Вручение 2011 г.

Страна: Великобритания Место проведения: город Эдинбург, Шотландия Дата проведения: 2011 г.

Художественное произведение

Лауреат
Пэджетт Пауэл 0.0
The cult hit The Interrogative Mood—a Best Book of the Year selection by Amazon.com, GQ, The Believer, Time OutNew York, and elsewhere—reminded readers that Padgett Powell is one of the enduring stars of American fiction, an electric novelist with a pitch-perfect ear for the way Americans talk and the strange things we say and believe. Now he returns with a hilarious Southern send-up of Samuel Beckett's classic Waiting for Godot, and we enter the world of the sublime and trivial as only Powell can envision it.

Two loquacious men sit talking on a porch. Funny and profound, daft and cogent, they argue about love and sex, how best to live and die, the merits of Miles Davis and Cadillacs and Hollywood starlets of yore, underused clichés, false truisms, and the meaning of nihilism. Together, they shoot the shit—and then they go on shooting it long after it's dead.

Ribald and roaring, You & Me is an exuberant and very funny novel from a master of American fiction at the top of his game.
Ali Smith 4.3
At a dinner party in the posh London suburb of Greenwich, Miles Garth suddenly leaves the table midway through the meal, locks himself in an upstairs room, and refuses to leave. An eclectic group of neighbors and friends slowly gathers around the house, and the story of Miles is one told from the points of view of four of them: a woman in her forties called Anna, a man in his sixties called Mark, a woman in her eighties called May, and a ten-year-old child called Brooke. The thing is... none of these people knows Miles anything more than glancingly. So how much is it possible to know about a stranger? And what are the consequences of even the most casual, most fleeting meetings we have every day with other human beings?
Brilliantly audacious, disarmingly playful, full of Smith's trademark wit and puns, There But For The is a deft exploration of the human need for separation - from our pasts and from one another - and the redemptive possibilities for connections.
Белинда Маккеон 5.0
Belinda McKeon’s Solace is an extraordinarily accomplished first novel—a story of a father and son thrown together by tragedy; one clinging to the old country and one plunging into the new. Set in an Ireland that catapulted into wealth at the end of the twentieth century and then suffered a swift economic decline, this is a novel about the conflicting values of the old and young generations and the stubborn, heartbreaking habits that mute the language of love.

Tom and Mark Casey are a father and son on a collision course, two men who have always struggled to be at ease with each other. Tom is a farmer in the Irish midlands, the descendant of men who have farmed the same land for generations. Mark, his only son, is a doctoral student in Dublin, writing his dissertation on the nineteenth-century novelist Maria Edgeworth, who spent her life on her family’s estate, not far from the Casey farm. To his father, who needs help baling the hay and ploughing the fields, Mark’s academic pursuit is not man’s work at all, the occupation of a schoolboy. Mark’s mother negotiates a fragile peace.

Then, at a party in Dublin, Mark meets Joanne Lynch, a lawyer in training whom he finds irresistible. She also happens to be the daughter of a man who once spectacularly wronged Mark’s father, and whose betrayal Tom has remembered every single day for twenty years.

After the lightning strike of devastating loss, Tom and Mark are left with grief neither can share or fully acknowledge. Not even the magnitude of their mutual loss can alter the habit of silence. Solace is a beautiful and moving novel by one of the most exciting new writers to emerge from Ireland.
A.D. Miller 3.6
A.D. Miller's Snowdrops is a riveting psychological drama that unfolds over the course of one Moscow winter, as a thirty-something Englishman's moral compass is spun by the seductive opportunities revealed to him by a new Russia: a land of hedonism and desperation, corruption and kindness, magical dachas and debauched nightclubs; a place where secrets - and corpses- come to light only when the deep snows start to thaw...

A chilling story of love and moral freefall: of the corruption, by a corrupt society, of a corruptible man. It is taut, intense and has a momentum as irresistible to the reader as the moral danger that first enchants, then threatens to overwhelm, its narrator.

Биографическое сочинение

Лауреат
Фиона Маккарти 0.0
From the prize winning author of William Morris comes a new biography of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones' work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso. In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged. With new research and fresh historical perspective, THE LAST PRE-RAPHAELITE tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man.
Сьюзи Харрис 0.0
The definitive biography, based on exclusive access to diaries and personal papers, as well as the archive of Pevsner's landmark series, The Buildings of England

Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, Nikolaus Pevsner was a dedicated scholar who pursued a promising career as an academic in Dresden and Göttingen.When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England (first published 1951 – 74) is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a central figure in the architectural consensus that accompanied post-war reconstruction; as a 'general practitioner' of architectural history, he covered an astonishing range, from Gothic cathedrals and Georgian coffee houses to the Festival of Britain and Brutalist tower blocks. Susie Harries explores the truth about Nikolaus Pevsner's reported sympathies with elements of Nazi ideology, his internment in England as an enemy alien and his sometimes painful assimilation into his country of exile. His Heftchen—secret diaries he kept from the age of 14 for another 60 years—reveal hidden aspirations and anxieties, as do his numerous letters (he wrote to his wife, Lola, every day that they were apart). Harries is the first biographer to have read Pevsner's private papers and, through them, to have seen into the workings of his mind. Her definitive biography is not only rich in context and far-ranging, but is also brought to life by quotations from Pevsner himself. He was born a Jew but converted to Lutheranism; trained in the rigour of German scholarship, he became an Everyman in his copious commissions, publications, broadcasts and lectures on art, architecture, design, education, town planning, social housing, conservation, Mannerism, the Bauhaus, the Victorians, Zeitgeist, Englishness, and how a nation's character may, or must, be reflected in its art. His life—as an outsider yet an insider at the heart of English art history—illuminates both the predicament and the prowess of the continental émigrés who did so much to shape British culture after 1945.
Мэннинг Марабл 0.0
Constantly rewriting his own story, Malcolm X became a criminal, a minister, a leader, and eventually an icon, assassinated at the age of 39. The details of his life have long since calcified into a familiar narrative: his early years as a vagabond in Boston and New York, his conversion to Islam and subsequent rise to prominence as a militant advocate for black rights, his acrimonious split with the Nation of Islam, and ultimately his violent death at their hands. Yet this story, told and retold to various ends by writers, historians, and filmmakers, captures only a snapshot, a fraction of the man in full.

Manning Marable's new biography is a stunning achievement, filled with new information and shocking revelations that will reframe the way we understand his life and work. Malcolm X unfolds a sweeping story of the darkest days of racial unrest, from the rise of the Ku Klux Klan to the struggles of the civil rights movement, examining his engagement with the Nation of Islam, and the romantic relationships whose energy alternately drained him and pushed him to unimagined heights.

Malcolm X will stand as the definitive work on one of the most iconic figures of the twentieth century, a man who constantly strove, in the great American tradition, to remake himself anew.
Иан Дональдсон 0.0
Ben Jonson was the greatest of Shakespeare's contemporaries. His fame rests not only on the numerous plays he had written, but on his achievements over three decades as principal masque-writer to the early Stuart court, where he had worked in creative, if at times stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he was--in fact if not in title--the first Poet Laureate in England.
Ian Donaldson's new biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time. Donaldson depicts a life full of drama. Jonson's early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary--and very nearly permanent--standstill. He was "almost at the gallows" for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again, and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. Throughout this lively biography, Donaldson provides the fullest picture available of Jonson's personal, political, spiritual, and intellectual interests, and he insightfully discusses all of Jonson's major poetry and drama, plus some newly discovered works.
Jonson emerges from this study as a more complex and volatile character than previously depicted, and as a writer whose work strikingly foresees the modern age.