Книги

Lyrical, witty, moving and timely, To Fill a Yellow House is a story of community, friendship and the power of creativity and connection.

When Kwasi's family moves abruptly from one side of London to the other, Kwasi is both excited by the change--the new house is so big--and unsettled by his new school and the pressures placed upon him by his parents and many aunties. One place Kwasi finds refuge and inspiration is the Chest of Small Wonders, an eclectic and run-down charity shop on the high street.

Rupert has run the Chest for decades, but since his wife's death several years before, he has struggled to keep their dreams for the shop alive. These days, fewer people shop second-hand, the Chest has become a depository for unwanted possessions, and Rupert is indulging more and more in herbal and perhaps-not-so-legal teas.

As Kwasi spends time in the Chest, an unexpected friendship develops between man and boy, a relationship that gives each a new sense of belonging. But the community and high street are changing, and when local politics threaten to engulf the Chest, both Kwasi and Rupert must decide who their allies are and where their futures lie.

To Fill a Yellow House is as vibrant and surprising as the city it is set in and marks the arrival of a bright and bold new talent.

Lyrical, witty, moving and timely, To Fill a Yellow House is a story of community, friendship and the power of creativity and connection.

When Kwasi's family moves abruptly…

Here, beneath the planes circling Heathrow, various lives connect. Priti speaks English and her nani Punjabi. Without Priti's mum around they struggle to make a shared language. Not far away, Chetan and Aanshi's relationship shifts when a woman leaves her car in their drive but never returns to collect it. Gujan's baba steps out of his flat above the chicken shop for the first time in years to take his grandson on a bicycle tour of the old and changed neighbourhood. And returning home after dropping out of university, Lata grapples with a secret about her estranged family friend, now a chart-topping rapper in a crisis of confidence.

Mapping an area of West London, these stories chart a wider narrative about the movement of multiple generations of immigrants. In acts of startling imagination, Gurnaik Johal's debut brings together the past and the present, the local and the global, to show the surprising ways we come together.

Here, beneath the planes circling Heathrow, various lives connect. Priti speaks English and her nani Punjabi. Without Priti's mum around they struggle to make a shared language.…

Sayon Hughes longs to escape the volatile Bris­tol neighborhood known as Ends, the tight-knit but sometimes lawless world in which he was raised, and forge a better life with Shona, the girl he’s loved since grade school. With few paths out, he is drawn into dealing drugs along­side his cousin, the unpredictable but fiercely loyal Cuba. Sayon is on the cusp of making a clean break when an altercation with a rival dealer turns deadly and an expected witness threatens blackmail, upending his plans.

Sayon’s loyalties are torn. If Shona learns the secret of his crime, he will lose her forever. But if he doesn’t escape Ends now, he may never get another chance. Is it possible to break free of the bookies’ tickets, burnt spoons, and crook­ed solutions, and still keep the love of his life?

Rippling with authenticity and power, Mo­ses McKenzie’s dazzling debut brings to life a vi­brant and teeming world we have read too little about. In its sheer lyrical power, An Olive Grove in Ends recalls the work of James Baldwin and marks the arrival of an exciting and formidable new voice.

Sayon Hughes longs to escape the volatile Bris­tol neighborhood known as Ends, the tight-knit but sometimes lawless world in which he was raised, and forge a better life with…

By reimagining episodes from Homer's Odyssey, Jay Gao's highly anticipated debut collection, Imperium, introduces an innovative talent whose work cuts across poetic traditions, traversing mythic cartographies and imperial formations. Exploring forms of absolute and intimate power, Imperium is an imaginative meditation on how the past lives on in the present by way of, and beyond, a global poetics of diaspora.

'Nuanced, challenging, sometimes hilarious, often anguished, this impressive reimagining of The Odyssey makes for an unforgettable road trip; Gao's Odysseus is a nervy and compelling traveller, a sort of non-hero, itinerant and always somewhat lost. Waylaid with Gao in hotel bars and tour buses, we are estranged, sensitized as we go to the dislocations and non-belonging of children of the world's diasporas, and also to the structures of appropriation and exploitation embedded in travel. We are all conditioned and implicated; but perhaps this acute and attentive Odysseus is exactly who we need to help us listen to the buried histories of Imperialism, to "wait a little differently, mourn a / little more".'
Fiona Benson

'These poems reject the heroism of the legible "I". If a central figure emerges it might be that of the Anti-Translator, not there to disclose personal information but to reveal the bareness of our "corpse-lives". Jay Gao's Imperium marks a new chapter in British poetry, bringing to bear a new complexity, richness of thought and influence.'
Will Harris

By reimagining episodes from Homer's Odyssey, Jay Gao's highly anticipated debut collection, Imperium, introduces an innovative talent whose work cuts across poetic traditions,…

‘When you are someone that falls outside of categories in so many ways, a lot of things are said to you. And I have had a lot of things said to me.’

In None of the Above, Travis Alabanza examines seven phrases people have directed at them about their gender identity. These phrases have stayed with them over the years. Some are deceptively innocuous, some deliberately loaded or offensive, some celebratory; sentences that have impacted them for better and for worse; sentences that speak to the broader issues raised by a world that insists that gender must be a binary.

Through these seven phrases, which include some of their most transformative experiences as a Black, mixed race, non binary person, Travis Alabanza turns a mirror back on society, giving us reason to question the very framework in which we live and the ways we treat each other.

‘When you are someone that falls outside of categories in so many ways, a lot of things are said to you. And I have had a lot of things said to me.’

In None of the Above,…

Discover a powerful, evocative and urgent new young voice in nature writing.
'Birdwatching has never felt like a hobby, or a pastime I can pick up and put down, but a thread running through the pattern of my life.'
Meet Mya-Rose - otherwise known as 'Birdgirl'. Birder, environmentalist, diversity activist. To date she has seen over five thousand different types of bird: half the world's species.
Every single bird a treasure. Each sighting a small step in her family journey - a collective moment of joy and stillness. And each helping her to find her voice.
Since she was young, she has visited every continent to pursue her passion, seeing first-hand the inequality and reckless destruction we are inflicting on our fragile planet. And the simple, mindful act of looking for birds has made her ever-more determined to campaign for all our survival.
This is her story; a journey defined by her love for these extraordinary creatures. Because large or small, brown, patterned or jewelled, there is something about birds that makes us, even for just moments at a time, lift our eyes away from our lives and up to the skies.
Birdgirl is the perfect read for fans of H is for Hawk, Diary of a Young Naturalist, and any young or aspiring environmentalists.

Discover a powerful, evocative and urgent new young voice in nature writing.
'Birdwatching has never felt like a hobby, or a pastime I can pick up and put down, but a thread…

Cabbages . . . The Turkish variety are prized for their enlarged leaf bud, that’s where we put the heroin . . .

There’s a stash of heroin waiting to be imported, and no one seems sure what to do with it . . . But Ayla’s a gardener, and she has a plan.

Offering a fresh and funny take on the machinery of the North London heroin trade, Keeping the House lifts the lid on a covert world thriving just beneath notice: not only in McDonald’s queues and men’s clubs, but in spotless living rooms and whispering kitchens. Spanning three generations, this is the story of the women who keep their family – and their family business – afloat, juggling everything from police surveillance to trickier questions of community, belonging and love.

Cabbages . . . The Turkish variety are prized for their enlarged leaf bud, that’s where we put the heroin . . .

There’s a stash of heroin waiting to be imported, and no one…

It occurred to me that the thing that made me the sickest, the thing that made me suffer most, was the fact that I felt so compelled to hide what had been done to me. Because I believed it was all my fault.

Lucia Osborne-Crowley didn't tell a soul when she was raped aged fifteen. Then, eighteen months after she was attacked, her body began to turn on her - and what followed were sudden bouts of searing, unbearable pain that saw her in and out of hospital for the next ten years.

At twenty-five, Lucia for the first time told the truth about her rape. This disclosure triggered an endless series of appointments with doctors, trauma specialists and therapists. Meanwhile, Lucia threw herself into researching the shadowy intricacies of abuse, trauma and shame.

In My Body Keeps Your Secrets, Lucia shares the voices of women and trans and non-binary people around the world, as well as her own deeply moving testimony. She writes of vulnerability, acceptance and the reclaiming of our selves, all in defiance of a world where atrocities are committed and survivors are repeatedly told to carry the weight of that shame.

Widely researched and boldly argued, this book reveals the secrets our bodies bury deep within them, the way trauma can rewrite our biology, and how our complicated relationships with sex affect our connection with others. Crafted in a daring and immersive literary form, My Body Keeps Your Secrets is a necessary, elegant and empathetic work that further establishes Lucia's credentials as a key intersectional feminist thinker for a new generation.

'Brave, unflinching and infuriating, the stories Lucia has collated are ones that desperately need to be heard' Osman Faruqi, award-winning journalist
'Lucia Osborne-Crowley knows the natural range of the human body is so much greater than we have imagined. She has lived it. This book is a clever catalogue of the ways our bodies endure and the work they do in making sure we do, too. Osborne-Crowley writes with an elegant precision about this most urgent of subjects. Like the human body, this book contains a warning: if we do not attend to its revelations, there may well be pain. Bold, sharp and compassionate, this work announces Osborne-Crowley as a writer with great purpose.' Rick Morton, author of One Hundred Years of Dirt and My Year of Living Vulnerably

'It is both thrilling and terrifying when a body refuses to remain silent anymore. My Body Keeps Your Secrets is a beautiful and deeply moving book, and one that is vitally important: we have so much still to learn about the somatic nature of assault and trauma. Lucia Osborne-Crowley has written an insightful and moving witness statement for women who live with the consequence of assault and abuse, and for the world that has refused to see. Our bodies hold our traumas, and Osborne-Crowley refuses to keep the silence anymore.' Virginia Trioli, journalist, author, radio and television presenter

It occurred to me that the thing that made me the sickest, the thing that made me suffer most, was the fact that I felt so compelled to hide what had been done to me. Because I…

Они встретились в баре. Оба лондонцы, оба выпускники частных школ, оба темнокожие. Он — фотограф, она — танцовщица. Когда они встретились, то почувствовали, будто знали друг друга всю жизнь. Но могут ли двое людей найти утешение в любви в мире, за принадлежность к которому каждый день приходится бороться?

Они встретились в баре. Оба лондонцы, оба выпускники частных школ, оба темнокожие. Он — фотограф, она — танцовщица. Когда они встретились, то почувствовали, будто знали друг друга…

What does it mean to be a person of many countries and heritages? Amnion excavates migratory histories, colonialism and class, moving from England to France, the United States, Spain, Germany, Libya and the Philippines. In this chronicle of a family's history divided by geography and language, Stephanie Sy-Quia explores the reverberations that the actions of one generation can have on the next, through acts of bravery and resistance, great and small.

Simultaneously mapping and undoing ideas of the self, everything here is contested. Undefinable in form, combining aspects of fiction, epic poetry and the lyric essay, and merging classical thought and contemporary life to show the joy in living and art, Amnion's broad intellect and undulating emotional landscape is a testament to the families we are given and those that we choose.

What does it mean to be a person of many countries and heritages? Amnion excavates migratory histories, colonialism and class, moving from England to France, the United States,…

A precocious debut that brims with inquisitive energy and sharp insight, overrun by wild boars is a search for intimacy and strength in the face of persecution and trauma. Unpacking interconnecting legacies of colonial exploitation, capitalist extraction and genocide, it is moderated through Maia’s stunningly intricate family history that embraces multiple faiths and languages, as well as Polish and Mexican mythologies and histories. Themes of painting, architecture and collective memory help trace a journey of resilience that runs from ancient Rome via medieval Cairo, Poland in the 30s and Berlin in the 90s, to modern London and the streets of Mexico City. Formally daring and subversively inventive with language, overrun by wild boars sifts through the wreckage of history and attempts to grasp what is precious, what is worth clinging on to, what it means to survive.

A precocious debut that brims with inquisitive energy and sharp insight, overrun by wild boars is a search for intimacy and strength in the face of persecution and trauma.…

Through thirteen remarkably different stories, The Storm uses the intimacy of an evocative and volatile landscape to explore the very basics of human survival, all told in a distinct and slender style of prose.

From a son struggling to hold on to normality in the face of an environment in revolt, to an elderly mother fighting relentless conditions in order to confront the child who has abandoned her; from a future where the personifications of tranquillity can be bought and exploited, to a faraway location where it is possible to unite with deceased loved ones . . .

This collection of stories shows us the unusual and often questionable ways in which people deal with extreme crisis and how ordinary human relationships can become distorted in severe conditions.

The Storm features an original painting and internal artwork by Arantza Pardo, while the audiobook is narrated by dub artist and MC Rider Shafique.

Through thirteen remarkably different stories, The Storm uses the intimacy of an evocative and volatile landscape to explore the very basics of human survival, all told in a…

The Times top ten bestseller.

‘An instant Scottish classic’ – The Skinny

‘A swaggering, incendiary debut’ – Guardian

‘Trainspotting for a new generation’ – Independent

‘Raw and lyrical’ – Observer

‘One of the most admired young voices in British fiction’ – The Times

2005. Glasgow is named Europe’s Murder Capital, driven by a violent territorial gang and knife culture. In the housing schemes of adjacent Lanarkshire, Scotland’s former industrial heartland, wee boys become postcode warriors.

2004. Azzy Williams joins the Young Team [YTP]. A brutal gang conflict with their deadly rivals, the Young Toi [YTB] begins.

2012. Azzy dreams of another life. He faces his toughest fight of all – the fight for a different future.

Expect Buckfast. Expect bravado. Expect street philosophy. Expect rave culture. Expect anxiety. Expect addiction. Expect a serious facial injury every six hours. Expect murder.

Hope for a way out.

The Times top ten bestseller.

‘An instant Scottish classic’ – The Skinny

‘A swaggering, incendiary debut’ – Guardian

‘Trainspotting for a new generation’ – Independent…

'Hunger made me’, reveals one speaker in Ripe, and the desire to be satiated fills these poems. Desperate women hide grains of rice in their hair, baked beans evoke a strained father-daughter relationship, plantains endure the fire. Yet hunger takes many forms, as the risks and rewards of its satisfaction are weighed, and cravings for intimacy are charged with danger. ‘When we’re born, we’re someone else’s’, but in this daring exploration of identity and survival, we hear a thrilling new voice come into its own.

'Hunger made me’, reveals one speaker in Ripe, and the desire to be satiated fills these poems. Desperate women hide grains of rice in their hair, baked beans evoke a strained…

A captivating, lyrical and deeply discerning portrait of life in the Cornish town of Newlyn, the largest working fishing port in Britain, from a brilliant debut writer
There is the Cornwall Lamorna Ash knew as a child - the idyllic, folklore-rich place where she spent her summer holidays. Then there is the Cornwall she discovers when, feeling increasingly dislocated in London, she moves to Newlyn, a fishing town near Land's End. This Cornwall is messier and harder; it doesn't seem like a place that would welcome strangers.
Before long, however, Lamorna finds herself on a week-long trawler trip with a crew of local fishermen, afforded a rare glimpse into their world, their warmth and their humour. Out on the water, miles from the coast, she learns how fishing requires you to confront who you are and what it is that tethers you to the land. But she also realises that this proud and compassionate community, sustained and defined by the sea for centuries, is under threat, living in the lengthening shadow cast by globalisation.
An evocative journey of personal discovery replete with the poetry and deep history of our fishing communities, Dark, Salt, Clear confirms Lamorna Ash as a strikingly original new voice.

A captivating, lyrical and deeply discerning portrait of life in the Cornish town of Newlyn, the largest working fishing port in Britain, from a brilliant debut writer
There is…

Maintaining one person's dignity comes nearly always at the expense of someone else's. I have learned this for you.

Janet is caught between care work and caring for herself. Her life revolves around Sean, a talented fine art student, living and working with cerebral palsy. Both Janet and Sean are new to London and far from their families. Both are finding a means of escape through pushing their bodies to the limit.

When Sean is faced with an unexpected and deeply personal tragedy, Janet must let her guard down at last and discover what she's prepared to fight for.

The Art of the Body is a novel about dignity and intimacy, tenderness and brutality, unafraid to explore uncommon bodies in unusual ways.

Maintaining one person's dignity comes nearly always at the expense of someone else's. I have learned this for you.

Janet is caught between care work and caring for herself.…

'The old Shetland fishermen still speak with something like reverence of the forgotten art of steering by the moder dy (mother wave), the name given to an underswell which it is said always travels in the direction of home'

Written in English, interspersed with Shetlandic dialect throughout, this eagerly awaited debut collection from Shetland poet Roseanne Watt contains profound, assured and willfully spare poems that are built from the sight, sound and heartbeat of the land as much as from the sea. In rigorously controlled, concise, and vivid language Watt offers glimpses of the landscape alongside which we find the most complex and mysterious of human experiences.

'The old Shetland fishermen still speak with something like reverence of the forgotten art of steering by the moder dy (mother wave), the name given to an underswell which it is…

The music of the British composer Michael Tippett - including the oratorio A Child of Our Time, five operas, and four symphonies - is among the most visionary of the twentieth century. But little has been written about his extraordinary life. In this long-awaited first biography, Oliver Soden weaves a century-spanning narrative of epic scope and penetrating insight.

Soden has discovered troves of unpublished letters and manuscripts, and recorded moving interviews with Tippett's friends and colleagues. He paints a portrait of a powerful intellect and infectious personality: charming, stubborn, and great fun. But he also uncovers the sorrows and secrets that Tippett stowed away beneath his cheerfulness, not least the darker reaches of some tempestuous and often tragic love affairs.

Soden's achievement is to have enriched our understanding not only of Tippett but of his times. Figures such as T.S. Eliot, E.M. Forster, Barbara Hepworth, and W.H. Auden jostle in the cast list. An Edwardian world of gaslight and empire cedes to turmoil and warfare; one startling revelation is the extent of Tippett's involvement in the fiery left-wing politics of the 1930s. The narrative roves from the mining villages of the north, blighted by unemployment, to a cell at Wormwood Scrubs, where Tippett was imprisoned as a conscientious objector. Later chapters uncover his operas' game-changing attitudes to gay and civil rights, against a backdrop of the Cold War and the Space Race. And singing from the page comes the music, through which Soden charts an exquisitely written course, offering lucid readings of Tippett's most famous works while resuscitating forgotten masterpieces. The result is a landmark in the study of twentieth-century culture, simultaneously an astonishing feat of scholarship and a story as enthralling as in any great novel.

The music of the British composer Michael Tippett - including the oratorio A Child of Our Time, five operas, and four symphonies - is among the most visionary of the twentieth…

History meets memoir in two true-life love stories between two sets of writers--one unfolding in nineteenth century Rome, one in present-day Paris and London--both of which reveal the longings and ambitions of the very contemporary Nell Stevens.

In 1857, English novelist Elizabeth Gaskell completed her most famous work: the biography of her dear friend, the recently deceased Charlotte Bronte. As publication loomed, Elizabeth was keen to escape the reviews and, leaving her wholesome, dull minister husband at home, travelled with her daughters to Rome. And it was there that she met the American writer and critic, Charles Eliot Norton. Seventeen years her junior, he was the love of her life. She knew they could never be together--it would be an unthinkable breach--but when she returned home to Mr. Gaskell, she discovered to her horror that while she was gone he had betrayed her--betrayed her work--in a way that she is not sure she can ever forgive.
In 2013 Nell Stevens is in a PhD program in London, halfheartedly pursuing a post in academia to keep her afloat while she follows her true vocation as a writer. Her dissertation on the artistic expatriate community of nineteenth-century Rome isn't quite coming together. But scholarly questions take a back seat to her budding romance with Max, a soulful American with an unfinished screenplay. That is, until their relationship begins to founder, and the echoes between Nell's life and that of her historical subject become too strong to ignore.
As these two storylines meet up in delightful, funny, and unexpected ways, Mrs. Gaskell and Me evokes the bittersweet ache of lost love and the consolations of female writerly ambition.

History meets memoir in two true-life love stories between two sets of writers--one unfolding in nineteenth century Rome, one in present-day Paris and London--both of which reveal…

The Perseverance is the remarkable debut book by British-Jamaican poet Raymond Antrobus. Ranging across history and continents, these poems operate in the spaces in between, their haunting lyrics creating new, hybrid territories.

The Perseverance is a book of loss, contested language and praise, where elegies for the poet’s father sit alongside meditations on the d/Deaf experience.

The Perseverance is the remarkable debut book by British-Jamaican poet Raymond Antrobus. Ranging across history and continents, these poems operate in the spaces in between, their…

Wandering in central Europe, a traveller observes and records a landscape of lakes, folk culture and uneasy histories. Phoebe Power's Shrines of Upper Austria gathers numerous stories and perspectives, such as the fragmented narrative of an Austrian woman who married a British soldier after the Second World War, and the voices of schoolchildren and immigrants. Strange discoveries are made: a grave for two dead goats; a lantern procession on the night of Epiphany; a baby abandoned by a river; a homemade frog-puppet.

The poems are a collage of stories and histories, set in a variety of forms and registers. They are attentive to local detail, rich in the names of people and places - Marija, Omegepta, Eck 4 and the Loser Mountain. Mixing poetry and prose, image and narrative, German and English, Power's poems are a celebration of creativity in unlikely places. Against a disquieting backdrop of mild winters and memories of snow, they invite us to question what it means to feel at once a stranger and at home.

Wandering in central Europe, a traveller observes and records a landscape of lakes, folk culture and uneasy histories. Phoebe Power's Shrines of Upper Austria gathers numerous…

'I needed to get to the stopping places, so I needed to get on the road. It was the road where I might at last find out where I belonged.'

Damian Le Bas grew up surrounded by Gypsy history. His great-grandmother would tell him stories of her childhood in the ancient Romani language; the places her family stopped and worked, the ways they lived, the superstitions and lores of their people. But his own experience of life on the road was limited to Ford Transit journeys from West Sussex to Hampshire to sell flowers.

In a bid to better understand his Gypsy heritage, the history of the Britain's Romanies and the rhythms of their life today, Damian sets out on a journey to discover the atchin tans, or stopping places – the old encampment sites known only to Travellers. Through winter frosts and summer dawns, from horse fairs to Gypsy churches, neon-lit lay-bys to fern-covered banks, Damian lives on the road, somewhere between the romanticised Gypsies of old, and their much-maligned descendants of today.

In this powerful and soulful debut, Damian le Bas brings the places, characters and stories of his to bold and vigorous life.

'I needed to get to the stopping places, so I needed to get on the road. It was the road where I might at last find out where I belonged.'

Damian Le Bas grew up surrounded by…

Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned sour and fearful. They lived apart in the house that Daddy built for them with his bare hands. They foraged and hunted. When they were younger, Daniel and Cathy had gone to school. But they were not like the other children then, and they were even less like them now. Sometimes Daddy disappeared, and would return with a rage in his eyes. But when he was at home he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn't true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew.

Atmospheric and unsettling, Elmet is a lyrical commentary on contemporary society and one family's precarious place in it, as well as an exploration of how deep the bond between father and child can go.

Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned sour and fearful. They lived apart in the house that Daddy…