Mara Menzies0.0 A moving and powerful work of fiction exploring racism and colonialism.
Empowered by a box of stories and myths, a parting gift from her dying mother, Jeda embarks on an incredible journey. As she learns about her African ancestry, she discovers the pain and persecution suffered by her ancestors at the hands of the empire builders and oppressors, but she also finds pride, love and sacrifice. Through tales of tragedy, wonder and magic, she finds the strength to overcome the shadows that engulf her own life and climb towards the light.
Дэвид Олстен0.0 Scots were involved in every stage of the slave trade: from captaining slaving ships to auctioning captured Africans in the colonies and hunting down those who escaped from bondage. This book focuses on the Scottish Highlanders who engaged in or benefitted from these crimes against humanity in the Caribbean Islands and Guyana, some reluctantly but many with enthusiasm and without remorse. Their voices are clearly heard in the archives, while in the same sources their victims' stories are silenced - reduced to numbers and listed as property.
David Alston gives voice not only to these Scots but to enslaved Africans and their descendants - to those who reclaimed their freedom, to free women of colour, to the Black Caribs of St Vincent, to house servants, and to children of mixed race who found themselves in the increasingly racist society of Britain in the mid-1800s.
As Scots recover and grapple with their past, this vital history lays bare the enormous wealth generated in the Highlands by slavery and emancipation compensation schemes. This legacy, entwined with so many of our contemporary institutions, must be reckoned with.
Клэр Эскью0.0 Claire Askew’s electrifying second collection is an investigation of power: the power of oppressive systems and their hold over those within them; the power of resilience; the power of the human heart. It licks flame across the imagination, and rewrites narratives of human desire. It is a collection for anyone who has ever run through their life ‘backwards/ in the dark,/ with no map’ – these bright poems illuminate the way. How to burn a woman throngs with witches, outsiders, and women who do not fit the ordinary moulds of the world. It is a collection which traces historic atrocities, and celebrates the lives of those accused of witchcraft with empathy, tenderness and rage. It lifts a mirror up to contemporary systems of oppression and, in language that is both vivid and accessible, asks hard questions of our current world. These poems also delve deep into love in all its forms: from infatuations to the bitter ending of relationships. They ask what it is we want, how we might go about getting it, and what its cost might be. How to burn a woman sweeps the world up in its arms and presents it: a rough bonfire of London buses, Salem streets, Edinburgh closes. Askew’s astute, incisive language lifts from every page, throwing sparks. "In this book of spells, Askew stirs together smart, modern poems about whisky, heartbreak and male-female relationships with a darker sequence about our “foremothers” who were persecuted as witches. How to burn a woman is full of hard-won wisdom and beauty. The vibe is Kim Addonizio joins a coven."—Clare Pollard
Уилл МакФейл3.5 Nick, a young illustrator, can't connect with people. Whether it's the barista down the street, his own family or Wren, an oncologist whose life becomes painfully tangled with his, Nick can't shake the feeling that there is some hidden realm of human interaction beyond his reach. He staggers through meaningless conversations and haunts lookalike, vacuous coffee shops in the hope that he will find it there. But it isn't until Nick learns to stop performing an
Ely Percy0.0 'Duck Feet' is a coming-of-age novel, set in the mid-noughties in Renfrew and Paisley, Scotland. Dive in and follow the lives of 12-year-old Kirsty Campbell and her friends as they navigate life from first to sixth year at Renfrew Grammar school.
This book is a celebration of working-class life and youth in an ever-changing world. It uses humour to tackle hard-hitting subjects such as drugs, bullying, sexuality, and teenage pregnancy. But moreover, it is a relatable and accessible portrait of figuring out who you are, plunging into the currents of life, and most of all, finding hope.
'Relatable, quirky, and sometimes heart-wrenching, this story paints an authentic portrait of growing up working class in Scotland.'
Peter Ross4.0 Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths?
All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.
So push open the rusting gate, push back the ivy, and take a look inside...
Ian Armit, Lindsey Büster0.0 The Sculptor's Cave is one of the most enigmatic prehistoric sites in Britain. Excavated in the 1920s and 1970s, new analysis of the archive has revealed a complex history of funerary and ritual activity from the Late Bronze Age to the Roman Iron Age. Using innovative methods and new techniques, this volume re-examines the results of earlier excavations and places the site in its wider British and European context.
Maria Hayward0.0 A brilliant book revealing the complex messages that Stuart fashion conveyed about individual rulers’ personalities, and about kingship more broadly
This is the first detailed analysis of elite men’s clothing in 17th-century Scotland and its influence on English male fashion. Focusing on the years 1566 through 1701, it centers on the clothing choices of five Stuart royals: James VI and I, Prince Henry, Charles I, Charles II, and James VII and II.
The engaging text brims with details about the wardrobes and habits of Scottish royalty, such as how the men selected fabric and kept clothes clean. The book is organized along three themes: the significance of the Stuarts’ Scottish heritage in the style they developed; the role of Scots in exporting their style to London and beyond; and the reception of Stuart style among the male elite in Scotland.
Maria Hayward explores how Stuart style was displayed in sport, at political and social events, and at church. The book also reveals the importance of vital supporting players—namely, the courtiers who helped kings and princes develop their style, as well as the tailors who disseminated it to men beyond the royal court.
Daisy Lafarge0.0 When Louis Pasteur observed the process of fermentation, he noted that, while most organisms perished from lack of oxygen, some were able to thrive 'life without air'. In this capricious dreamlike collection, characters and scenes traverse states of airlessness, from suffocating relationships and institutions, to toxic environments and ecstatic asphyxiations.
Both compassionate and ecologically nuanced, this innovative collection bridges poetry and prose to interrogate the conditions necessary for survival.
Daisy Lafarge was born in Hastings and studied at the University of Edinburgh. Her debut novel, Paul, is forthcoming from Granta Books. She has published two pamphlets of poetry: understudies for air (Sad Press, 2017) and capriccio (SPAM Press, 2019), and her visual work has been exhibited in galleries such as Tate St. Ives and Talbot Rice Gallery. She has received an Eric Gregory Award and a Betty Trask Award, and was runner-up in the 2018 Edwin Morgan Poetry Award. Daisy is currently working on - a book about infection and intimacy - for a practice-based PhD at the University of Glasgow. Life Without Air is her first collection of poetry.
R.M. Murray0.0 R.M. Murray has a story. Quite a few of them. Of seasickness, hangovers, the wrong kind of weather. Of the joy of woe, and disappointments fairy-lit with hope. From fishing in the endless rain on the Isle of Lewis to performing in a band with Peter Capaldi and Craig Ferguson at Glasgow School of Art. A stargazer, looking through the wrong end of the telescope.
This is a memoir... of sorts. A join-the-dots journey through a life. A series of vignettes and minor personal fables, sardonic and self-deprecating. If it were a wine it would be very dry with an insolent nose and a desperate finish. Complex but approachable.
Юэн Моррисон0.0 Nina X has never been outside. She has never met another child.
Nina X has no books, no toys and no privacy.
Nina X has no idea what the outside world is like.
Nina X has a lot to learn.
Nina X has no mother and no father; she has Comrade Chen, and Comrades Uma, Jeni and Ruth. Her closest emotional connection is with the birds she sees when she removes the plasterboard that covers her bedroom window. Comrade Chen has named her The Project; she is being raised entirely separated from the false gods of capitalism and the cult of the self. He has her record everything in her journal, to track her thoughts. To keep her ideology pure, her words are erased, over and over again. But that was before. Now Nina is in Freedom, and all the rules have changed. She has to remember that everything is opposite to what she was told, and yet Freedom seems to be a very confusing and dangerous place.
Melanie Reid0.0 On Good Friday, 2010 Melanie Reid fell from her horse, breaking her neck and fracturing her lower back. She was 52.
Paralysed from the top of her chest down, she was to spend almost a full year in hospital, determinedly working towards gaining as much movement in her limbs as possible, and learning to navigate her way through a world that had previously been invisible to her.
As a journalist Melanie had always turned to words and now, on a spinal ward peopled by an extraordinary array of individuals who were similarly at sea, she decided that writing would be her life-line. The World I Fell Out Of is an account of that year, and of those that followed. It is the untold ‘back story’ behind Melanie’s award-winning ‘Spinal Column’ in The Times Magazine and a testament to ‘the art of getting on with it’.
Unflinchingly honest and beautifully observed, this is a memoir about the joy – and the risks – of riding horses, the complicated nature of heroism, the bonds of family and the comfort of strangers.
Above all, The World I Fell Out Of is a reminder that at any moment the life we know can be turned upside down – and a plea to start appreciating what we have while we have it.
Kirstie Blair0.0 This volume reassesses working-class poetry and poetics in Victorian Britain, using Scotland as a focus and with particular attention to the role of the popular press in fostering and disseminating working-class verse cultures. It studies a very wide variety of writers who are unknown to scholarship, and assesses the political, social, and cultural work which their poetry performed.
During the Victorian period, Scotland underwent unprecedented changes in terms of industrialization, the rise of the city, migration, and emigration. This study shows how poets who defined themselves as part of a specifically Scottish tradition responded to these changes. It substantially revises our understanding of Scottish literature in this period, while contributing to wider investigations of the role of popular verse in national and international cultures.
Norman Reid0.0 Presiding over an age of relative peace and prosperity, Alexander III represented the zenith of Scottish medieval kingship. The events which followed his early and unexpected death plunged Scotland into turmoil, and into a period of warfare and internal decline which almost brought about the demise of the Scottish state.
This study fills a serious gap in the historiography of medieval Scotland. For many decades, even centuries, Scotland's medieval kingship has been regarded as a close likeness of the English monarchy, having been 'modernised' in that image by the twelfth- and thirteenth-century kings, who had close relationships with their southern counterparts. Recent research has cast doubt on that view, and this examination of Alexander III's reign is based on a view of Scottish kingship which depends on much firmer continuity with its earlier, Celtic past. It challenges accepted truth, revealing that the nature of state and government, and the relationships between ruler and subject, were quite different from the previous 'received view'.
On the cusp of a dynastic catastrophe which led to economic and political disaster, Alexander III's reign captures a snapshot of Scotland at the end of a period of sustained peace and development: a view of the medieval state as it really was.
Janette Ayachi0.0 Janette Ayachi’s debut succeeds in expanding the field of what contemporary Scottish Poetry can say. Tender poems about motherhood sit next to reflections on Ayachi’s Scottish and Algerian roots while desire is treated with a frankness that is as intriguing as it is irresistible.
Clare Hunter0.0 A history of sewing and embroidery, told through the stories of the men and women, over centuries and across continents, who have used the language of sewing to make their voices heard, even in the most desperate of circumstances.
From the political storytelling of the Bayeux tapestry's anonymous embroiderers and Mary, Queen of Scots' treasonous stitching, to the sewing of First World War soldiers suffering from PTSD and the banner-makers at Greenham Common, Threads of Life stretches from medieval France to 1980s America, from a Second World War POW camp in Singapore to a family attic in Scotland. It is as much about identity, protest, memory and politics as craft and artistry.
In an eloquent blend of history and memoir with a unique understanding of craft, Clare Hunter's Threads of Life is an evocative and moving book about the need we all have to tell our story.
Лейла Абулела0.0 From one of our finest contemporary writers whose work has been praised by J.M. Coetzee, Ali Smith and Aminatta Forna, Leila Aboulela's Elsewhere, Home offers us a rich tableau of life as an immigrant abroad, attempting to navigate the conflicts of assimilation and difference in an unfamiliar world.
A young woman's encounter with a former classmate elicits painful reminders of her former life in Khartoum. A wealthy Sudanese student in Aberdeen begins an unlikely friendship with a Scottish man. A woman experiences an evolving relationship to her favourite writer, whose portrait of their shared culture both reflects and conflicts with her own sense of identity.
Shuttling between the dusty, sun-baked streets of Khartoum and the university halls and cramped apartments of Aberdeen and London, Elsewhere, Home explores, with subtlety and restraint, the profound feelings of yearning, loss and alienation that come with leaving one's homeland in pursuit of a different life.
Сью Блэк4.2 Что происходит с человеческим телом после смерти? Почему люди рассказывают друг другу истории об оживших мертвецах? Как можно распорядиться своими останками?
Рождение и смерть – две константы нашей жизни, которых никому пока не удалось избежать. Однако со смертью мы предпочитаем сталкиваться пореже, раз уж у нас есть такая возможность. Что же заставило автора выбрать профессию, неразрывно связанную с ней?
Tom Mole0.0 This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth--one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.
Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing--such as photographs, postcards, books, and collectibles--that in turn remade the public's understanding of Romantic writers.
Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Les Wilson0.0 Next morning at about 6 o'clock my mother wakened us to say there had been a shipwreck and bodies were being washed ashore. My father had gone with others to look for survivors ... I don't think any survivors came in at Port Ellen but bodies did.
The loss of two British ships crammed with American soldiers bound for the trenches of the First World War brought the devastation of war directly to the shores of the Scottish island of Islay. The sinking of the troopship Tuscania by a German U-Boat on 5 February 1918 was the first major loss of US troops in in the war.
Eight months after the people of Islay had buried more than 200 Tuscania dead, the armed merchant cruiser Otranto collided with another troopship during a terrible storm. Despite a valiant rescue attempt by HMS Mounsay, the Otranto drifted towards Islay, hit a reef, throwing 600 men into the water. Just 19 survived; the rest were drowned or crushed by the wreckage.
Based on the harrowing personal recollection of survivors and rescuers, newspaper reports and original research, Les Wilson tells the story of these terrible events, painting a vivid picture which also pays tribute to the astonishing bravery of the islanders, who risked their lives pulling men from the sea, caring for survivors and burying the dead.
Jay Whittaker0.0 Written from personal experience without a hint of sentimentality, Wristwatch charts a course through cancer treatment and recovery, becoming a widow at 44, and taking on the social care system on behalf of elderly relatives. United by themes of transition and transformation, the beautifully realised sequences in Wristwatch are moving, spare and convincing:
Listen as the city wheezes,
exhaling through its teeth:
the pause where it stops breathing,
when all I hear is heart,
thudding, as I wait.
Мик Китсон3.4 У героини романа красивое имя - Солмарина (сокращённо - Сол), что означает "морская соль". Ей всего лишь тринадцать лет, но она единственная заботится о младшей сестрёнке, потому что их мать-алкоголичка не в состоянии этого делать.
Сол убила своего отчима. Сознательно и жестоко. А потом они с сестрой сбежали, чтобы начать новую жизнь... в лесу.
Роман шотландского писателя посвящен актуальной теме - семейному насилию над детьми. Иногда, когда жизнь ребенка становится похожей на кромешный ад, его сердце может превратиться в кусок льда.
