Книги

"Anyone will tell you the born of this world are marked from the get-out, win or lose."

Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.

Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

"Anyone will tell you the born of this world are marked from the get-out, win or lose."

Set in the mountains of southern Appalachia, this is the story of a boy born to a…

Critic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.

Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick's creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick's best friend and neighbor and a fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered some of the fascinating contributors to the Review, among them Susan Sontag, Robert Lowell, and Mary McCarthy. Yet the intellectual and artistic freedom that Pinckney observed on West Sixty-seventh Street could conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history.

Pinckney's education in Hardwick's orbit took place in the context of the cultural movements then sweeping New York. In addition, through his peers and former classmates--such as Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin--Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life at the same time as he was discovering the sexual freedom brought by gay liberation. It was his time for hope.

In Come Back in September, Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration--in the way she worked, her artistry, the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.

Critic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York…

Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel.

Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations. A deft, high-wire act, full of imprecise yet sharp dialog as well as witchy sleights of hand reminiscent of Muriel Spark, A Shock delivers a knockout punch of an ending.

Perhaps Ridgway’s most breathtaking quality is his scintillating stealthiness: you can never quite put your finger on how he casts his spell—he delivers the shock of a master jewel thief (already far-off and scot-free) stealing your watch: when at some point you look down at your wrist, all you see is that in more than one way you don’t know what time it is…

Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel.

Formed as a rondel of interlocking stories with a clutch of more…

Finding the Raga is more than a book that tries to make sense of Indian classical music and of how Indian music challenges Western notions of what music might be. It is a work of self-inquiry, as might be expected from Amit Chaudhuri, a musician who is also a novelist; a novelist who is also a critic and essayist; a trained and recorded performer in the Indian classical vocal tradition who was also, once, a guitarist and songwriter in the American folk-music style and is now a composer and recorded performer of experimental music. Each one of these undertakings and selves signifies turns at different points in his life, and each turn and change of direction brings a fresh perspective on music, writing, and what it means to take on and do these things. No category—Indian, Western—is a given in this book. Partly a record of one of the most important turns in the author’s life, toward North Indian music, and of its long aftermath, Finding the Raga is also part autobiography set in 1970s Bombay, part essay, and part detailed analysis of how we might grasp the conceptual underpinnings as well as the experience of music. It explores the different ways in which music relates to the world—whether it’s through representation or evocation, as in Western music, or through the raga being sung at different times of day and in different seasons, as in Indian music—and also tries to understand what the act of listening involves for individuals and cultures.

Finding the Raga is more than a book that tries to make sense of Indian classical music and of how Indian music challenges Western notions of what music might be. It is a work of…

Solitary Mathilda has long been enamored with the ‘Bright Young Things’ of the 20s, and throughout her life, her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?

From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda’s journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.

Solitary Mathilda has long been enamored with the ‘Bright Young Things’ of the 20s, and throughout her life, her attempts at reinvention have mirrored their extravagance and…

A true original. In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

A true original. In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers…

LATTICING one cherry pie after another, an Ohio housewife tries to bridge the gaps between reality and the torrent of meaningless info that is the United States of America. She worries about her children, her dead parents, African elephants, the bedroom rituals of “happy couples”, Weapons of Mass Destruction, and how to hatch an abandoned wood pigeon egg. Is there some trick to surviving survivalists? School shootings? Medical debts? Franks ’n’ beans?

A scorching indictment of America’s barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster, Ducks, Newburyport is a heresy, a wonder—and a revolution in the novel.

It’s also very, very funny.

LATTICING one cherry pie after another, an Ohio housewife tries to bridge the gaps between reality and the torrent of meaningless info that is the United States of America. She…

"A truly remarkable book about identity, image and memory. It is fiercely compelling" EDMUND DE WAAL, author of The Hare with the Amber Eyes

A poet's memoir of his mother that flows backwards through time, and through a tumultuous period of European history - a tender and yet unsparing autobiographical journey.

In July 1975, George Szirtes' mother, Magda, died in an ambulance, on her way to hospital after attempting to take her own life. She was fifty-one years old. This memoir is an attempt to make sense of what came before, to re-construct who Magda Szirtes really was. The Photographer at Sixteen moves from her death, spooling backwards through her years as a mother, through sickness and exile in England, the family's flight from Hungary in 1956, her time in two concentration camps, her girlhood as an ambitious photographer and her vanished family in Transylvania.

The woman who emerges, fleetingly, fragmentarily - with her absolutism, her contradictions, her beauty - is utterly captivating. What were the terrors and obsessions that drove her? The Photographer at Sixteen reveals a life that is at Magda Szirtes from the depths of the end to the comparable safety of the photographer's studio where she first appears as a small child. It is a book born of curiosity, guilt and love.

"A truly remarkable book about identity, image and memory. It is fiercely compelling" EDMUND DE WAAL, author of The Hare with the Amber Eyes

A poet's memoir of his mother that…

Kathy is a writer. Kathy is getting married. It’s the summer of 2017 and the whole world is falling apart.

Olivia Laing radically rewires the novel in a brilliant, funny and emphatically raw account of love in the apocalypse. A Goodbye to Berlin for the twenty-first century, Crudo charts in real time what it was like to live and love in the horrifying summer of 2017, from the perspective of a commitment-phobic peripatetic artist who may or may not be Kathy Acker.

From a Tuscan hotel for the super-rich to a Brexit-paralysed UK, Kathy spends the first summer of her forties trying to adjust to making a lifelong commitment as Trump is tweeting the world into nuclear war. But it’s not only Kathy who’s changing. Political, social and natural landscapes are all in peril. Fascism is on the rise, truth is dead and the planet is hotting up. Is it really worth learning to love when the end of the world is nigh? And how do you make art, let alone a life, when one rogue tweet could end it all?

Kathy is a writer. Kathy is getting married. It’s the summer of 2017 and the whole world is falling apart.

Olivia Laing radically rewires the novel in a brilliant, funny and…

Taking its cue from the arrest and legally enforced chemical castration of the mathematician Alan Turing, Murmur is the account of a man who responds to intolerable physical and mental stress with love, honour and a rigorous, unsentimental curiosity about the ways in which we perceive ourselves and the world. Formally audacious, daring in its intellectual inquiry and unwaveringly humane, Will Eaves’s new novel is a rare achievement.

Taking its cue from the arrest and legally enforced chemical castration of the mathematician Alan Turing, Murmur is the account of a man who responds to intolerable physical and…

'A stunning debut' Guardian It seemed, at times, an act of profound selfishness, to have a child so that I might become a parent; but selfish, too, to have a child and stay the same, or not to have one - unless the only honest choice would have been to try to become this kinder version of myself without the need to bring another into it . . . In Sight a woman recounts her progress to motherhood, while remembering the death of her own mother, and the childhood summers she spent with her psychoanalyst grandmother. Woven among these personal recollections are significant events in medical history: Wilhelm Rontgen's discovery of the X-ray and his production of an image of his wife's hand; Sigmund Freud's development of psychoanalysis and the work that he did with his daughter, Anna; John Hunter's attempts to set surgery on a scientific footing and his work, as a collaborator with his brother William and the artist Jan van Rymsdyk, on the anatomy of pregnant bodies. What emerges is the realisation that while the search for understanding might not lead us to an absolute truth, it is an end in itself. Wonderfully intelligent, brilliantly written and deeply moving, Sight is a novel about how we see others, and how we might know ourselves.

'A stunning debut' Guardian It seemed, at times, an act of profound selfishness, to have a child so that I might become a parent; but selfish, too, to have a child and stay the…

Longlisted for the National Book Award for Fiction

Calling to mind the best works of Paul Beatty and Junot Díaz, this collection of moving, timely, and darkly funny stories examines the concept of black identity in this so-called post-racial era.

A stunning new talent in literary fiction, Nafissa Thompson-Spires grapples with black identity and the contemporary middle class in these compelling, boundary-pushing vignettes.

Each captivating story plunges headfirst into the lives of new, utterly original characters. Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture.

Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

Longlisted for the National Book Award for Fiction

Calling to mind the best works of Paul Beatty and Junot Díaz, this collection of moving, timely, and darkly funny stories…

‘It has always seemed to me that what I write about is humanity in extremis, pushed to the unendurable, and that it is important to tell people what really happens in wars.’ Marie Colvin, 2001

Marie Colvin was glamorous, hard-drinking, braver than the boys, with a troubled and rackety personal life. With fierce compassion and honesty, she reported from the most dangerous places in the world, fractured by conflict and genocide, going in further and staying longer than anyone else. In Sri Lanka in 2001, Marie was hit by a grenade and lost the sight in her left eye - resulting in her trademark eye patch - and in 2012 she was killed in Syria. Like her hero, the legendary reporter Martha Gellhorn, she sought to bear witness to the horrifying truths of war, to write ‘the first draft of history’ and crucially to shine a light on the suffering of ordinary people.

Written by fellow foreign correspondent Lindsey Hilsum, this is the story of the most daring war reporter of her age. Drawing on unpublished diaries and notebooks, and interviews with Marie’s friends, family and colleagues, In Extremis is the story of our turbulent age, and the life of a woman who defied convention.

‘It has always seemed to me that what I write about is humanity in extremis, pushed to the unendurable, and that it is important to tell people what really happens in wars.’ Marie…

'My book of the year. It's personal, historical, political, and it speaks to where we are now. This is the book I've been waiting for - for years' Benjamin Zephaniah
'A potent combination of autobiography and political history which holds up a mirror to contemporary Britain' Independent
'A history lesson of the kind you should get in school, but don't' Stylist
'Powerful ... The kind of disruptive, aggressive intellect that a new generation is closely watching' Afua Hirsch, Guardian
'Part biography, part polemic, this powerful, wide-ranging study picks apart the British myth of meritocracy' David Olusoga, Guardian
'Inspiring' Madani Younis, Observer


A searing modern polemic and Sunday Times bestseller from the BAFTA- and MOBO-award-winning musician and political commentator, Akala.

From the first time he was stopped and searched as a child, to the day he realised his mum was white, to his first encounters with racist teachers - race and class have shaped Akala's life and outlook. In this unique book he takes his own experiences and widens them out to look at the social, historical and political factors that have left us where we are today.

Covering everything from the police, education and identity to politics, sexual objectification and the far right, Natives will speak directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain's racialised empire.

'My book of the year. It's personal, historical, political, and it speaks to where we are now. This is the book I've been waiting for - for years' Benjamin Zephaniah
'A potent…

‘Absolutely fascinating. She writes with admirable honesty… It is a book I know I shall read again’ Ruth Hogan, author of The Keeper of Lost Things

'This extraordinary, beautiful memoir gripped me from the first page... it moved me profoundly' Clover Stroud, author of The Wild Other

Only after her mother’s death does Susannah Walker discover how much of a hoarder she had become. Over the following months, she has to sort through a dilapidated house filled to the brim with rubbish and treasures, in search of a woman she'd never really known or understood in life. This is her last chance to piece together her mother’s story and make sense of their troubled relationship. What emerges from the mess of scattered papers, discarded photographs and an extraordinary amount of stuff is the history of a sad and fractured family, haunted by dead children, divorce and alcohol.

The Life of Stuff is a deeply personal memoir about mourning and the shoring up of possessions against the losses and griefs of life, which also raises universal questions about what makes us the people we are. What do our possessions say about us? Why do we project such meaning onto them? And what painful circumstances turn someone who loves their home and the stuff it contains into an incurable hoarder who ends their days in squalor?

‘Absolutely fascinating. She writes with admirable honesty… It is a book I know I shall read again’ Ruth Hogan, author of The Keeper of Lost Things

'This extraordinary,…

Created in 1539, the Biblioteca Colombina in Sevilla contains over 3000 books. This is but a fraction of one man’s life spent collecting every book on every subject – including antique and modern worlds, science and law, as well as playing cards, pornography, and popular music.

Who was Hernando Columbus and how did he achieve this?

Set to the backdrop of Christopher Columbus’ paradigm-defining explorations of the New World and beyond, and cutting across events of the Renaissance and Reformation, this book follows Hernando Columbus’ bibliomania and curation of the first ever library of its kind.

Created in 1539, the Biblioteca Colombina in Sevilla contains over 3000 books. This is but a fraction of one man’s life spent collecting every book on every subject – including…

This debut collection from Eley Williams centres upon the difficulties of communication and the way in which one’s thoughts — absurd, encompassing, oblique — may never be fully communicable and yet can overwhelm.

Attrib. and other stories celebrates the tricksiness of language just as it confronts its limits. Correspondingly, the stories are littered with the physical ephemera of language: dictionaries, dog-eared pages, bookmarks and old coffee stains on older books. This is writing that centres on the weird, tender intricacies of the everyday where characters vie to 'own' their words, tell tall tales and attempt to define their worlds.

With affectionate, irreverent and playful prose, the inability to communicate exactly what we mean dominates this bold debut collection from one of Britain’s most original new writers.

This debut collection from Eley Williams centres upon the difficulties of communication and the way in which one’s thoughts — absurd, encompassing, oblique — may never be fully…

From “one of Britain’s most original young writers” (The Observer), a blistering account of a marriage in crisis and a portrait of a woman caught between withdrawal and self-assertion, depression and rage.

Neve, the novel’s acutely intelligent narrator, is beset by financial anxiety and isolation, but can’t quite manage to extricate herself from her volatile partner, Edwyn. Told with emotional remove and bracing clarity, First Love is an account of the relationship between two catastrophically ill-suited people walking a precarious line between relative calm and explosive confrontation.

From “one of Britain’s most original young writers” (The Observer), a blistering account of a marriage in crisis and a portrait of a woman caught between withdrawal and…

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war. Telling her story is her nephew, Benjamin Chestnut, born during war – part of the Miraculous Generation – now an old man confronting the dark secret of his past, his family’s role in the conflict and, in particular, that of his aunt, a woman who saved his life while destroying untold others.

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater,…

New Yorkers Carter and Seth chop up old music to make it new again, ripping off black culture to line white pockets. They are young, hungry and talented. But one day they stumble on an old blues song - an undiscovered gem just waiting to be found - and land themselves in a heap of trouble.

Seeking answers, Seth travels deep into the heart of the old South, accompanied by Carter's bewitching sister Leonie. But this is America, where ghosts lie uneasy in shallow graves and tugging one loose thread can unravel a bloody history of injustice. And the closer Seth gets to the haunting truth, the more he feels pursued . . .

White Tears is a nail-biting ride through the terrifying spectre of America's past. It's about black lives and white privilege and the music that runs through the country's veins like blood.

New Yorkers Carter and Seth chop up old music to make it new again, ripping off black culture to line white pockets. They are young, hungry and talented. But one day they stumble…

She made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.

Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her.

For Pablo Picasso, she was the object of sexual fantasy. “If they knew what I had done in my dreams with your royal ladies” he confided to a friend, “they would take me to the Tower of London and chop off my head!”

Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding.

In her 1950’s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman.

The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.

Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma’am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

She made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.

Andy Warhol photographed her. Jack Nicholson offered…

A family story of exceptional power and universal relevance - about loss, about carrying on, and about recovering a brother's life and death.

Life changes in an instant.

On a family summer holiday in Cornwall in 1978, Nicholas and his brother Richard are jumping in the waves. Suddenly, Nicholas is out of his depth. He isn’t, and then he is. He drowns.

Richard and his other brothers don’t attend the funeral, and incredibly the family return immediately to the same cottage – to complete the holiday, to carry on. They soon stop speaking of the catastrophe. Their epic act of collective denial writes Nicky out of the family memory.

Nearly forty years later, Richard Beard is haunted by the missing grief of his childhood but doesn’t know the date of the accident or the name of the beach. So he sets out on a pain-staking investigation to rebuild Nicky’s life, and ultimately to recreate the precise events on the day of the accident. Who was Nicky? Why did the family react as they did? And what actually happened?

The Day That Went Missing is a heart-rending story as intensely personal as any tragedy and as universal as loss. It is about how we make sense of what is gone. Most of all, it is an unforgettable act of recovery for a brother.

A family story of exceptional power and universal relevance - about loss, about carrying on, and about recovering a brother's life and death.

Life changes in an instant.

On…

He was the wittiest, the prettiest, the strongest, the bravest, and, of course, the greatest (as he told us himself). Muhammad Ali was one of the twentieth century’s most fantastic figures and arguably the most famous man on the planet.

But until now, he has never been the subject of a complete, unauthorized biography. Jonathan Eig, hailed by Ken Burns as one of America’s master storytellers, radically reshapes our understanding of the complicated man who was Ali. Eig had access to all the key people in Ali’s life, including his three surviving wives and his managers. He conducted more than 500 interviews and uncovered thousands of pages of previously unreleased FBI and Justice Department files, as well dozens of hours of newly discovered audiotaped interviews from the 1960s. Collectively, they tell Ali’s story like never before—the story of a man who was flawed and uncertain and brave beyond belief.

“I am America,” he once declared. “I am the part you won’t recognize. But get used to me—black, confident, cocky; my name, not yours; my religion, not yours; my goals, my own. Get used to me.”

He was born Cassius Clay in racially segregated Louisville, Kentucky, the son of a sign painter and a housekeeper. He went on to become a heavyweight boxer with a dazzling mix of power and speed, a warrior for racial pride, a comedian, a preacher, a poet, a draft resister, an actor, and a lover. Millions hated him when he changed his religion, changed his name, and refused to fight in the Vietnam War. He fought his way back, winning hearts, but at great cost. Like so many boxers, he stayed too long.

Jonathan Eig’s Ali reveals Ali in the complexity he deserves, shedding important new light on his politics, religion, personal life, and neurological condition. Ali is a story about America, about race, about a brutal sport, and about a courageous man who shook up the world.

He was the wittiest, the prettiest, the strongest, the bravest, and, of course, the greatest (as he told us himself). Muhammad Ali was one of the twentieth century’s most…

A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today

Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world.

Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals.

In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—"The Secret Agent", "Lord Jim", "Heart of Darkness", and "Nostromo". Genre-bending, intellectually thrilling, and deeply humane, "The Dawn Watch" embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.

A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today…

Based on the true story of her great uncle and freedom fighter Dinesh Gupta, Lions and Tigers is the new play by leading playwright Tanika Gupta. This dramatically relevant and authentic story is set against the backdrop of negotiations between the leaders of the Indian National Congress; the future Prime Minister Nehru wavers between his respect for Gandhi’s non-violence and his admiration for the youthful fervour of the militant Bengali nationalist, Subhas Chandra Bose.
Lions and Tigers charts Dinesh Gupta’s emotional and political awakening as this extraordinary 19 year old pits himself against the British Raj. Culminating in actions that shook the foundations of the British Empire, Lions and Tigers challenges our assumptions about Indian independence and offers new insights into the battles between the British lions and the Bengal tigers.

The letters by Nehru, Gandhi and Bose mentioned throughout the play are also taken verbatim from their original correspondence.

Based on the true story of her great uncle and freedom fighter Dinesh Gupta, Lions and Tigers is the new play by leading playwright Tanika Gupta. This dramatically relevant and…