Аль-Шами5.0 In 2011, many Syrians took to the streets of Damascus to demand the overthrow of the government of Bashar al-Assad. Today, much of Syria has become a warzone and many worry that the country is on the brink of collapse.
Burning Country explores the complicated reality of life in present-day Syria with unprecedented detail and sophistication, drawing on new first-hand testimonies from opposition fighters, exiles lost in an archipelago of refugee camps, and courageous human rights activists. Yassin-Kassab and Al-Shami expertly interweave these stories with an incisive analysis of the militarization of the uprising, the rise of the Islamists and sectarian warfare, and the role of Syria’s government in exacerbating the brutalization of the conflict. Through these accounts and a broad range of secondary source material, the authors persuasively argue that the international community has failed in its stated commitments to support the Syrian opposition movements.
Covering ISIS and Islamism, regional geopolitics, new grassroots revolutionary organizations, and the worst refugee crisis since World War Two, Burning Country is a vivid and groundbreaking look at a modern-day political and humanitarian nightmare.
