Вручение 1997 г.

Страна: Великобритания Место проведения: город Эдинбург, Шотландия Дата проведения: 1997 г.

Художественное произведение

Лауреат
Andrew Miller 3.6
At the dawn of the Enlightenment, James Dyer is born unable to feel pain. A source of wonder and scientific curiosity as a child, he rises through the ranks of Georgian society to become a brilliant surgeon. Yet as a human being he fails, for he can no more feel love and compassion than pain.
Peter Carey 3.4
The year is 1837 and ex-convict Jack Maggs has returned illegally to London from Australia. Installing himself in the household of a genteel grocer, he attracts the attention of a cross-section of society. Saucy Mercy Larkin wants him for a mate. Writer Tobias Oates wants to possess his soul through hypnosis. Maggs, a figure both frightening and mysteriously compelling, is so in thrall to the notion of a gentlemanly class that he's risked his life to come back to his torturers. His task is to shed his false consciousness and understand that his true destiny lies in Australia.
Bernard MacLaverty 2.5
Returning to Belfast after a long absense, to attend her father's funeral. Catherine McKenna - a young composer - remembers exactly why she left: the claustrophobic intimacies of the Catholic enclave, her fastidious, nagging mother, and the pervading tensions of a city at war with itself. She remembers a more innocent time, when the Loyalists Lambeg drums sounded mysterious and exciting; she remembers her shattered relationship with the drunken, violent Dave, she remembers the child she had with him, waiting back in Glasgow. This is a novel, about coming to terms with the past and the healing power of music, "Grace Notes" is a master story-teller's triumphant return to the long form: a powerful lyrical novel of great distinction.
Фред Д’Агюяр 0.0
Inspired by a true story, this suspenseful and deeply moving novel chronicles an incident of courage and rebellion that took place aboard a disease-riddled slave ship returning from Africa. It was called Zong, and when disease threatens to infect all aboard, the ship's captain orders his crew to seize the sick men, women, and children and throw them into the sea. But one female slave, Mintah, survives drowning and secretly climbs back onto the ship. From her hiding place, she attempts to rouse the remaining captives to rebel against the killings, becoming a dangerous force on the ship -- a force which is reckoned with in a shocking court case. Powerful and poetic, Feeding the Ghosts is an unforgettable testimony to the struggle against oblivion and a reminder about history overlooked and truth distorted.

Биографическое сочинение

Лауреат
Роберт Фицрой Фостер 0.0
In the first authorized biography of W.B. Yeats for over fifty years, Roy Foster sheds new light on one of the most complex and fascinating lives of the late nineteenth and early twentieth century. Working from a great archive of personal and contemporary material, he dramatically alters traditional perceptions to illuminate the poet's family history, relationships, politics and art. From a childhood inheritance of déclassé Irish Protestantism with strong nationalist sympathies, and an exceptional and talented family background, the narrative charts Yeats's development into an original and outstanding poet. It ends in his fiftieth year with the controversies and disillusionment affecting his personal and public life at the time of the First World War. A bohemian life of uncertain finances, love-affairs, avant-garde friends and experiments with drugs and occultism prefaces his attempt to unite politics with high culture and his creation of an Irish national theatre. Constantly shifting between Dublin, Coole Park and London, with forays to America and Paris, ruthlessly constructing a public life as well as a creative reputation, Yeats's genius attracted admirers and enemies with equal passion. His story intersects with those of an engrossing cast of characters including Lady Gregory, J. M. Synge, George Moore, `AE', Ezra Pound and above all Maud Gonne - an influence eternally re-created `like the phoenix', affecting almost everything he did. The search for supernatural wisdom forms a constant thread, traced through Yeats's occult notebooks and closely related to the insecurities of his personal life. The Apprentice Mage charts the growth of a poet's mind and of an astonishing personality, both of which were instrumental in the formation of a new and radicalized Irish nationalist identity.