Салли Руни3.6 Коннелл Уолдрон и Марианна Шеридан учатся в одной школе и даже в одном классе, но почти не общаются — трудно представить себе двух более разных людей. В школе Коннелл душа любой компании, один из самых популярных парней, звезда футбольной команды, а Марианна — замкнутая одиночка, поддерживающая отношения по большей части с книгами. В реальной жизни иначе: она из очень состоятельной семьи, а он из бедной, его мать уборщица в особняке Шериданов... Но однажды они все же поговорят — на кухне у Марианны, когда Коннелл заедет за мамой. И этот недолгий, неловкий, но наэлектризованный разговор изменит их жизнь.
«Нормальные люди» — история о том, как один человек может изменить жизнь другого. И о том, как нам трудно говорить о своих чувствах. О желании ощутить власть над другим человеком и одновременно всецело принадлежать ему. Это история о любви.
Pat Barker3.6 The ancient city of Troy has withstood a decade under siege of the powerful Greek army, which continues to wage bloody war over a stolen woman—Helen. In the Greek camp, another woman—Briseis—watches and waits for the war's outcome. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army.
When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. Keenly observant and coolly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position, able to observe the two men driving the Greek army in what will become their final confrontation, deciding the fate not only of Briseis's people but also of the ancient world at large.
Briseis is just one among thousands of women living behind the scenes in this war—the slaves and prostitutes, the nurses, the women who lay out the dead—all of them erased by history. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis's perspective, are rife with newfound revelations. Barker's latest builds on her decades-long study of war and its impact on individual lives—and it is nothing short of magnificent.
The artists are gathering together for a photograph. In one of Rome's historic villas, a party is bright with near-genius, shaded by the socialite patrons of their art. Bear Bavinsky, creator of vast, masculine, meaty canvases, is their god. Larger than life, muscular in both figure and opinion, he blazes at art criticism and burns half his paintings. He is at the centre of the picture. His wife, Natalie, edges out of the shot.
From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name; while Natalie, a ceramicist, cannot hope to be more than a forgotten muse. Trying to burn brightly under his father's shadow - one of the twentieth century's fiercest and most controversial painters - Pinch's attempts flicker and die. Yet by the end of a career of twists and compromises, Pinch will enact an unexpected rebellion that will leave forever his mark upon the Bear Bavinsky legacy.
What makes an artist? In The Italian Teacher, Tom Rachman displays a nuanced understanding of twentieth-century art and its demons, vultures and chimeras. Moreover, in Pinch he achieves a portrait of painful vulnerability and realism: talent made irrelevant by personality. Stripped of egotism, authenticity or genius, Pinch forces us to face the deep held fear of a life lived in vain.
Donal Ryan3.3 Farouk’s country has been torn apart by war.
Lampy’s heart has been laid waste by Chloe.
John’s past torments him as he nears his end.
The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.
Стюарт Тёртон4.1 Впервые на русском — «головоломная, и притом совершенно органичная, смесь “Аббатства Даунтон” и “Дня сурка”, Агаты Кристи и сериалов типа “Квантовый скачок”» (Sunday Express). «Эта книга свела меня с ума», — пишет маститая Софи Ханна, и ей вторит автор «Женщины в окне» А. Дж. Финн: «Освежающе оригинально, нечеловечески хитроумно… Жаль, что не я сам это написал».
Итак, на бал-маскараде в Блэкхит-хаусе, имении семейства Хардкасл, произойдет убийство: на пике праздника, под аккомпанемент величественного салюта, погибнет красавица Эвелина, единственная дочь и наследница Хардкаслов. Но умрет она не единожды: пока Айден Слоун, один из приглашенных на праздник гостей, не разрешит загадку ее убийства, этот день будет повторяться снова и снова, неизменно завершаясь роковым пистолетным выстрелом. Единственный способ разорвать этот порочный круг — установить личность убийцы. Но каждый раз, после каждой неудачной попытки, Айден приходит в себя в чужом теле — и каждый раз в разном…
Candy Gourlay0.0 ‘A wonderful novel... will stay with me for a long time.’ Elizabeth Laird
More than a hundred years ago, a boy named Samkad thinks he knows everything about the world. He knows the mountains he lives in. He knows his people. He knows his blood enemy, the Mangili. And he wants to become a man, to be given his own shield, spear and axe to fight with. His best friend, Luki, wants all the same things – but she is a girl, and no girl has ever become a warrior.
But everything changes when a new boy arrives in the village. He calls himself Samkad’s brother, yet he knows nothing of the ways of the mountain. And he brings news of a people called ‘Americans’, who are bringing war and destruction right to his home . . .
Anne Youngson4.6 In Denmark, Professor Anders Larsen, an urbane man of facts, has lost his wife and his hopes for the future. On an isolated English farm, Tina Hopgood is trapped in a life she doesn’t remember choosing. Both believe their love stories are over.
Brought together by a shared fascination with the Tollund Man, subject of Seamus Heaney’s famous poem, they begin writing letters to one another. And from their vastly different worlds, they find they have more in common than they could have imagined. As they open up to one another about their lives, an unexpected friendship blooms. But then Tina’s letters stop coming, and Anders is thrown into despair. How far are they willing to go to write a new story for themselves?
Elisa Lodato0.0 When Katharine is found dead at the foot of her stairs, it is the mystery of her life that consumes her daughter, Laura.
The medical examiner's report, in which precious parts of Katharine's body are weighed and categorised, motivates Laura to write her own version of events; to bear witness to the unbearable blank space between each itemised entry.
It forces her to confront a new version of the woman she knew only as her mother - a woman silenced by her own mother, and wronged by her husband. A woman who felt shackled by tradition and unable to love freely.
With the heart of a memoir and the pace of a thriller, An Unremarkable Body reveals an overwhelming desire to make sense of an unfulfilled life - and to prove that an unremarkable body does not mean an unremarkable life.
Natalie Hart0.0 For fans of A Thousand Splendid Suns, Anatomy of a Soldier, Girl at War and Yellow Birds.
Emma did not go to war looking for love, but Adam is unlike any other.
Under the secret shadow of trauma, Emma decides to leave Iraq and joins Adam to settle in Colorado. But isolation and fear find her, once again, when Adam is re-deployed. Torn between a deep fear for Adam’s safety and a desire to be back there herself, Emma copes by throwing herself into a new role mentoring an Iraqi refugee family.
But when Adam comes home, he brings the conflict back with him. Emma had considered the possibility that her husband might not come home from war. She had not considered that he might return a stranger.
Hilary McKay0.0 Clarry and her older brother Peter live for their summers in Cornwall, staying with their grandparents and running free with their charismatic cousin, Rupert. But normal life resumes each September - boarding school for Peter and Rupert, and a boring life for Clarry at home with her absent father, as the shadow of a terrible war looms ever closer. When Rupert goes off to fight at the front, Clarry feels their skylark summers are finally slipping away from them.
Can their family survive this fearful war?The Skylarks' War is a beautiful story following the loves and losses of a family growing up against the harsh backdrop of World War One, from the award-winning Hilary McKay.
Matt Killeen0.0 A Jewish girl-turned-spy must infiltrate an elite Nazi boarding school in this highly commercial, relentlessly nail-biting World War II drama!
After her mother is shot at a checkpoint, fifteen-year-old Sarah--blonde, blue-eyed, and Jewish--finds herself on the run from a government that wants to see every person like her dead. Then Sarah meets a mysterious man with an ambiguous accent, a suspiciously bare apartment, and a lockbox full of weapons. He's a spy, and he needs Sarah to become one, too, to pull off a mission he can't attempt on his own: infiltrate a boarding school attended by the daughters of top Nazi brass, befriend the daughter of a key scientist, and steal the blueprints to a bomb that could destroy the cities of Western Europe. With years of training from her actress mother in the art of impersonation, Sarah thinks she's ready. But nothing prepares her for her cutthroat schoolmates, and soon she finds herself in a battle for survival unlike any she'd ever imagined.
Дэвид Алмонд4.0 This is a moving, funny and inspirational novel from the bestselling author of Skellig.
"The day is long, the world is wide, you're young and free."
One hot summer morning, Davie steps boldly out of his front door. The world he enters is very familiar - the little Tyneside town that has always been his home - but as the day passes, it becomes ever more mysterious.
A boy has been killed, and Davie thinks he might know who is responsible. He turns away from the gossip and excitement and sets off roaming towards the sunlit hills above the town.
As the day goes on, the real and the imaginary start to merge, and Davie knows that neither he nor his world will ever be the same again.
This an outstanding novel full of warmth and light, from a multi-award-winning author. David Almond says: 'I guess it embodies my constant astonishment at being alive in this beautiful, weird, extraordinary world.'
J.O. Morgan0.0 **SHORTLISTED FOR THE 2018 FORWARD PRIZE FOR BEST COLLECTION**
A war-poem both historic and frighteningly topical, Assurances begins in the 1950s during a period of vigilance and dread in the middle of the Cold War: the long stand-off between nuclear powers, where the only defence was the threat of mutually assured destruction.
Using a mix of versed and unversed passages, Morgan places moments of calm reflection alongside the tensions inherent in guarding against such a permanent threat. A work of variations and possibilities, we hear the thoughts of those involved who are trying to understand and justify their roles. We examine the lives of civilians who are not aware of the impending danger, as well as those who are. We listen to the whirring minds of machines; to the voice of the bomb itself. We spy on enemy agents: always there, always somewhere close at hand.
Assurances is an intimate, dramatic work for many voices: lyrical, anxious, fragmentary and terrifying; a poem about the nuclear stalemate, the deterrent that is still in place today: how it works and how it might fail, and what will vanish if it does.
Hannah Sullivan0.0 Winner of the T.S. Eliot Prize 2018
One of Bustle's 12 Most Anticipated Poetry Collections for 2018
Hannah Sullivan’s debut collection is a revelation – three long poems of fresh ambition, intensity, and substance. Though each poem stands apart, their inventive and looping encounters make for a compelling unity. "You, Very Young in New York" captures a great American city, in all its alluring detail. It is a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. "Repeat until Time" begins with a move to California and unfolds into an essay on repetition and returning home, at once personal and philosophical. "The Sandpit after Rain" explores the birth of a child and the loss of a father with exacting clarity.
In Three Poems, readers will experience Sullivan's work with the same exhilaration as they might the great modernizing poems of Eliot and Pound, but with the unique perspective of a brilliant new female voice.
Richard Scott0.0 In this intimate and vital debut, Richard Scott creates an uncompromising portrait of love and gay shame. Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.
The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.
Zaffar Kunial0.0 From the beginning, the poet was a wanderer, a storyteller, an imaginer of bridges between worlds. Zaffar Kunial is just such a poet and guide for us today. Yet his territory extends much further afield than those of the past - through Kashmir, where his father was born and now lives, to the Midlands of his mother's birth, and further north to ancestors in Orkney, as well as through language, memory and time. Already an acknowledged star of the Faber New Poets scheme, Kunial has won admirers in such measure as to ensure that Us is one of the most anticipated debuts in recent times. Across its pages, he vocalises what it means to be a human being planting your two feet upon the dizzying earth - and he does so delicately, urgently, intimately - in some of the most original and touching ways that you will read.
"An awe-inspiring account of the tragedies and triumphs within the world of the Holocaust's 'hide-away' children, and of the families who sheltered them." --Georgia Hunter, author of We Were the Lucky Ones
The extraordinary true story of a young Jewish girl in Holland during World War II, who hides from the Nazis in the homes of an underground network of foster families, one of them the author's grandparents
Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after?
So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light.
It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed.
The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.
Benjamin Zephaniah, who has travelled the world for his art and his humanitarianism, now tells the one story that encompasses it all: the story of his life.
In the early 1980s when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin’s poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere, and to popularise it by reaching people who didn’t read books. His poetry was political, musical, radical and relevant.
By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year) and he hasn’t stopped performing and touring since. Nelson Mandela, after hearing Benjamin’s tribute to him while he was in prison, requested an introduction to the poet that grew into a lifelong relationship, inspiring Benjamin’s work with children in South Africa. Benjamin would also go on to be the first artist to record with The Wailers after the death of Bob Marley in a musical tribute to Nelson Mandela.
The Life and Rhymes of Benjamin Zephaniah is a truly extraordinary life story which celebrates the power of poetry and the importance of pushing boundaries with the arts.
Рейнор Винн0.0 Just days after Raynor learns that Moth, her husband of 32 years is terminally ill, their home and livelihood is taken away. With nothing left and little time, they make the brave and impulsive decision to walk the 630 miles of the sea-swept South West Coast Path, from Somerset to Dorset, via Devon and Cornwall.
They have almost no money for food or shelter and must carry only the essentials for survival on their backs as they live wild in the ancient, weathered landscape of cliffs, sea and sky. Yet through every step, every encounter, and every test along the way, their walk becomes a remarkable journey.
The Salt Path is an honest and life-affirming true story of coming to terms with grief and the healing power of the natural world. Ultimately, it is a portrayal of home, and how it can be lost, rebuilt, and rediscovered in the most unexpected ways.
Viv Albertine0.0 SHORTLISTED FOR THE COSTA BOOK OF THE YEAR AWARDS 2018
What was I fighting for? Even now I'm not sure. Something so old and so deep, it has no words, no shape, no logic.
Every memoir is a battle between reality and invention - but in her follow up to Clothes, Music, Boys, Viv Albertine has reinvented the genre with her unflinching honesty.
To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power, and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in blood-letting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger. It is a brutal expose of human dysfunctionality, the impossibility of true intimacy, and the damage wrought upon us by secrets and revelations, siblings and parents.
Yet it is also a testament to how we can rebuild ourselves and come to face the world again. It is a portrait of the love stories that constitute a life, often bringing as much pain as joy. With the inimitable blend of humour, vulnerability, and intelligence that makes Viv Albertine one of our finest authors working today, To Throw Away Unopened smashes through layers of propriety and leads us into a new place of savage self-discovery.