Вручение 21 сентября 2021 г.
Страна: США
Место проведения: осенняя конференция Ассоциации независимых книготорговцев Новой Англии
Дата проведения: 21 сентября 2021 г.
Художественная литература для взрослых
Лауреат
Kaitlyn Greenidge
0.0
The critically acclaimed and Whiting Award–winning author of We Love You, Charlie Freeman returns with an unforgettable story about the meaning of freedom.
Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark.
When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.
Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi.
Крис Бохджалян
4.0
Исторический роман, действие которого происходит в Бостоне 1662 года.
Мэри Дирфилд 24 года. У нее фарфоровая кожа и голубые глаза — в Англии у нее могло бы быть много поклонников. Но здесь, в Новом Свете, Мэри — жена Томаса Дирфилда, влиятельного и жестокого человека. Она живет во времена, когда из-за разговора с незнакомцем тебя могут назвать падшей женщиной, а при попытке лечения травами — ведьмой. В этом мире каждый шпионит за соседями и может донести на друга. Вот только на синяки и травмы, которые иногда возникают у девушек после ссоры с мужем, внимания не обращают.
Мэри не похожа на других. Она добра к незнакомцам, не переносит лицемерие и всегда старается поступать по совести. Однажды девушка и сама становится объектом слухов и подозрений — соседи узнают, что она пыталась вылечить мальчика целебными травами. Ее называют ведьмой, а муж в порыве гнева вонзает ей вилку в тыльную сторону ладони. Теперь ей нужно проявить храбрость, чтобы спастись не только от жестокого мужа, но и от виселицы.
Ф. Джели Кларк
3.5
Каир, 1912 год. Фатима эль-Шаарави — самая молодая женщина, работающая в Министерстве алхимии, заклинаний и сверхъестественных сущностей. Впрочем, новичком в своем деле ее назвать трудно, особенно после того, как прошлым летом агент Фатима предотвратила разрушение Вселенной. Поэтому, когда кто-то убивает всех членов тайного общества, посвященное одному из самых известных людей в истории — аль-Джахизу, к делу привлекают именно ее.
Аль-Джахиз изменил мир сорок лет назад, когда приоткрыл завесу между царством магии и царством людей и исчез в неизвестности. Убийца утверждает, что он и есть аль-Джахиз, вернувшийся, чтобы осудить современный мир. Его опасные магические способности провоцируют беспорядки на улицах Каира, которые угрожают выйти на мировую арену.
Роман и повести Ф. Джели Кларка о магическом альтернативном Каире, полном ангелов, джиннов, духов и нераскрытых тайн.
Emily M. Danforth
3.6
The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit.
Our story begins in 1902, at The Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.
Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.
A story within a story within a story and featuring black-and-white period illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read.
Мелани Финн
0.0
The Hare is an affecting portrait of Rosie Monroe, of her resilience and personal transformation under the pin of the male gaze.
Raised to be obedient by a stern grandmother in a blue-collar town in Massachusetts, Rosie accepts a scholarship to art school in New York City in the 1980s. One morning at a museum, she meets a worldly man twenty years her senior, with access to the upper crust of New England society. Bennett is dashing, knows that “polo” refers only to ponies, teaches her which direction to spoon soup, and tells of exotic escapades with Truman Capote and Hunter S. Thompson. Soon, Rosie is living with him on a swanky estate on Connecticut’s Gold Coast, naively in sway to his moral ambivalence. A daughter—Miranda—is born, just as his current con goes awry forcing them to abscond in the middle of the night to the untamed wilderness of northern Vermont.
Almost immediately, Bennett abandons them in an uninsulated cabin without a car or cash for weeks at a time so he can work a teaching job, that may or may not exist, at an elite college. Rosie is forced to care for her young daughter alone and to tackle the stubborn intricacies of the wood stove, snowshoe into town, hunt for wild game, and forage in the forest. As Rosie and Miranda’s life gradually begins to normalize, Bennett’s schemes turn malevolent, and Rosie must at last confront his twisted deceptions.
Документальная литература
Лауреат
Элисон Бекдел
4.0
From the author of Fun Home, a profound graphic memoir of Bechdel's lifelong love affair with exercise, set against a hilarious chronicle of fitness fads in our times
Comics and cultural superstar Alison Bechdel delivers a deeply layered story of her fascination, from childhood to adulthood, with every fitness craze to come down the pike: from Jack LaLanne in the 60s ("Outlandish jumpsuit! Cantaloupe-sized guns!") to the existential oddness of present-day spin class. Readers will see their athletic or semi-active pasts flash before their eyes through an ever-evolving panoply of running shoes, bicycles, skis, and sundry other gear. But the more Bechdel tries to improve herself, the more her self appears to be the thing in her way. She turns for enlightenment to Eastern philosophers and literary figures, including Beat writer Jack Kerouac, whose search for self-transcendence in the great outdoors appears in moving conversation with the author’s own. This gifted artist and not-getting-any-younger exerciser comes to a soulful conclusion. The secret to superhuman strength lies not in six-pack abs, but in something much less clearly defined: facing her own non-transcendent but all-important interdependence with others.
A heartrendingly comic chronicle for our times.
Керри Арсено
0.0
A galvanizing and powerful debut, Mill Town is an American story, a human predicament, and a moral wake-up call that asks: what are we willing to tolerate and whose lives are we willing to sacrifice for our own survival?
Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100 years the community orbited around a paper mill that employs most townspeople, including three generations of Arsenault’s own family. Years after she moved away, Arsenault realized the price she paid for her seemingly secure childhood. The mill, while providing livelihoods for nearly everyone, also contributed to the destruction of the environment and the decline of the town’s economic, physical, and emotional health in a slow-moving catastrophe, earning the area the nickname “Cancer Valley.”
Mill Town is an personal investigation, where Arsenault sifts through historical archives and scientific reports, talks to family and neighbors, and examines her own childhood to illuminate the rise and collapse of the working-class, the hazards of loving and leaving home, and the ambiguous nature of toxics and disease. Mill Town is a moral wake-up call that asks, Whose lives are we willing to sacrifice for our own survival?
Бекки Купер
5.0
You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.
Forty years later, Becky Cooper, a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a "cowboy culture" among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims.
We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.
Ширли Хагер, Мавопиян
0.0
In a world that requires knowledge and wisdom to address developing crises around us, The Gatherings shows how Indigenous and non-Indigenous peoples can come together to create meaningful and lasting relationships.
Thirty years ago, in Wabanaki territory - a region encompassing the state of Maine and the Canadian Maritimes - a group of Indigenous and non-Indigenous individuals came together to explore some of the most pressing questions at the heart of Truth and Healing efforts in the United States and Canada. Meeting over several years in long-weekend gatherings, in a Wabanaki-led traditional Council format, assumptions were challenged, perspectives upended, and stereotypes shattered. Alliances and friendships were formed that endure to this day.
The Gatherings tells the moving story of these meetings in the words of both Indigenous and non-Indigenous participants. Reuniting to reflect on how their lives were changed by their experiences and how they continue to be impacted by them, the participants share the valuable lessons they learned.
The many voices represented in The Gatherings offer insights and strategies that can inform change at the individual, group, and systems levels. These voices affirm that authentic relationships between Indigenous and non-Indigenous peoples - with their attendant anxieties, guilt, anger, embarrassments, and, with time, even laughter and mutual affection - are key to our shared futures here in North America. Now, more than ever, it is critical that we come together to reimagine.
Mawopiyane
Gwen Bear
The Reverend Shirley Bowen
Alma H. Brooks/Zapawey-kwey
gkisedtanamoogk
JoAnn Hughes
Debbie Leighton
Barb Martin
Miigam'agan
T. Dana Mitchell
Wayne A. Newell
Betty Peterson
Marilyn Keyes Roper
Wesley Rothermel
Afterword by Dr. Frances Hancock
To reflect the collaborative nature of this project, the word Mawopiyane is used to describe the full group of co-authors. Mawopiyane, in Passamaquoddy, literally means "let us sit together," but the deeper meaning is of a group coming together, as in the longhouse, to struggle with a sensitive or divisive issue - but one with a very desirable outcome. It is a healing word and one that is recognizable in all Wabanaki languages.
Чанда Прескод-Вайнштейн
0.0
From a star theoretical physicist, a journey into the world of particle physics and the cosmos — and a call for a more just practice of science.
In The Disordered Cosmos, Dr. Chanda Prescod-Weinstein shares her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter — all with a new spin informed by history, politics, and the wisdom of Star Trek.
One of the leading physicists of her generation, Dr. Chanda Prescod-Weinstein is also one of fewer than one hundred Black American women to earn a PhD from a department of physics. Her vision of the cosmos is vibrant, buoyantly non-traditional, and grounded in Black feminist traditions.
Prescod-Weinstein urges us to recognize how science, like most fields, is rife with racism, sexism, and other dehumanizing systems. She lays out a bold new approach to science and society that begins with the belief that we all have a fundamental right to know and love the night sky. The Disordered Cosmos dreams into existence a world that allows everyone to tap into humanity’s wealth of knowledge about the wonders of the universe.
Поэзия
Лауреат
Клаудия Рэнкин
0.0
Claudia Rankine’s Citizen changed the conversation―Just Us urges all of us into it
As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history.
Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces―the airport, the theater, the dinner party, the voting booth―where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect.
This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend’s explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine’s own text, complicating notions of authority and who gets the last word.
Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine’s most intimate work, less interested in being right than in being true, being together.
Джошуа Беннетт
0.0
From a 2021 Whiting Award and Guggenheim Fellow recipient, a "rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S." (The New Yorker)
Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an arresting debut that was abounding in tenderness and rich with character, with a virtuosic kind of code switching. Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
Изабель Дуарте-Грэй
0.0
Milton concludes "Lycidas," his great pastoral elegy, with the sudden appearance of the pastoral elegist, a youth with no audience but trees and running water: "Thus sang the uncouth swain to th'oaks and rills, / While the still morn went out with sandals grey." This moment epitomizes, for me, the Western tradition of pastoral poetry, and of pastoral elegy in particular. My collection began as a series of elegies, written for the many dead of my family, in the historically unremarkable Black Patch region of Western Kentucky. They, like Lycidas, often died with no witness but the natural world. They, like Lycidas, are deeply mourned. But unlike Lycidas, my aunts and uncles do not die innocently and are not naively mourned. The lived experience of the country-of poverty, of agriculture, of intense localit- does not exist outside time. It is cruel. It deserves its brutal elegy. Its songs with teeth
Мадлен Кунин
0.0
Red Kite, Blue Sky, the debut poetry collection from Madeleine May Kunin, celebrates life and the natural world, occasioned by the birth of grand-children, the memories of friendship and past birthdays/Bar Mitzvahs, a gift of plum-colored gloves from the poet’s daughter, the Sicilian sun which “melts my argument against myself," with sharp observations and humor. Like Emily Dickinson before her, Kunin does not shy away from death; rather she embraces the anticipation “before death drags me deep,” the gap in her life when her beloved husband dies, the fear of immigration to America during World War II with “an H for Hebrew, I found out later,” and the sadness of being isolated as an older woman living alone during the pandemic. For years Kunin was caught in the tempo of politics—as governor, as a federal official, and as an ambassador—but as she eased into retirement from public life, she found a door that opened for her to explore the multi-layered language of poetry.
Керрин МакКэдден
0.0
"The poems, plainspoken distillations of origins and loss, explore histories, teasing at what we know without knowing, and know without remembering we know. A book of quiet, watchful radiance."--The Boston Globe
"Must-read poetry."--The Millions
New from a poet whose astonishing images, emotional honesty, and storytelling power hold a singular clarity of vision. "American Wake navigates loss with such unparalleled sensitivity and inventiveness that language becomes its own jubilant force of survival."--Major Jackson
An "American wake" is what the Irish call a farewell to those emigrating to the United States. A New England poet equally at home in Ireland, Kerrin McCadden explores family, death and grief, apologies, and all manner of departures. In the poem "In the Harbor," McCadden writes:
When we are out to sea, we look back to see faces
ringing the shore like a fence, those we love in up
to their hips in waves, waving goodbye like mad.
Included in American Wake are the poems, "My Broken Family," "Weeks After My Brother Overdoses," "One Way to Apologize to a Daughter for Careless Words," "Portrait of the Family as a Definition," and "My Mother Talks to Her Son about Her Heart."
This collection by a writer of extraordinary gifts will appeal to readers who believe in the potential of carefully hewn words to unveil our world and our deepest feelings to ourselves. As the acclaimed memoirist Nick Flynn (Another Bullshit Night in Suck City) puts it: "Kerrin McCadden transforms tragedy into myth."
Детская литература
Лауреат
Андреа Ванг
0.0
Gathering watercress by the side of the road brings a girl closer to her family's Chinese Heritage.
Driving through Ohio in an old Pontiac, a young girl's parents stop suddenly when they spot watercress growing wild in a ditch by the side of the road. Grabbing an old paper bag and some rusty scissors, the whole family wades into the muck to collect as much of the muddy, snail covered watercress as they can.
At first, she's embarrassed. Why can't her family get food from the grocery store? But when her mother shares a story of her family's time in China, the girl learns to appreciate the fresh food they foraged. Together, they make a new memory of watercress.
Andrea Wang tells a moving autobiographical story of a child of immigrants discovering and connecting with her heritage, illustrated by award winning author and artist Jason Chin, working in an entirely new style, inspired by Chinese painting techniques. An author's note in the back shares Andrea's childhood experience with her parents.
Джейсон Чин
0.0
Your Place in the Universe introduces readers to the mind-boggling scale of the known Universe.
Most eight-year-olds are about five times as tall as this book... but only half as tall as an ostrich, which is half as tall as a giraffe... twenty times smaller than a California Redwood! How do they compare to the tallest buildings? To Mt. Everest? To stars, galaxy clusters, and . . . the universe?
Жаклин Дэвис
0.0
An everyday visit to the pool transforms into an unforgettable celebration of the water in this remarkable picture book from Jacqueline Davies, the award-winning author of children's classic The Lemonade War, and Sonia Sánchez, the illustrator of Meg Medina's Evelyn Del Rey Is Moving Away.
A day at the community pool is full of unwater magic—dunking and diving with friends; somersaulting, walking on your hands, and bursting up through the surface like a tortoise. But when a thunderstorm comes and a little brother ventures too close to the pool’s edge, will our main character be quick enough and brave enough to save the day?
In this energetic read-aloud, the words swim off the pages as the underwater world comes to life through lush, dynamic illustrations and visual poetry. Journey to an imaginative world where, always and forever, bubbles . . . rise . . . UP!
Сай Монтгомери
0.0
School is not the only place to find a teacher. In this picture book adaptation of Sy Montgomery and Rebecca Green’s New York Times bestselling How to Be a Good Creature, learn the many surprising lessons animals have to teach us about friendship, compassion, and how to be a better creature in the world.
Лаки Платт
0.0
What do you see when you imagine a wolf?
Sharp, pointy teeth?
Big, hungry eyes?
A soft sweater and a friendly smile?
Wait a minute!
The wolf in this story would rather knit than huff, puff, or blow anyone’s house down. But that doesn’t stop the townsfolk from crying wolf anyway. What’s a kind-hearted wolf to do when everyone keeps running and screaming at “Hello?” It’s time to show the world that this wolf is the furthest thing from Big and Bad.
This beautifully illustrated fable engages readers directly, reminding them to challenge expectations.
Книги для подростков
Лауреат
Раджани ЛаРокка
0.0
An #ownvoices novel in verse about an Indian American girl whose life is turned upside down when her mother is diagnosed with leukemia.
Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.
Then Reha finds out that her Amma is sick. Really sick.
Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.
Дженнифер Якобсон
0.0
Launch of a new chapter books series about sisters who move to a tiny house with their family to start a simpler new life.
8 and 6-year-old sisters named Twig and Turtle are excited and curious about their new small town in Colorado, and for their cool new tiny house. Their family is united in living more simply and not stressing out the earth's resources. And enjoying nature. But for Twig, that means leaving her BIG adopted Great Dane with her grandma. In the tiny house, there's barely enough room for a few books and games!
Friendly and outgoing Turtle rolls with the move, and new life. But Twig struggles without her beloved dog. At school, Twig has to write about an opinion. And that gets her mind cooking. Twig is going to use her writing project to get her big dog back!
Дайна Лоренц
0.0
A story told in alternating perspectives about a down-on-her-luck girl who rescues a baby owl, and how the two set each other free.
Great horned owl Rufus is eight months old and still can’t hunt. When his mother is hit by a car, he discovers just how dangerous the forest can be.
Reenie has given up on adults and learned how to care for herself—a good thing, since she’s sent to live with an aunt she’s never met. Yet this aunt has a wonderful secret: she’s a falconer who agrees to help Reenie catch an injured passage hawk in the wild and rehabilitate it.
When Reenie traps bedraggled Rufus, his eyes lock onto her heart, and they form a powerful friendship. But can Rufus learn to trust in the outside world and fly free? And can Reenie open her heart enough to truly soar?
Sarah Moon
0.0
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.
Том Салливан
0.0
A thrilling new graphic nonfiction series about real FBI cases, launching with a gripping, minute-by-minute account of the only unsolved airplane hijacking in the U.S.
CASE NO. 001: NORJAK
NOVEMBER 24, 1971
PORTLAND, OREGON
2:00 P.M.
A man in his mid-forties, wearing a suit and overcoat, buys a ticket for Northwest Orient Airlines flight 305 bound for Seattle.
3:07 P.M.
The man presents his demands: $200,000 in cash and four parachutes. If the demands are not met, he threatens to detonate the explosive device in his briefcase.
So begins the astonishing true story of the man known as D.B. Cooper, and the only unsolved airplane hijacking case in the United States. Comic panels, reproductions of documents from real FBI files, and photos from the investigation combine for a thrilling read for sleuths of all ages.
What better way to draw readers into nonfiction than through an exciting graphic novel? This series will appeal to readers of series such as Nathan Hale’s Hazardous Tales. Fans of history and whodunits, CSI-club kids, and graphic novel enthusiasts alike will be pulled in by the suspenseful, complex, and kid-appropriate cases in this series.
Sidebars provide fun facts about pre-2001 air travel, serial numbers on currency, airplane design, and more. Backmatter showcases period photos and primary source material in FBI archives.
