Берил Бейнбридж3.7 Действие романа "Мастер Джорджи" происходит в Англии середины прошлого столетия и завершается на полях Крымской войны 1853-1856 гг., куда ход событий заносит четырех англичан. Война, изображенная во всей своей бесчеловечности, служит фоном для главного: в своем знаменитом прихотливо-выверенном стиле Бейнбридж рассказывает о странностях любви, жестокости судьбы, верности и благородстве.
Magnus Mills4.5 Once upon a time in Scotland, there were three men who built high-tension fences, the kind that keep animals in and humans out—or maybe the other way around. Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.
Giles Foden0.0 Shortly after his arrival in Uganda, Scottish doctor Nicholas Garrigan is called to the scene of a bizarre accident: Idi Amin, careening down a dirt road in his red Maserati, has run over a cow. When Garrigan tends to Amin, the dictator, in his obsession for all things Scottish, appoints him as his personal physician. And so begins a fateful dalliance with the central African leader whose Emperor Jones-style autocracy would transform into a reign of terror.
In The Last King of Scotland Foden's Amin is as ridiculous as he is abhorrent: a grown man who must be burped like an infant, a self-proclaimed cannibalist who, at the end of his 8 years in power, would be responsible for 300,000 deaths. And as Garrigan awakens to his patient's baroque barbarism--and his own complicity in it--we enter a venturesome meditation on conscience, charisma, and the slow corruption of the human heart. Brilliantly written, comic and profound, The Last King of Scotland announces a major new talent.
Sebastian Faulks3.0 In 1942, Charlotte Gray, a young scottish woman, goes to Occupied France on a dual mission - officially, to run an apparently simple errand for a British special operations group and unofficially, to search for her lover, an English airman who has gone missing in action. In the small town of Lavaurette, Sebastian Faulks presents a microcosm of France and its agony in 'the black years'. Here is the full range of collaboration, from the tacit to the enthusiastic, as well as examples of extraordinary courage and altruism. Through the local resistance chief Julien, Charlotte meets his father, a Jewish painter whose inspiration has failed him.
In a series of shocking narrative climaxes in which the full extent of French collusion in the Nazi holocaust is delineated, Faulks brings the story to a resolution of redemptive love. In the delicacy of its writing, the intimacy of its characterisation and its powerful narrative scenes of harrowing public events, Charlotte Gray is a worthy successor to Birdsong.
Peter Ackroyd0.0 I should like to express my obligation and gratitude to the editors of the Complete Works of St. Thomas More, as well as to the Yale University Press, which has published the fourteen volumes of that enterprise. Theirs is a magisterial work of scholarship, and although many of the writings are available elsewhere the Yale edition has become the indispensable companion to More studies. The other major work, in this context, is The Correspondence of Sir Thomas More, edited by E.F.Rogers and published by Princeton University Press. I also wish to express my thanks to the institutions and libraries that have harboured me over the last three years, in particular to the North Library of the British Library and to the London Library. I would like to thank Dr David Starkey for his suggestive advice. I must register a more private debt to my assistants, Thomas Wright and Carl Dennison.
