Susan Fletcher0.0 Pregnant with her first child, Eve Green recalls her mother's death when she was eight years old and her struggle to make sense of her parents' mysterious romantic past. Eve is sent to live with her grandparents in rural Wales, where she finds comfort in friendships with Daniel, a quiet farmhand, and Billy, a disabled, reclusive friend of her mother's. When a ravishing local girl disappears, one of Eve's friends comes under suspicion. Eve will do everything she can to protect him, but at the risk of complicity in a matter she barely understands. This is a timeless and beautifully told story about family secrets and unresolved liaisons
Джеральдин Маккорин0.0 What was it really like when the heavens opened and the world drowned? Everyone knows the story of the Flood: The man called on by God to build an ark. The animals that came on board two by two. The rain that fell for forty days and forty nights.
But what about the rest of the story? What about Noah's wife and daughters-in-law? And what if there was a daughter as well? How would it feel to head into the unknown, with only each other and all those animals? What would it be like to turn away friends and neighbors struggling in the water? Could all of it really be part of God's Plan -- the hunger and pain and fear?
Carnegie Medalist Geraldine McCaughrean transforms the familiar story into a provocative new tale that is told through the voices of Noah's family, and even the animals. At the heart is a daughter who questions her father when no one else will.
Майкл Симмонс Робертс0.0 Corpus - Michael Symmons Roberts' Whitbread-Prize winning fourth collection - centres around the body. Mystical, philosophical and erotic, the bodies in these poems move between different worlds - life and after-life, death and resurrection - encountering pathologists' blades, geneticists' maps and the wounds of love and war.
Equally at ease with scripture (Jacob wrestling the Angel in 'Choreography') and science ('Mapping the Genome'), these poems are a thrilling blend of modern and ancient wisdom, a profound and lyrical exploration of the mysteries of the body:' So the martyrs took the lamb./ It tasted rich, steeped in essence/ Of anchovy. They picked it clean/ And found within, a goose, its pink/ Beak in the lamb's mouth like a tongue.' Ranging effortlessly between the physical extremes of death - from putrefaction to purification - and life - drought and flood, hunger and satiation - the poems in Corpus speak most movingly of 'living the half-life between two elements', of what it is to be unique and luminously alive.
The novel is based on four main characters: Hortense, Queenie, Gilbert and Bernard and the story is told from each of their points of view. Its main plot is set in 1948 and focuses on the diaspora of Jamaican immigrants, who, escaping economic hardship on their own "small island," move to England, the Mother Country, for which the men have fought during World War II. Their reception is not quite the warm embrace that they have hoped for. Some chapters skip to an earlier time as the characters describe the time when they were growing up.
John Guy4.2 A long-overdue and dramatic reinterpretation of the life of Mary, Queen of Scots by one of the leading historians at work today.
She was crowned Queen of Scotland at nine months of age, and Queen of France at sixteen years; at eighteen she ascended the throne that was her birthright and began ruling one of the most fractious courts in Europe, riven by religious conflict and personal lust for power. She rode out at the head of an army in both victory and defeat; saw her second husband assassinated, and married his murderer. At twenty-five she entered captivity at the hands of her rival queen, from which only death would release her.
The life of Mary Stuart is one of unparalleled drama and conflict. From the labyrinthine plots laid by the Scottish lords to wrest power for themselves, to the efforts made by Elizabeth's ministers to invalidate Mary's legitimate claim to the English throne, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch. He also explains a central mystery: why Mary would have consented to marry – only three months after the death of her second husband, Lord Darnley – the man who was said to be his killer, the Earl of Bothwell. And, more astonishingly, he solves, through careful re-examination of the Casket Letters, the secret behind Darnley's spectacular assassination at Kirk o'Field. With great pathos, Guy illuminates how the imprisoned Mary's despair led to a reckless plot against Elizabeth – and thus to her own execution.
The portrait that emerges is not of a political pawn or a manipulative siren, but of a shrewd and charismatic young ruler who relished power and, for a time, managed to hold together a fatally unstable country.
Книга названа КНИГОЙ ГОДА,